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Bizen Sake Bottle & sake Cup
912 Items
FIRST PREV 4 / 76 page NEXT LAST
Sohei Takashima - Bizen Guinomi
14,300 YENSold out
size : W7.1cm×6.8cm×H6.0cmHe is a disciple of Jun Isezaki.
This is his newest work, published at the end of 2024.
This ambitious work combines firing in both wood and kerosene kilns to achieve a rich yet subdued Hidasuki.
Freely exploring new techniques without being bound by tradition, the artist challenges ancient aesthetics with the latest firing knowledge.
The key to the deep, refined tone lies in the carefully controlled kerosene kiln finish, which was perfected through extensive research to create a soft luster and a rich depth of color.
The rich chocolate-colored clay color is topped with a slightly dark-greenish mixture of goma,
The style is a thorough pursuit of the simple combination of Goma and clay color, the ultimate system of Bizen ware.
Takashi Baba - Bizen Yohen Ao Guinomi
29,700 YENSold out
size : W7.2cm×7.1cm×H5.7cmTakashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Guinomi was fired by him in Februaly 2025.
This work is painted black clay and cobalt on the surface.
Furthermore, a bright blue fire pattern is generated by intensively applying a strong fire.
Goma's yellow, black clay, and bright blue are a set and have a very fantastic beauty.
Yuho Kaneshige - Imbe Guinomi
55,000 YENSold out
size : W6.1cm×5.8cm×H5.5cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi is a work that was fired in its primitive kiln.
This Guinomi features both elegant colors of the Kaneshige style and strong colors of old Bizen.
This Guinomi was fired in October 2024.
Takashi Baba - Kuro Shizuku Hai
17,600 YEN
size : W8.5cm×8.5cm×H5.0cmTakashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Guinomi was fired by him in Februaly 2025, combining a black clay body with feldspar glaze.
The surface features scattered feldspar grains that seem to burst from the matte black background, creating a mysterious and striking effect.
The glaze has been pushed to its limits, creating the appearance of ice crystals lightly clinging to the surface.
The clay itself is naturally black, without any applied slip (liquid clay), and its unglossy, matte texture enhances the presence of the feldspar grains.
The form is simple, inspired by the shape of an Ido chawan, with a subtle cut in the Koudai.
Its straightforward shape allows you to fully enjoy the bold and experimental firing.
Kazuki Nakamura - Bizen Guinomi
11,000 YEN
size : W7.6cm×7.7cm×H5.1cmKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2025.
This Guinomi expresses the red color beautifully by the Nakamura family's original fire method.
The strong fire pattern and the bright scarlet color are beautiful.
When drinking Sake, the bright scarlet color changes more beautifully with water.
Koji Nakahara - Bizentsuchi Nerikomi Guimomi
19,800 YEN
size : W6.5cm×6.5cm×H5.9cmThis Guinomi is a new work by Koji Nakahara.
It was fired in the kiln of his mentor, Fumio Kawabata.
This piece recalls the Shizen-Nerikomi (natural kneaded marbul) Guinomi by Fumio Kawabata, with bold Sangiri patterns forming around the waist.
The caramel-brown clay surface adds a deep, earthy tone that matches the firing beautifully.
The outer surface features dynamic Nerikomi patterns resembling rising flames, while the inside shows layered clay textures similar to polished marble.
Due to the soft, melt-prone nature of the Shizen-Nerikomi clay, the form was carefully shaped and adjusted by hand.
Though large in size, the piece feels light and fits comfortably in the hand.
Takashi Baba - Bizen Yohen Ao Guinomi
29,700 YENSold out
size : W7.3cm×7.0cm×H6.7cmTakashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Guinomi was fired by him in February 2025.
This work is painted black clay and cobalt on the surface.
Furthermore, a bright blue fire pattern is generated by intensively applying a strong fire.
Goma's yellow, black clay, and bright blue are a set and have a very fantastic beauty.
Sohei Takashima - Bizen Guinomi
14,300 YENSold out
size : W6.7cm×6.5cm×H6.0cmHe is a disciple of Jun Isezaki.
This is his newest work, published at the end of 2024.
This ambitious work combines firing in both wood and kerosene kilns to achieve a rich yet subdued Hidasuki.
Freely exploring new techniques without being bound by tradition, the artist challenges ancient aesthetics with the latest firing knowledge.
The key to the deep, refined tone lies in the carefully controlled kerosene kiln finish, which was perfected through extensive research to create a soft luster and a rich depth of color.
On top of the vivid reddish clay surface, well-fired mustard-colored Kigoma patterns appear,
creating a harmonious and sophisticated atmosphere despite the bold combination of warm colors, red and yellow.
Kei Fujiwara - Bizen Shuhai
110,000 YEN
size : W6.9cm×6.5cm×H5.5cmThis is a mid-term work of his career.
This Guinomi has a green natural glaze called "Kase goma" attached to the entire work.
Kei Fujiwara said in his lifetime, "I like kase goma best among the Bizen ware fire patterns."
Growing up in the majestic nature of Bizen City, he felt the beauty of nature in Kase goma.
And he makes a change in clay color by making close contact with other works and using refractory soil called Botamochi.
Koji Nakahara - Bizen Tsurukame Guinomi
19,800 YENSold out
size : W7.5cm×7.1cm×H5.8cmThis Guinomi is a new work by Koji Nakahara.
It was fired in the kiln of his mentor, Fumio Kawabata.
The entire Guinomi is carved with cranes and turtles, creating a scene where a turtle seems to chase a flying crane across a shared space.
The figures of the crane and turtle are carefully carved from the thick clay body, with fine details in the wings, shell, and claws—truly impressive craftsmanship.
Though thickly made, the piece is well-balanced and surprisingly light, offering a comfortable and natural feel in the hand despite its bold size.
Natural glaze is applied only in select areas to highlight the carvings.
The crane appears beautifully accented in white by flame effects, while Tobi-Goma patterns on the turtle resemble its shell, adding an interesting texture.
Rokuro Nakamura - Bizen Guinomi
385,000 YENSold out
size : W8.6cm×8.5cm×H3.3cmThis is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
I presume that this Guinomi was fired when he was about 90 years old.
The beautiful Yohen created in the fierce fire created during the firing of the kiln is wonderful.
Other beautiful scarlet clay colors and Kase-goma also occur and have very gorgeous fire patterns.
The wiggly body design is conceived to fit securely in the human hand.
Kazuki Nakamura - Bizen Warikoudai Guinomi
11,000 YENSold out
size : W8.8cm×8.7cm×H4.3cmKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2025.
This Guinomi expresses the red color beautifully by the Nakamura family's original fire method.
The strong fire pattern and the bright scarlet color are beautiful.
When drinking Sake, the bright scarlet color changes more beautifully with water.
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