Products
| Bizen Sake Bottle & sake Cup | Tea Ceremony Things | Bizen Flower Vase | Bizen Dish & Bowl | Others |
Bizen Sake Bottle & sake Cup
935 Items
1 / 78 page NEXT LAST
Michiaki Kaneshige - Imbe Guinomi
49,500 YEN
size : W6.7cm×6.6cm×H5.3cmMichiaki Kaneshige is the eldest son of Toyo Kanesige.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
The work is very simple in style, but it is filled with Michiaki's ceramic aesthetics.
Red, orange, purplish red, brown, etc. are rapidly changing to create a complex and wonderful clay color.
When you pour liquor, the clay color gets wet and becomes a more wonderful color that intoxicates you.
Yuho Kaneshige - Karatsutsuchi Haiyu Guinomi
49,500 YENSold out
size : W6.9cm×6.7cm×H5.1cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was fired in May 2025.
This Guinomi was made using clay that the artist personally unearthed in the Karatsu region around the mid-Heisei era. It represents the culmination of his work with glazed pottery.
The surface shows the true charm of Karatsu ware—rustic and powerful. The slightly sandy clay was quickly trimmed, creating a rough texture that stands in contrast to the more refined feel of Bizen ware.
Though the piece is simply glazed with ash glaze and no iron painting, it has a quiet elegance cultivated through the artist’s experience in making tea ceramics. The title "Karatsu Clay with Ash Glaze" reflects his free-spirited approach, unconstrained by tradition.
Ken Fujiwara - Bizen Guinomi
36,300 YEN
size : W5.7cm×5.6cm×H4.8cmThis Guinomi was made by Ken Fujiwara before 1970.
He made a large kiln in 1970, this Bajohai was fired in Noborigama kiln.
This Guinomi features a variety of fire patterns, including Tobigoma, Kinsai, and Sangiri. Despite the dynamic surface, the elegant reddish-purple clay color remains beautifully visible.
When in use, the Kinsai deepens and the natural purple hue becomes more vivid, allowing you to fully enjoy the charm of unglazed Bizen ware.
With a refined diameter of 5.7 cm, close to an Ochoko, the piece feels elegant and compact. The tall, flowing foot—distinctive of Ken Fujiwara’s style—complements the form perfectly.
Yuho Kaneshige - Karatsutsuchi haiyu Guinomi
49,500 YENSold out
size : W7.3cm×7.1cm×H5.2cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was fired in May 2025.
This Guinomi was made using clay that the artist personally unearthed in the Karatsu region around the mid-Heisei era. It represents the culmination of his work with glazed pottery.
The surface shows the true charm of Karatsu ware—rustic and powerful. The slightly sandy clay was quickly trimmed, creating a rough texture that stands in contrast to the more refined feel of Bizen ware.
Though the piece is simply glazed with ash glaze and no iron painting, it has a quiet elegance cultivated through the artist’s experience in making tea ceramics. The title "Karatsu Clay with Ash Glaze" reflects his free-spirited approach, unconstrained by tradition.
Yoshiteru Takariki - Bizen Kyodaika Ginsai Guinomi
15,400 YEN
size : W9.1cm×8.5cm×H4.5cmThis Guinomi was Fired in June 2024.
He usually works in a very classical style.
But he never forgets to take on new challenges.
But this is no longer a new challenge, but a completely different level of work.
Using a special firing method with mountain clay, this Guinomi is huge but very lightweight.
The design, which looks like it is about to be crushed, is also very strange.
Sohei Takashima - Hikidashi Guinomi
13,200 YEN
size : W6.0cm×5.8cm×H5.2cmHe is a disciple of Jun Isezaki.
He completed this work using the hikidashi technique he learned from Jun Isezaki.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
The surface texture of this Guinomi also became highly glossy as if it were wet due to rapid cooling.
Yuho Kaneshige - Karatsutsuchi Haiyu Guinomi
49,500 YENSold out
size : W6.3cm×6.1cm×H5.5cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was fired in May 2025.
