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Bizen Sake Bottle & sake Cup
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Kazuki Nakamura - Bizen Guinomi
13,200 YEN
size : W7.8cm×7.7cm×H5.1cmKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2025.
The strong fire pattern and the pink gold clay color are beautiful.
He fired this Guinomi near a side hole in Noborigama for throwing firewood.
It has a wonderful fire pattern in the traditional Noborigama Youhen style.
Moriyasu Masamune - Bizen Guinomi
11,000 YENSold out
size : W7.4cm×7.1cm×H5.1cmThis Guinomi was fired during the final years of Moriyasu Masamune's life.
As a master deeply versed in classical ceramics—especially Old Bizen—this piece reflects his unique ability to interpret and incorporate traditional aesthetics into contemporary work.
It features a slightly low-profile, tea bowl–inspired form, a design often seen in his Guinomi.
The piece combines the powerful, fluid energy of his wheel work with practical ease of use and handling.
It also showcases a unique fire pattern that combines both Goma and Hidasuki.
The wide Hidasuki patterns were created by gas generated during the firing of straw inside a saggar, while the dotted Goma effects were guided through the saggar’s vent holes by natural ash glaze.
These two distinct effects beautifully intersect across the clay surface.
The Hidasuki pattern inside the Guinomi is especially remarkable, displaying a soft reddish tone with a refined sheen.
Although it is a previously owned piece, it remains in excellent condition, with no signs of use or damage.
Makoto Nakamura - Bizen Guinomi
20,000 YENSold out
size : W7.5cm×7.4cm×H5.1cmMakoto Nakamura is the eldest son of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
This Guinomi was fired in April 2025.
He is also good at making sake wares, just like Rokuro Nakamura.
The characteristic of Nakamura Clan is the red clay color.
However, this work is burned in a fiery flame until it loses its red clay color.
The melted ash has solidified and changed like a black stone.
A little red clay color is left inside, despite the fierce flames.
I am impressed by the power of his clay.
Kazuki Nakamura - Bizen Yohen Tokkuri
27,500 YENSold out
size : W10.1cm×9.9cm×H11.3cm 350ccKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2025.
The strong fire pattern and the bright scarlet color are beautiful.
He fired this Tokkuri near a side hole in Noborigama for throwing firewood.
It has a wonderful fire pattern in the traditional Noborigama Youhen style.
Kazuki Nakamura - Bizen Guinomi
13,200 YENSold out
size : W7.8cm×7.7cm×H5.2cmKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2025.
The strong fire pattern and the pink gold clay color are beautiful.
He fired this Guinomi near a side hole in Noborigama for throwing firewood.
It has a wonderful fire pattern in the traditional Noborigama Youhen style.
Moriyasu Masamune - Bizen Guinomi
11,000 YENSold out
size : W7.9cm×7.8cm×H4.8cmThis Guinomi was fired during the final years of Moriyasu Masamune's life.
As a master deeply versed in classical ceramics—especially Old Bizen—this piece reflects his unique ability to interpret and incorporate traditional aesthetics into contemporary work.
It features a slightly low-profile, tea bowl–inspired form, a design often seen in his Guinomi.
The piece combines the powerful, fluid energy of his wheel work with practical ease of use and handling.
Faint traces of liquid clay application (nuritsuchi) can be seen on the body and interior of the piece, beautifully recreating the subdued clay character reminiscent of Old Bizen ware.
The firing has also produced distinctive speckled Kase-Goma, which add a pleasing contrast to the cool, muted texture of the clay.
Sohei Takashima - Bizen Hiiro Guinomi
14,300 YENSold out
size : W6.7cm×6.5cm×H5.3cmHe is a disciple of Jun Isezaki.
This is his newest work, published at the end of 2024.
Although the title is unusual in using "Hi-iro" instead of "Hidasuki,"
this ambitious Guinomi was fired using both wood and kerosene kilns to achieve a rich and subdued red tone.
The core of the piece’s color lies in the final firing in a carefully temperature-controlled kerosene kiln,
perfected through extensive research to produce a soft luster and a deep, refined hue.
Within the vivid reddish clay surface, an even deeper layer of hidden Hidasuki patterns emerges,
making this Guinomi a piece to savor slowly while appreciating how its character matures over time.
Yuho Kaneshige - Imbe Hidasuki Guinomi
22,000 YENSold out
size : W7.0cm×6.4cm×H5.9cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Imbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
This works was made by him a few years ago.
This Guinomi was made in 2004.
Hidasuki, which he fired in an electric kiln given to him by Sozan Kaneshige, is very beautiful.
Guinomi is originally a simple work, but it is designed like a tea ceremony pottery by Yuho's technique.
Rokuro Nakamura - Bizen Guinomi
385,000 YENSold out
size : W7.2cm×7.1cm×H5.5cmThis is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
I presume that this Guinomi was fired when he was about 80 years old.
The orange clay color produces a golden effect and is very beautiful.
The beautiful Yohen created in the fierce fire created during the firing of the kiln is wonderful.
Tomoyuki Oiwa - Kuro Guinomi
22,000 YENSold out
size : W7.4cm×7.1cm×H6.7cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in April 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this Guinomi has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.
As moisture seeps into the blue fire pattern, it changes to a more beautiful hue.
Jun Isezaki - Bizen Kuro Guinomi
132,000 YEN
size : W7.1cm×6.7cm×H6.8cmThis new work was fired in October 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
In the part where Goma overlaps and burns, it changes to a beautiful blue color due to the effect of cobalt.
Makoto Kaneshige - Bizen Guinomi
38,500 YENSold out
size : W6.7cm×6.6cm×H6.1cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was fired in 2011.
His "Maruyagama" features a beautiful blue Kase Goma.
When you are done using it, he said, paint the red clay-colored area with Sake and let Guinomi himself have a drink.
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