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Bizen Sake Bottle & sake Cup
918 Items
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Koji Nakahara - Bizentsuchi Nerikomi Guimomi
19,800 YEN
size : W6.5cm×6.5cm×H5.9cmThis Guinomi is a new work by Koji Nakahara.
It was fired in the kiln of his mentor, Fumio Kawabata.
This piece recalls the Shizen-Nerikomi (natural kneaded marbul) Guinomi by Fumio Kawabata, with bold Sangiri patterns forming around the waist.
The caramel-brown clay surface adds a deep, earthy tone that matches the firing beautifully.
The outer surface features dynamic Nerikomi patterns resembling rising flames, while the inside shows layered clay textures similar to polished marble.
Due to the soft, melt-prone nature of the Shizen-Nerikomi clay, the form was carefully shaped and adjusted by hand.
Though large in size, the piece feels light and fits comfortably in the hand.
Takashi Baba - Bizen Yohen Ao Guinomi
29,700 YENSold out
size : W7.3cm×7.0cm×H6.7cmTakashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Guinomi was fired by him in February 2025.
This work is painted black clay and cobalt on the surface.
Furthermore, a bright blue fire pattern is generated by intensively applying a strong fire.
Goma's yellow, black clay, and bright blue are a set and have a very fantastic beauty.
Sohei Takashima - Bizen Guinomi
14,300 YENSold out
size : W6.7cm×6.5cm×H6.0cmHe is a disciple of Jun Isezaki.
This is his newest work, published at the end of 2024.
This ambitious work combines firing in both wood and kerosene kilns to achieve a rich yet subdued Hidasuki.
Freely exploring new techniques without being bound by tradition, the artist challenges ancient aesthetics with the latest firing knowledge.
The key to the deep, refined tone lies in the carefully controlled kerosene kiln finish, which was perfected through extensive research to create a soft luster and a rich depth of color.
On top of the vivid reddish clay surface, well-fired mustard-colored Kigoma patterns appear,
creating a harmonious and sophisticated atmosphere despite the bold combination of warm colors, red and yellow.
Kei Fujiwara - Bizen Shuhai
110,000 YEN
size : W6.9cm×6.5cm×H5.5cmThis is a mid-term work of his career.
This Guinomi has a green natural glaze called "Kase goma" attached to the entire work.
Kei Fujiwara said in his lifetime, "I like kase goma best among the Bizen ware fire patterns."
Growing up in the majestic nature of Bizen City, he felt the beauty of nature in Kase goma.
And he makes a change in clay color by making close contact with other works and using refractory soil called Botamochi.
Koji Nakahara - Bizen Tsurukame Guinomi
19,800 YENSold out
size : W7.5cm×7.1cm×H5.8cmThis Guinomi is a new work by Koji Nakahara.
It was fired in the kiln of his mentor, Fumio Kawabata.
The entire Guinomi is carved with cranes and turtles, creating a scene where a turtle seems to chase a flying crane across a shared space.
The figures of the crane and turtle are carefully carved from the thick clay body, with fine details in the wings, shell, and claws—truly impressive craftsmanship.
Though thickly made, the piece is well-balanced and surprisingly light, offering a comfortable and natural feel in the hand despite its bold size.
Natural glaze is applied only in select areas to highlight the carvings.
The crane appears beautifully accented in white by flame effects, while Tobi-Goma patterns on the turtle resemble its shell, adding an interesting texture.
Rokuro Nakamura - Bizen Guinomi
385,000 YENSold out
size : W8.6cm×8.5cm×H3.3cmThis is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
I presume that this Guinomi was fired when he was about 90 years old.
The beautiful Yohen created in the fierce fire created during the firing of the kiln is wonderful.
Other beautiful scarlet clay colors and Kase-goma also occur and have very gorgeous fire patterns.
The wiggly body design is conceived to fit securely in the human hand.
Kazuki Nakamura - Bizen Warikoudai Guinomi
11,000 YENSold out
size : W8.8cm×8.7cm×H4.3cmKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2025.
This Guinomi expresses the red color beautifully by the Nakamura family's original fire method.
The strong fire pattern and the bright scarlet color are beautiful.
When drinking Sake, the bright scarlet color changes more beautifully with water.
Koji Nakahara - Bizen Dragon Guinomi
19,800 YENSold out
size : W8.1cm×8.0cm×H5.3cmThis Guinomi is a new work by Koji Nakahara.
It was fired in the kiln of his mentor, Fumio Kawabata.
A dragon is intricately carved across the entire surface, with the vessel imagined as a sky where the dragon glides peacefully through clouds.
Carved from a thickly formed body, the dragon features fine details in the scales, claws, and whiskers—executed with remarkable precision.
Although the piece is thick and bold in form, the weight is carefully balanced, making it surprisingly light and comfortable to hold.
To highlight the carving, natural ash glaze is applied only in selected areas.
White Kase-Goma resembling clouds and delicate Tobi-Goma inside the cup add charm to the overall expression.
Kosuke keneshige - Bizen Guinomi
44,000 YENSold out
size : W6.7cm×6.5cm×H6.4cmKousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This Guinomi was fired in 2006.
He keeps the style of Bizen ware of Kaneshige Clan and feels that he uses very good clay.
Beautiful red and orange clay colors appear on the front and inside of this Guinomi.
This Guinomi had signs of having been used for some time, so we cleaned it in our store.
Shuroku Harada - Bizen Guinomi
132,000 YENSold out
size : W6.8cm×6.6cm×H6.9cmThis Guinomi comes with a pottery record up to 2004 and was fired in the later period of Shuroku Harada’s own kiln.
Unlike the elegant image typical of Hidasuki works, this piece features an extremely hard, tightly fired Hidasuki surface.
It was protected from direct flame by being placed inside a saggar within an anagama kiln, resulting in a slightly bluish white clay body with matte orange Hidasuki markings.
On the front, there is a heart motif, a design favored by Shuroku Harada.
Instead of simply carving the surface, he removed part of the clay body itself, reinforced it from the inside, and even repaired the heart’s edge by hand.
The Guinomi has a solid presence without feeling overly heavy, offering a comfortable grip thanks to its smooth surface and gently curved body.
Please note: after placing water inside for about three hours, a slight dampness appears at the bottom of the heart motif.
Sohei Takashima - Bizen Kaku Guinomi
14,300 YENSold out
size : W6.3cm×6.0cm×H6.5cmHe is a disciple of Jun Isezaki.
This is his newest work, published at the end of 2024.
This ambitious work combines firing in both wood and kerosene kilns to achieve a rich yet subdued Hidasuki.
Freely exploring new techniques without being bound by tradition, the artist challenges ancient aesthetics with the latest firing knowledge.
The key to the deep, refined tone lies in the carefully controlled kerosene kiln finish, which was perfected through extensive research to create a soft luster and a rich depth of color.
On top of the vivid reddish clay surface, well-fired mustard-colored Kigoma patterns appear,
creating a harmonious and sophisticated atmosphere despite the bold combination of warm colors, red and yellow.
Kazuki Nakamura - Bizen Guinomi
13,200 YEN
size : W7.8cm×7.7cm×H5.1cmKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2025.
The strong fire pattern and the pink gold clay color are beautiful.
He fired this Guinomi near a side hole in Noborigama for throwing firewood.
It has a wonderful fire pattern in the traditional Noborigama Youhen style.
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