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Bizen Sake Bottle & sake Cup
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Youtaro Isezaki - Hibi 2022 Guinomi
22,000 YENSold out
size : W9.3cm×7.2cm×H6.7cmBorn as the eldest son of Shin Isezaki into a prestigious family of Bizen ware, Youtarou Isezaki continues to create works in a new style that is not bound by conventional ideas. This is his **Hibi 2022 Guinomi**.
By incorporating AI-generated imagery and decal transfer techniques, he pursues a distinctive form of expression that brings contemporary sensibilities into ceramics.
As suggested by the title Hibi 2022 — with “Hibi” carrying the sense of everyday life and the repeated passing of days — he applies images from his own iPhone camera roll across the entire surface of the vessel with transfer paper, creating an effect reminiscent of a photo collage.
Based on an original clay body made by blending porcelain clay and Mogusa clay, the surface is adjusted with coated clay and glaze, allowing the vessel itself to function like a canvas.
Furthermore, this clay canvas affects the outlines of the transferred images through the texture of the clay particles and the glaze, creating a uniquely faded surface impression, as if the piece had been used over a long period of time.
The body is powerfully carved with a spatula, giving the Guinomi a design that seems almost to expand and contract. This creates a strong presence that stands up to the visual impact of the camera-roll transfers.
While based on the traditional form of a drinking vessel, this work brings together contemporary elements such as AI, decal transfer, and smartphone functions, creating a new ceramic expression unique to Youtarou Isezaki.
Youtaro Isezaki - HAL Faceted Guinomi
18,700 YENSold out
size : W6.8cm×6.5cm×H4.8cmBorn as the eldest son of Shin Isezaki into a prestigious family of Bizen ware, Youtarou Isezaki continues to create works in a new style that is not bound by conventional ideas. This is his **HAL Faceted Guinomi**.
By incorporating AI-generated imagery and decal transfer techniques, he pursues a distinctive form of expression that brings contemporary sensibilities into ceramics.
Inspired by Japanese anime, which is one of his own creative backgrounds, he generates original characters using AI and applies them across the entire surface of the vessel with transfer paper, creating an effect reminiscent of a photo collage.
Based on an original clay body made by blending porcelain clay and Mogusa clay, the surface is adjusted with coated clay and glaze, allowing the vessel itself to function like a canvas.
Furthermore, this clay canvas affects the outlines of the transferred images through the texture of the clay particles and the glaze, creating a uniquely faded surface impression, as if the piece had been used over a long period of time.
The body is finely faceted with vertical marks made by a spatula, and when held in the hand, it is interesting to quietly feel the traditional sense of form that has been passed down through the Isezaki lineage from Mitsuru Isezaki.
While based on the traditional form of a drinking vessel, this work brings together contemporary elements such as AI, decal transfer, and animation, creating a new ceramic expression unique to Youtarou Isezaki.
Youtaro Isezaki - HAL Faceted Guinomi
18,700 YENSold out
size : W7.7cm×6.3cm×H4.5cmBorn as the eldest son of Shin Isezaki into a prestigious family of Bizen ware, Youtarou Isezaki continues to create works in a new style that is not bound by conventional ideas. This is his **HAL Faceted Guinomi**.
By incorporating AI-generated imagery and decal transfer techniques, he pursues a distinctive form of expression that brings contemporary sensibilities into ceramics.
Inspired by Japanese anime, which is one of his own creative backgrounds, he generates original characters using AI and applies them across the entire surface of the vessel with transfer paper, creating an effect reminiscent of a photo collage.
Based on an original clay body made by blending porcelain clay and Mogusa clay, the surface is adjusted with coated clay and glaze, allowing the vessel itself to function like a canvas.
Furthermore, this clay canvas affects the outlines of the transferred images through the texture of the clay particles and the glaze, creating a uniquely faded surface impression, as if the piece had been used over a long period of time.
The body is finely faceted with vertical marks made by a spatula, and when held in the hand, it is interesting to quietly feel the traditional sense of form that has been passed down through the Isezaki lineage from Mitsuru Isezaki.
While based on the traditional form of a drinking vessel, this work brings together contemporary elements such as AI, decal transfer, and animation, creating a new ceramic expression unique to Youtarou Isezaki.
Makoto Kaneshige - Bizen Guinomi Highest quality clay
88,000 YENSold out
size : W6.7cm×6.3cm×H6.6cmThis is a new Bizen Guinomi, “Saijo Tsuchi Nite,” by Makoto Kaneshige, who inherited the Maruyama kiln as the eldest son of Sozan Kaneshige and captivates many with the harmony of delicate, elegant clay texture and powerful form.
It is one of his latest works, newly fired at the end of 2025.
As indicated by the box inscription “Saijo Tsuchi Nite,” this Guinomi was made from the finest possible field clay and fired at the Maruyama kiln, resulting in a moist and refined clay surface.
