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Bizen Sake Bottle & sake Cup

805 Items

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Jun Isezaki - Bizen Kuro Guinomi

132,000 YEN
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size : W7.1cm×6.7cm×H7.1cm

This new work was fired in October 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
The natural glaze accumulated on the wall of the kiln spilled and adhered to this Guinomi.
They reacted with Kuro's liquid clay and turned into pale blue glass.



Naoe Koide - Bizen Guinomi

38,500 YEN
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size : W7.5cm×7.3cm×H6.2cm

Naoe Koide loves old Bizen ware.
The great power and originality of old Bizen ware give him creative energy.
He inherited Shuroku Harada's skills and passion, but passed away in 2020 due to an unforeseen accident.
The greenish natural glaze is the result of firing the kiln with various types of wood, as is the case with Shuroku Harada.
You can enjoy different clay colors inside and outside.



Jun Isezaki - Bizen Yohen Guinomi

132,000 YEN
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size : W6.7cm×6.3cm×H7.2cm

Jun Isazaki is a human living national treasure in Bizen were. (Fifth person in Bizen ware)
He firing with a straight hole-shaped kiln called "Anagama".
The flame of Anagama kiln blows into the back of kiln at a stretch.
This Guinomi was fired in Octber 2024.
This is Guinomi of "Youhen" that can be fired only in a specific place in Anagama kiln.
This Guinomi has an excellent fire pattern due to its very high heat value.
And it has been changed to a simple design to match the Yohen fire pattern.
The shape of the bottom makes it slightly unstable, but it stabilizes when the contents are poured.



Hikaru Shimamura - Bizen Sakazuki

49,500 YEN

size : W10.0cm×9.7cm×H4.0cm

Hikaru Shimamura is a leading figure in the contemporary Bizen ware of the Saikumono genre.
The Saikumono requires a wealth of knowledge and a huge amount of time to produce, and can hardly be described as efficient.
For this reason, there are fewer potters who try their hand at The Saikumono today.
He revolutionised the genre.
Instead of designing imaginary animals with precision, he recreated common objects and animals around us in stylish depictions.
This is his Sakazuki and I think it is very rare for him to make such a piece.
The entire piece is coated with clay with high iron content.
The entire work turns into a color like iron glaze, and a wet sheen occurs in some parts.



Yoshiteru Takariki - Bizen Kaku Guinomi

13,200 YEN
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size : W7.1cm×7.1cm×H4.6cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Guinomi was fired in June 2024.
In Japan, there is a wooden box for surveying called a Masu.
Masu is used to measure the amount of sake, but it is also used to pour sake directly into the box.
This work is an attempt to make a Masu out of Bizen ware.



Yoshiteru Takariki - Bizen Hikidashi Guinomi

16,500 YEN
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size : W6.8cm×6.7cm×H5.4cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Guinomi was fired in June 2024.
He removed this piece from the kiln during firing and quenched it rapidly.
The piece was placed near a wood insert and bathed in a large amount of natural glaze.
The natural glaze was transformed into amber-colored glass by rapid cooling.



Gosuke Yashiro - Imbe Guinomi

12,100 YEN
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size : W6.8cm×6.5cm×H6.4cm

He was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This work is also very simple and powerful.
He built a small hole type kiln this summer that is completely underground.
Fireproof plates were used only in the ceiling area, while all other surfaces were made of soil as is.
Various fire patterns are mixed together to create a pristine color.



Yoshiteru Takariki - Bizen Hidasuki Guinomi

13,200 YEN
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size : W7.2cm×7.1cm×H5.3cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Guinomi was fired in June 2024.
This Hidasuki Guinomi was fired in a noborigama kiln.
He put in a case of refractory clay called Saya in the kiln.
A great combination of a blue clay color and a dark slushy Hidasuki.
He has a simple and unobtrusive design to make Hidasuki stand out.



Shuroku Harada - Bizen Guinomi

49,500 YEN
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size : W4.9cm×4.6cm×H5.6cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
Most of his Guinomi were created by piling up tubular clay.
There were some exceptions, however, and he made small Guinomi shaped like shot glasses.
These Guinomi were made on the potter's wheel and very thin.



Masao Akiya - Kuro Guinomi

9,900 YEN

size : W6.3cm×6.3cm×H6.2cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This Guinomi was fired in June 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.



Koichiro Isezaki - Hikidashiguro Guinomi

39,600 YEN
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size : W8.5cm×8.4cm×H6.0cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This Guinomi was fired in September 2024.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
The black part is coated with special clay and is indigo by Hikidashi effect.
The simple design does not prevent you from observing the indigo beauty of this Guinomi.
In the past, Bizen ware had never been used to express the universe or the sky.



Koichiro Isezaki - Kuro Sakazuki

30,800 YEN
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size : W9.9cm×8.8cm×H4.3cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses the same hole type kiln (called anagama in Japan) as his father and father's disciple.
This Sakazuki was fired in September 2024.
He fired this Sakazuki on another piece, covering it like a hat.
A large amount of natural glaze fell over the entire piece as if it were rain.
He placed shells on the inside, which left a pattern like butterfly wings.



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