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Bizen Sake Bottle & sake Cup

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Go Ikenishi - Hidasuki Shuhai

27,500 YEN

size : W6.9cm×6.6cm×H5.8cm

Go Ikenishi is studying old ceramics from Japan, China and Korea.
He applies what he has learned from the study of old ceramics to his work production.
This Guinomi was fired around 2007-2010.
It is an unused piece that has been carefully stored by a collector.
He learned firing methods from Anjin Abe and reproduced old Bizen ware hidasuki.
The entire piece is covered with Hidasuki and has a very strong luster.


Takashi Soga - Bizen Guinomi

13,200 YEN
Sold out

size : W7.0cm×6.8cm×H5.8cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This Guinomi was fired about 5 years ago.
It is an unused piece that has been carefully stored by a collector.
The surface of Guinomi is covered with a luster like metal.


Yoshinobu Morimoto - Bizen Hidasuki Guinomi

13,200 YEN
Sold out

size : W7.3cm×7.2cm×H6.0cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This Guinomi was fired about 10 years ago.
This guinomi is also a wonderful piece created from his knowledge and skills.
There is a slight blue color on the surface of the work.
Hidaski feels the wabi-sabi seen in old Bizen ware.


Iwao Kaneshige - Imbe Tokkuri

27,500 YEN
Sold out

size : W9.7cm×9.7cm×H12.3cm　H360cc

He learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
He fired this Tokkuri roughly 10 years ago in the kiln he inherited from his grandfather and father.
He does not like excessive fire patterns with natural glaze.
He prefers fire patterns that occur in amounts that naturally adhere during the firing process of the piece.
This Tokkuri has a slight Yohen and Kasegoma, and a beautiful scarlet clay color.
These are Kanesige fire patterns that are now rarely seen in his works.


Yoshinobu Morimoto - Bizen Hidasuki Rokkaku Sakazuki

13,200 YEN
Sold out

size : W8.1cm×7.2cm×H5.1cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This guinomi is also a wonderful piece created from his knowledge and skills.
He created this Sakazuki around 2015.
Hexagonal Sakazuki exists in ceramics that use a yellow glaze called Kiseto.
He has successfully incorporated it into his Bizen style.


Junpei Keneshige - Bizen Guinomi

8,800 YEN
Sold out

size : W7.5cm×7.3cm×H5.1cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired about five to ten years ago now and was purchased by a collector who kept it without using it.
Therefore, the red part is very elegant and beautiful.
The fire pattern called “Kase goma” is like the skin of a tree.


Junpei Keneshige - Bizen Hidasuki Guinomi

8,800 YEN
Sold out

size : W7.1cm×6.9cm×H7.1cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired about five to ten years ago now and was purchased by a collector who kept it without using it.
This Guinomi was wrapped in rice straw and baked inside a Noborigama.
The wonderful Hidasuki was completed in a place that was sealed and not directly exposed to the flames.


Takeshi Kaneshige - Bizen Guinomi

8,800 YEN

size : W7.5cm×7.5cm×H5.9cm

This Guinomi was fired around 2013.
It was burned after he moved from Imbe to Kugui.
As a primitive method, he dug a hole in the ground and made a tunnel to burn this Guinomi.
This Guinomi was purchased by a collector in 2003 and stored without being used.


Mitsuru Isezaki - Imbe Guinomi

20,000 YEN
Sold out

size : W6.3cm×6.0cm×H6.0cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This work was fired by him around 2003.
The surface of this Guinomi has a rainbow-colored fire pattern called "Kinsai".
Due to the influence of Kinsai, Hangzhou has also changed to a metallic color.


Iwao Kaneshige - Imbe Sakazuki

18,000 YEN
Sold out

size : W7.3cm×7.1cm×H5.1cm

He learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
He fired this Guinomi roughly 3 years ago in the kiln he inherited from his grandfather and father.
This Sakazuki has a green "Kasegoma" like melon skin and beautiful red clay color.
These are Kanesige fire patterns that are now rarely seen in his works.


Junpei Keneshige - Bizen Guinomi

11,000 YEN
Sold out

size : W6.1cm×6.1cm×H5.5cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired about five to ten years ago now and was purchased by a collector who kept it without using it.
A strong "Yohen" style Guinomi that has been fired in a large amount of burning charcoal.
However, the quality of the clay is so good that a beautiful red clay color remains in the work.
The finish after baking is also very polite, so I feel it is very fun to touch.


Junpei Keneshige - Bizen Guinomi

11,000 YEN
Sold out

size : W7.2cm×7.0cm×H5.7cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired about five to ten years ago now and was purchased by a collector who kept it without using it.
A strong "Yohen" style Guinomi that has been fired in a large amount of burning charcoal.
However, the quality of the clay is so good that a beautiful red clay color remains in the work.
The finish after baking is also very polite, so I feel it is very fun to touch.


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