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Bizen Sake Bottle & sake Cup

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Michiaki Kaneshige - Imbe Guinomi

385,000 YEN

size : W7.0cm×6.8cm×H5.4cm

Michiaki Kaneshige is the eldest son of Toyo Kanesige.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
I assume from the box and style that this Guinomi was produced towards the end of his career.
Yohen has a black fire pattern and the red color of the clay are basically inversely related.
However, in this Guinomi, the coloring has been fixed at the perfect time.
It is a gem that could be called the ultimate Yohen.
When you pour liquor, the clay color gets wet and becomes a more wonderful color that intoxicates you.


Sohei Takashima - Hikidashi Guinomi

14,300 YEN
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size : W5.2cm×5.2cm×H5.2cm

He is a disciple of Jun Isezaki.
He completed this work using the hikidashi technique he learned from Jun Isezaki.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
The surface texture of this Guinomi also became highly glossy as if it were wet due to rapid cooling.


Yuho Kaneshige - Ekaratsu Guinomi

33,000 YEN
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size : W6.5cm×6.4cm×H4.9cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was burned around 2001.
This piece is made using clay that Kaneshige Yuhō personally excavated in the Karatsu region.
It beautifully combines his meticulous craftsmanship with the rustic charm of Karatsu ware.
The coarse clay—an essential characteristic of true Karatsu—gives the piece a bold presence, with the foot showing elegant chirimen-jimo (crepe-like wrinkles) for a refined, subdued finish.
The glaze is a simple combination of ash glaze and iron decoration, but he uses carefully selected natural materials.
Compact and elegant in form, this is a fine piece best enjoyed alongside a Bizen tokkuri.


Makoto Kaneshige - Hidasuki Guinomi

22,000 YEN
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size : W6.7cm×6.7cm×H6.3cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was burned circa 1990.
It is in good condition with no stains.
The coarse clay is well suited to the simple straw decoration.


Sohei Takashima - Bizen Hidasuki Guinomi

13,200 YEN

size : W6.7cm×6.5cm×H5.0cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This piece was fired in the anagama (cave kiln) in Ushimado, which Prof. Takashima currently uses.
It features a refined gray matte surface achieved through deep reduction firing, overlaid with subdued reddish Hidasuki patterns.
In recent years, Sohei Takashima has also used a kerosene kiln for final firing, giving the surface a unique texture with a soft, unglossed finish reminiscent of Sue ware.
The piece is hand-built to enhance the soft atmosphere of the Hidasuki, and its quiet yet powerful presence is inspired by the aesthetics of Raku tea bowls.


Makoto Kaneshige - Bizen Guinomi

44,000 YEN
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size : W6.6cm×6.3cm×H6.2cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
He burned in a place where Yohen could collect in the back of the Noborigama kiln.
A large amount of heated charcoal poured into the work, forming a lava-like fire pattern.
You can see the color of the clay through the gap between the round ash.
It is a blue-gray like Aobizen due to the influence of strong flames.
This Guinomi was fired about 5 years ago.
It is an unused piece that has been carefully stored by a collector.


Yuho Kaneshige - Imbe Kuro Guinomi

28,600 YEN
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size : W7.5cm×7.1cm×H5.0cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This is a work like a prelude to those transformations.
It was made around 2010 and he took it out of the kiln and quickly cooled it during firing.


Jun Isezaki - Bizen Guinomi (Mixed with Shigaraki clay)

66,000 YEN
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size : W7.1cm×7.1cm×H7.2cm

Jun Isazaki is a human living national treasure in Bizen were. (Fifth person in Bizen ware)
He firing with a straight hole-shaped kiln called "Anagama".
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
This Guinomi was fired in October 2024.
This unusual Guinomi is made of Bizen clay mixed with Shigaraki clay.
The influence of the shigaraki clay is strongly evident throughout the piece.
The bright orange clay color and the milky white natural glaze are just so.
The title of the wooden box is Bizen Guinomi.


Sohei Takashima - Ao Kaku Guinomi

17,600 YEN

size : W6.3cm×6.1cm×H6.4cm

He is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This is his newest work, published at the end of 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Finally, he generated a very vivid blue color by finish firing in a kerosene kiln.


Shinjiro Aika - Bizen Guinomi

19,800 YEN
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size : W7.0cm×6.8cm×H5.7cm

He learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
And the texture of the surface has many small holes like citrus peels.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.


Sohei Takashima - Bizen Guinomi

14,300 YEN
Sold out

size : W6.6cm×6.6cm×H5.5cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
His small anagama will cause a Noborigama-like fire pattern in certain positions in the kiln.
This Tokkuri also has very dark gray ash crystals adhering to it.
The light, slim design is also excellent.
It is a delicate design, like that of a seasoned artist.


Jun Isezaki - Bizen Guinomi

66,000 YEN

size : W7.0cm×6.5cm×H7.6cm

Jun Isazaki is a human living national treasure in Bizen were. (Fifth person in Bizen ware)
He firing with a straight hole-shaped kiln called "Anagama".
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
He wrapped rice straw in his work and fired it.
The color and shape of rice straw changes from part to part due to the influence of natural glaze.
This Guinomi was fired in October 2024.


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