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Bizen Sake Bottle & sake Cup
880 Items
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Mamoru Taku - Bizen Hikidashi Shuhai
11,000 YENSold out
size : W7.1cm×6.7cm×H5.1cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He made this Guinomi around 2010.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
Shinjiro Aika - Bizen Guinomi
12,100 YENSold out
size : W7.8cm×6.8cm×H5.2cmHe learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
Yellow Goma and white Sangiri occur side by side.
Both are intense fire patterns reminiscent of strong flames.
Conversely, the interior shows a deep, lustrous clay color similar to old Bizen ware.
This Guinomi was fired about 5 years ago.
It is an unused piece that has been carefully stored by a collector.
Iwao Kaneshige - Imbe Tokkuri
27,500 YENSold out
size : W9.1cm×8.3cm×H13.1cm 330ccHe learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
He fired this Tokkuri roughly 10 years ago in the kiln he inherited from his grandfather and father.
He does not like excessive fire patterns with natural glaze.
He prefers fire patterns that occur in amounts that naturally adhere during the firing process of the piece.
This Tokkuri has a slight Yohen and Kasegoma, and a beautiful scarlet clay color.
These are Kanesige fire patterns that are now rarely seen in his works.
Shinjiro Aika - Bizen Guinomi
12,100 YENSold out
size : W10.2cm×9.6cm×H4.1cmHe learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
And the texture of the surface has many small holes like citrus peels.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.
This Guinomi was fired about 5 years ago.
It is an unused piece that has been carefully stored by a collector.
Megumi Sueda - Imbe Shuki
19,800 YENSold out
size : W7.0cm×6.7cm×H5.8cmShe learned the technique of firing and modeling from Anjin Abe.
She makes use of these techniques to create works that feel powerful and gorgeous.
This work is colored like an iron works by the "Inbe-te" technique.
The surface of the dried work is coated with iron-rich mud.
The fire is repeatedly turned off and fired, resulting in a thick, vibrant Kigoma.
This piece was made around 2015 and was carefully preserved by a collector.
Go Ikenishi - Hidasuki Shuhai
27,500 YENSold out
size : W6.9cm×6.6cm×H5.8cmGo Ikenishi is studying old ceramics from Japan, China and Korea.
He applies what he has learned from the study of old ceramics to his work production.
This Guinomi was fired around 2007-2010.
It is an unused piece that has been carefully stored by a collector.
He learned firing methods from Anjin Abe and reproduced old Bizen ware hidasuki.
The entire piece is covered with Hidasuki and has a very strong luster.
Takashi Soga - Bizen Guinomi
13,200 YENSold out
size : W7.0cm×6.8cm×H5.8cmTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This Guinomi was fired about 5 years ago.
It is an unused piece that has been carefully stored by a collector.
The surface of Guinomi is covered with a luster like metal.
Yoshinobu Morimoto - Bizen Hidasuki Guinomi
13,200 YENSold out
size : W7.3cm×7.2cm×H6.0cmYoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This Guinomi was fired about 10 years ago.
This guinomi is also a wonderful piece created from his knowledge and skills.
There is a slight blue color on the surface of the work.
Hidaski feels the wabi-sabi seen in old Bizen ware.
Iwao Kaneshige - Imbe Tokkuri
27,500 YENSold out
size : W9.7cm×9.7cm×H12.3cm H360ccHe learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
He fired this Tokkuri roughly 10 years ago in the kiln he inherited from his grandfather and father.
He does not like excessive fire patterns with natural glaze.
He prefers fire patterns that occur in amounts that naturally adhere during the firing process of the piece.
This Tokkuri has a slight Yohen and Kasegoma, and a beautiful scarlet clay color.
These are Kanesige fire patterns that are now rarely seen in his works.
Yoshinobu Morimoto - Bizen Hidasuki Rokkaku Sakazuki
13,200 YENSold out
size : W8.1cm×7.2cm×H5.1cmYoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This guinomi is also a wonderful piece created from his knowledge and skills.
He created this Sakazuki around 2015.
Hexagonal Sakazuki exists in ceramics that use a yellow glaze called Kiseto.
He has successfully incorporated it into his Bizen style.
Junpei Keneshige - Bizen Guinomi
8,800 YENSold out
size : W7.5cm×7.3cm×H5.1cmHe cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired about five to ten years ago now and was purchased by a collector who kept it without using it.
Therefore, the red part is very elegant and beautiful.
The fire pattern called “Kase goma” is like the skin of a tree.
Junpei Keneshige - Bizen Hidasuki Guinomi
8,800 YENSold out
size : W7.1cm×6.9cm×H7.1cmHe cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired about five to ten years ago now and was purchased by a collector who kept it without using it.
This Guinomi was wrapped in rice straw and baked inside a Noborigama.
The wonderful Hidasuki was completed in a place that was sealed and not directly exposed to the flames.
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