This Guinomi was made using clay that the artist personally unearthed in the Karatsu region around the mid-Heisei era. It represents the culmination of his work with glazed pottery.
The surface shows the true charm of Karatsu ware—rustic and powerful. The slightly sandy clay was quickly trimmed, creating a rough texture that stands in contrast to the more refined feel of Bizen ware.
Though the piece is simply glazed with ash glaze and no iron painting, it has a quiet elegance cultivated through the artist’s experience in making tea ceramics. The title "Karatsu Clay with Ash Glaze" reflects his free-spirited approach, unconstrained by tradition.
Yuho Kaneshige - Karatsutsuchi Haiyu Sakazuki
49,500 YENSold out
size : W7.2cm×7.1cm×H4.5cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was fired in May 2025.
This Guinomi was made using clay that the artist personally unearthed in the Karatsu region around the mid-Heisei era. It represents the culmination of his work with glazed pottery.
The surface shows the true charm of Karatsu ware—rustic and powerful. The slightly sandy clay was quickly trimmed, creating a rough texture that stands in contrast to the more refined feel of Bizen ware.
Though the piece is simply glazed with ash glaze and no iron painting, it has a quiet elegance cultivated through the artist’s experience in making tea ceramics. The title "Karatsu Clay with Ash Glaze" reflects his free-spirited approach, unconstrained by tradition.
Kenji Takenaka - Imbe Ressai Guinomi
8,800 YEN
size : W5.8cm×5.6cm×H6.5cmHe was one of Jun Isesaki's early disciples.
He is one of the members who researched and developed black clay, which is the specialty of the Isezaki Group.
He has also made many Bizen ware using black clay.
This piece was fired by him around 2006.
The cylindrical design and low koudai give it the feel of Setoguro work.
Yuho Kaneshige - Karatsutsuchi Haiyu Tokkuri
110,000 YENSold out
size : W8.3cm×8.2cm×H12.7cm 260ccYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Tokkuri was fired in May 2025.
This Tokkuri was made using clay that the artist personally unearthed in the Karatsu region around the mid-Heisei era. It represents the culmination of his work with glazed pottery.
The surface shows the true charm of Karatsu ware—rustic and powerful. The slightly sandy clay was slowly shaped on the potter's wheel, creating a rough texture that stands in contrast to the more refined feel of Bizen ware.
Though the piece is simply glazed with ash glaze and no iron painting, it has a quiet elegance cultivated through the artist’s experience in making tea ceramics. The title "Karatsu Clay with Ash Glaze" reflects his free-spirited approach, unconstrained by tradition.
Yuho Kaneshige - Karatsutsuchi Haiyu Sakazuki
49,500 YENSold out
size : W7.9cm×7.5cm×H4.5cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was fired in May 2025.
This Guinomi was made using clay that the artist personally unearthed in the Karatsu region around the mid-Heisei era. It represents the culmination of his work with glazed pottery.
The surface shows the true charm of Karatsu ware—rustic and powerful. The slightly sandy clay was quickly trimmed, creating a rough texture that stands in contrast to the more refined feel of Bizen ware.
Though the piece is simply glazed with ash glaze and no iron painting, it has a quiet elegance cultivated through the artist’s experience in making tea ceramics. The title "Karatsu Clay with Ash Glaze" reflects his free-spirited approach, unconstrained by tradition.
Mitsuru Isezaki - Imbe Guinomi
9,900 YENSold out
size : W6.3cm×6.3cm×H5.8cmMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
Hidari-Uma is a mark that indicates that it is the first works that kiln was made and fired.
Hidari-Uma has been loved by people since ancient times as a good mark of acting.
The surface of this Guinomi has a rainbow-colored fire pattern called "Kinsai".
Due to the influence of Kinsai, Hangzhou has also changed to a metallic color.
1 / 78 page NEXT LAST
