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Bizen Sake Bottle & sake Cup

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Sohei Takashima - Bizen Hidasuki Guinomi

13,200 YEN

size : W6.7cm×6.5cm×H5.0cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This piece was fired in the anagama (cave kiln) in Ushimado, which Prof. Takashima currently uses.
It features a refined gray matte surface achieved through deep reduction firing, overlaid with subdued reddish Hidasuki patterns.
In recent years, Sohei Takashima has also used a kerosene kiln for final firing, giving the surface a unique texture with a soft, unglossed finish reminiscent of Sue ware.
The piece is hand-built to enhance the soft atmosphere of the Hidasuki, and its quiet yet powerful presence is inspired by the aesthetics of Raku tea bowls.


Makoto Kaneshige - Bizen Guinomi

44,000 YEN
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size : W6.6cm×6.3cm×H6.2cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
He burned in a place where Yohen could collect in the back of the Noborigama kiln.
A large amount of heated charcoal poured into the work, forming a lava-like fire pattern.
You can see the color of the clay through the gap between the round ash.
It is a blue-gray like Aobizen due to the influence of strong flames.
This Guinomi was fired about 5 years ago.
It is an unused piece that has been carefully stored by a collector.


Yuho Kaneshige - Imbe Kuro Guinomi

28,600 YEN
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size : W7.5cm×7.1cm×H5.0cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This is a work like a prelude to those transformations.
It was made around 2010 and he took it out of the kiln and quickly cooled it during firing.


Jun Isezaki - Bizen Guinomi (Mixed with Shigaraki clay)

66,000 YEN
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size : W7.1cm×7.1cm×H7.2cm

Jun Isazaki is a human living national treasure in Bizen were. (Fifth person in Bizen ware)
He firing with a straight hole-shaped kiln called "Anagama".
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
This Guinomi was fired in October 2024.
This unusual Guinomi is made of Bizen clay mixed with Shigaraki clay.
The influence of the shigaraki clay is strongly evident throughout the piece.
The bright orange clay color and the milky white natural glaze are just so.
The title of the wooden box is Bizen Guinomi.


Sohei Takashima - Ao Kaku Guinomi

17,600 YEN

size : W6.3cm×6.1cm×H6.4cm

He is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This is his newest work, published at the end of 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Finally, he generated a very vivid blue color by finish firing in a kerosene kiln.


Shinjiro Aika - Bizen Guinomi

19,800 YEN
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size : W7.0cm×6.8cm×H5.7cm

He learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
And the texture of the surface has many small holes like citrus peels.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.


Sohei Takashima - Bizen Guinomi

14,300 YEN
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size : W6.6cm×6.6cm×H5.5cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
His small anagama will cause a Noborigama-like fire pattern in certain positions in the kiln.
This Tokkuri also has very dark gray ash crystals adhering to it.
The light, slim design is also excellent.
It is a delicate design, like that of a seasoned artist.


Jun Isezaki - Bizen Guinomi

66,000 YEN

size : W7.0cm×6.5cm×H7.6cm

Jun Isazaki is a human living national treasure in Bizen were. (Fifth person in Bizen ware)
He firing with a straight hole-shaped kiln called "Anagama".
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
He wrapped rice straw in his work and fired it.
The color and shape of rice straw changes from part to part due to the influence of natural glaze.
This Guinomi was fired in October 2024.


Shinjiro Aika - Bizen Guinomi

19,800 YEN
Sold out

size : W6.8cm×6.3cm×H5.4cm

He learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
And the texture of the surface has many small holes like citrus peels.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.


Junpei Keneshige - Bizen Guinomi

8,800 YEN
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size : W6.6cm×6.5cm×H6.6cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired about five to ten years ago now and was purchased by a collector who kept it without using it.
A strong "Yohen" style Guinomi that has been fired in a large amount of burning charcoal.
However, the quality of the clay is so good that a beautiful red clay color remains in the work.
The finish after baking is also very polite, so I feel it is very fun to touch.


Tomio Ochi - Bizen Guinomi

4,400 YEN
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size : W7.1cm×7.0cm×H5.7cm

Tomio ochi is a relative of Anjin Abe.
He was an office worker but loved art.
After retiring from the company, he studied pottery as a student at Anjin Abe.
He studied the control of the fire method of the old Bizen from Anjin Abe.
He uses the firing method and clay painting technique taught by Anjin Abe to reproduce the texture and color of old Bizen ware.
This Guinomi was fired about 10 years ago.
It is an unused piece that has been carefully stored by a collector.


Shuroku Harada - Bizen Guinomi

132,000 YEN
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size : W8.6cm×7.6cm×H5.6cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matazaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi has a lot of natural glaze so that it seems as if it was glazed.
The strong flame produces a natural black color due to the reaction between the clay components and the flame.
The entire clay skin has a metallic sheen.
There is his own way to make the body.
He builds the body by stacking clay into tubes.
This Guinomi was fired about 15 years ago.
It is an unused piece that has been carefully stored by a collector.


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