Around forty years ago, Sozan Kaneshige and Makoto Kaneshige discovered this highest-grade clay. It is said that the clay was prepared entirely by hand, without the use of machinery, and then left to rest in storage for many years.
It was clay of such exceptional quality that Makoto Kaneshige said he could not bear to leave it unused in his lifetime. By firing it slowly and thoroughly in the back of the Maruyama kiln, the surface has become so fine and smooth that it almost seems as though the clay had been passed through a fine sieve.
As with old Bizen works, straw was wrapped around the piece before firing, and the natural ash glaze guided by the straw has formed Ito-Goma around the lower body and rim.
In terms of form as well, the bold spatula work often seen in Makoto Kaneshige’s Yohen pieces has been restrained here, resulting in a quiet style that places the clay itself at the center of the work.
Jun Isezaki - Bizen Kuro Guinomi
132,000 YEN
size : W7.0cm×6.7cm×H6.8cmThis is a new Bizen Kuro Guinomi by Jun Isezaki, a Living National Treasure who continues to lead the world of Bizen ware with a creative spirit that never runs dry.
This is one of his latest works, newly fired in February 2026.
Fired for about ten days in a semi-underground Anagama kiln, this piece shows a powerful clash between the black coating and intense Goma, with some areas transforming into a blue fire effect derived from the cobalt contained in the coating.
The piece was fired lying on its side, and natural ash glaze has adhered from the back as if covering the entire work, creating a bold and highly dynamic fire pattern.
Around the rim and nearby areas, the natural ash glaze has hardened to form intense scorched Goma, which combines with the black coating to create a rich cobalt-blue fire effect.
The fact that this blue fire effect appears right around the rim makes the piece especially fascinating as a Guinomi. When used and moistened by sake, the colors become even more vivid, delighting not only the palate but also the eye.
The smooth black tone of the clay surface, together with its generously sized and energetic form, gives the piece a finish unmistakably characteristic of Jun Isezaki, even beyond the beauty of the Kigoma and blue fire effect.
Kei Ushigaki - Tokkuri
24,200 YEN
size : W9.7cm×9.7cm×H13.0cm 400ccKei Ushigaki trained under Jun Isezaki, a Living National Treasure, and later established his own kiln in Kagoshima, a place connected to his grandfather. This is a Tokkuri by Kei Ushigaki.
Created far from Bizen, in the land of Kagoshima, this piece reflects the appeal of Bizen ware that he came to recognize anew by viewing the tradition from an outside perspective.
It was made by firing high-quality clay in the Anagama kiln he built in Kagoshima. The natural ash glaze produced through strong firing has accumulated on the surface, forming complex layers across the vessel.
The base clay surface has a dry, beige tone, which beautifully enhances the lemon-yellow natural ash glaze that has fallen over the entire piece.
In terms of form, the work firmly carries forward the style of the Isezaki lineage, while the clay left around the base appears to curl and lift, creating a stylish and distinctive design.
Jun Isezaki - Bizen Yohen Tokkuri
330,000 YEN
size : W9.0cm×8.8cm×H13.4cm 400ccThis is a new Bizen Yohen Tokkuri by Jun Isezaki, Living National Treasure, who continues to lead the world of Bizen ware with a creativity that never fades.
This is one of his latest works, newly fired in February 2026.
Among Jun Isezaki’s works, anagama Yohen is especially rare, and this piece stands out even within that group for its exceptional firing. Within an ash covering strong enough to rival that of a noborigama firing, it reveals the distinctive fire pattern unique to the anagama, creating a truly beautiful appearance.
The front shows a rich hiro that is characteristic of anagama Yohen, and this lightness in the Yohen, different again from that of noborigama-fired works, is especially appealing.
The back is covered with a complex ash effect where yellow, gray, and black intermingle, and when the piece is moistened, the various tones contained within the ash covering emerge even more vividly.
In keeping with the Yohen, the form is simple, without decorative elements such as impressed patterns, and this simplicity only serves to highlight the beauty of the kumadori-like arch even more.
Although Jun Isezaki often favors somewhat larger forms, this work has a classical size with a body diameter of 9 cm, and it expresses the classic Bizen form of the Yohen Tokkuri beautifully while still clearly showing his own distinctive character.
Mitsuhiro Kaneshige - Bizen Shuhai
19,800 YEN
size : W8.9cm×8.7cm×H4.4cmThis is a Bizen Shuhai by Mitsuhiro Kaneshige, who was born into Kaneshige Ritouen, one of the six traditional Bizen kiln families, yet pursues his own path in pottery without being bound by the family name.
This work was created through a combination of electric kiln and wood-firing under a variety of firing conditions, as he sought to approach the texture and presence of the old ceramics he admires.
By reinterpreting the balance between ash coverage and Goma seen in contemporary Bizen, this piece presents a smooth, namako-like Yohen surface inside, while Tobi-Goma appears around the exterior.
