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Bizen Flower Vase

18 Items

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Mitsuru Isezaki - Bizen Tsurukubi Hanaike

45,000 YEN
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size : W11.0cm×10.8cm×H20.2cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Hanaire is his young works.
Hidasuki Tsurukubi hanaire was the highest grade since Momoyama era.
He studied them and reproduced them in his own kiln.
He succeeded in designing a beautiful neck like a crane, which is the etymology of Tsurukubi.

Potter's Profile

He was born in Bizen City, Okayama Prefecture in 1934.
He was recognized as an important intangible cultural asset designated by the prefecture in 1998.
He died in 2011.

Mamoru Taku - Bizen Hidasuki Tsubo

18,000 YEN
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size : W13.3cm×13.3cm×H11.6cm

Potter's Profile

He was born in Okayama Prefecture in 1952.
He became a disciple of Takaaki Kimura in 1980.
He built a kiln in Saeki in 1983.
He built a kiln in Takebe Town in 1998.

Koji Nakahara - Bizen Tsutsi Nerikomi Hutatsuki Kaki

13,500 YEN
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size : W7.5cm×7.5cm×H14.2cm

Potter's Profile

He was born in Osaka prefecture in 1978.
He became a disciple of Fumio Kawabata since 2001.

Togaku Mori - Tubo

180,000 YEN
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size : W15.3cm×15.2cm×H16.5cm

Potter's Profile

He was born in Bizen City, Okayama Prefecture in 1937.
He began reproducing Old Bizen by a huge kiln from around 1972.
He fired the Aioi-oogama(46m) in 1980.
He completed the Samukaze-oogama(53m) in 1983.
He completed the Samukaze-oogama(85m) in 2008.
He fired Samukaze-oogama(85m) in 2015.

Makoto Nakamura - Bizen Youhen Hanaire

30,000 YEN
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size : W16.9cm×12.5cm×H24.3cm

Potter's Profile

He was born in Bizen City, Okayama Prefecture in 1949.
Since 1971 he became an apprentice to his father, Rokuro Nakamura.
He became independent from 1975 as a ceramic artist.

Yu Fujiwara - Bizen Hanaire

200,000 YEN
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size : W10.9cm-9.1cm H24.6cm

Potter's Profile

Yu Fujiwara(1932-2001, born in Bizen-city Okayama Prefecture) is first son of Kei Fujiwara, Human National Treasure. With the motto "Simple, Perspicuity, Masculine", he made a lot of crocks and bowls and was called "Yu of Crocks". He also was good at making plate wares affected by Rosanjin KItaoji. From 1972, he hold various exhibitions and made many large scale of wall reliefs and artworks. In 1980, he was made important intangible cultural heritage of Okayama prefecture. In 1996, he was made Human National Treasure.

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