The well-fired reddish-brown clay tone beautifully enhances the mustard-colored Tobi-Goma, creating an intriguing impression, almost as if two different ceramic surfaces had been joined together inside and out.
The form, inspired by Ido Chawan, fits very comfortably in the hand, enhanced by the supple quality of Bizen clay. Despite its powerful firing, it offers a remarkably natural and straightforward feel in use.
Hiroshi Goseki - Sohen Kuro Guinomi
13,200 YENSold out
size : W7.3cm×7.2cm×H7.1cmHiroshi Goseki trained under Jun Isezaki, Living National Treasure, and later established his kiln in Ibaraki Prefecture.
This is his Souhen Kuro Guinomi.
At a glance, the use of black slip clearly recalls the Isezaki lineage, and the work bears the title Souhen Kuro because the areas where the natural ash glaze has accumulated turn a vivid cobalt blue.
Upon the calm Kigoma, which carries a slightly greenish tone, there appears a rich cobalt-blue Yohen fully worthy of the name Souhen.
For this piece, the basic form was first built up to a certain extent using slab construction, and was then carefully adjusted by hand in the finishing stage.
The result is an exceptional form that conveys the quiet stillness and subtle fluctuation of a Raku tea bowl.
The black interior differs in mood from the surface, taking on the deep tone of finely prepared black ink, and creating a captivating depth that seems to draw the eye inward, perfectly suited to the serene character of the work.
Mitsuhiro Kaneshige - Bizen Shuhai
19,800 YEN
size : W7.6cm×7.5cm×H4.5cmThis is a Bizen Shuhai by Mitsuhiro Kaneshige, who was born into Kaneshige Ritouen, one of the six traditional Bizen kiln families, yet pursues his own path in pottery without being bound by the family name.
This work was created through a combination of electric kiln and wood-firing under a variety of firing conditions, as he sought to approach the texture and presence of the old ceramics he admires.
It is a Shuhai characterized by a rich, substantial surface created through multiple firings, together with deep Kigoma. The clay tone beautifully recreates the distinctive chocolate-like color found in old Bizen ware.
The control of the fire pattern, made possible through multiple firings, is also excellent. Slightly greenish Kigoma and subdued Ito-Goma appear across the surface, creating a highly engaging fire pattern.
The gently triangular body fits very comfortably in the hand, making this Shuhai easy to use despite its powerful appearance.
The carefully considered wheel marks inside, reminiscent of a pool of tea, are beautifully resolved, and the trimmed foot, with its crepe-like wrinkles, is equally impressive.
Mitsuhiro Kaneshige - Ao-Bizen Iro-Goma Tokkuri
33,000 YEN
size : W9.4cm×9.3cm×H16.2cm 450ccThis is an Ao-Bizen Iro-Goma Tokkuri by Mitsuhiro Kaneshige, who was born into Kaneshige Ritouen, one of the six traditional Bizen kiln families, yet pursues his own path in pottery without being bound by the family name.
This is a highly distinctive work that aims for an Ao-Bizen style firing through intense reduction flames, while also creating a matiere reminiscent of Ibe-te through multiple firings.
From a distance, it almost appears to be an Ibe-te work finished with applied slip, but when held in the hand, one realizes with surprise that its coloration comes not from slip, but from the firing method itself.
Over the blue-toned surface created by the reduction flames, rich flowing Goma has settled, causing the Goma itself to appear white. In this way, it recalls the white Goma seen on old Bizen works from the Muromachi period and the early Edo period.
Furthermore, as suggested by the title Iro-Goma, this work also incorporates colored decoration. Green and pale blue glazes have been applied so that they blend naturally over the Goma, functioning as accent colors that connect the blue-black clay surface and the white Goma.
In spite of its powerful firing, the surface feels remarkably smooth, and the neck is shaped for a very comfortable grip. It is a thoughtfully designed Tokkuri that reflects Mitsuhiro Kaneshige’s wide-ranging study and collection of many different kinds of ceramics.
Mitsuhiro Kaneshige - Ao-Bizen Shuhai
19,800 YENSold out
size : W6.8cm×6.5cm×H5.4cmThis is an Ao-Bizen Shuhai by Mitsuhiro Kaneshige, who was born into Kaneshige Ritouen, one of the six traditional Bizen kiln families, yet pursues his own path in pottery without being bound by the family name.
This piece aims for an Ao-Bizen style firing through intense reduction flames, while also retaining a beautiful gradation created by natural ash glaze.
The blue-toned firing caused by the reduction flames has produced a refreshing blue surface across the entire piece, giving it a color reminiscent of Sueki ware, the ancestor of Bizen ware.
In addition, natural ash glaze has settled along the rim almost like lipstick, while the blue surface has reacted with the glaze to create black fire effects. The subtle combination of blue and black gives the piece a particularly fascinating character.
The carefully considered wheel marks inside, reminiscent of a pool of tea, are beautifully resolved, and the trimmed foot, with its crepe-like wrinkles, is equally impressive.
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