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Bizen Flower Vase

17 Items

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Yuho Kaneshige - Imbe Flower Vase

660,000 YEN

size : W14.6cm×14.3cm×H33.8cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Flower Vase is a work that was fired in its primitive kiln in Februaly 2024.
This Flower Vase features both elegant colors of the Kaneshige style and strong colors of old Bizen.
The fuselage, which looks like a cylinder, actually has many bumps and dents, indicating that it was assembled with very high technology.
The work has many wonderful fire patterns, and the color of the inside is particularly outstanding.


MamoruTaku - Bizen Hanaire

16,500 YEN
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size : W15.3cm×14.5cm×H22.3cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Hanaire is made by a method similar to the old Bizen Imbe style.
He made it using clay from different strata in the same area.
He applies iron-rich clay in liquid form before firing it in a kiln.


Mitsuru Isezaki - Bizen Mimitsuki Hanaire

55,000 YEN
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size : W15.4cm×12.8cm×H23.3cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Hanaire has a beautiful texture due to the good quality of the clay.
I assume that this piece was burned in the vicinity of a place called "Suana".
The wet textured gray Yohen is beautiful.
You can feel his careful craftsmanship in the simplicity of the design.


Anjin Abe - Saishiki Bizen Hanaire

1,320,000 YEN

size : W23.2cm×22.6cm×H22.7cm

Anjin Abe is a professional in old ceramic research.
He studied various types of old ceramics while working as an oil painting painter.
His work, based on his deep insight and research, is comparable to old ceramics.
This work is a series called "Saishiki Bizen".
His original technique of bonding glass and gold to the surface while burning.
This is a wonderful series that fuses old Bizen's firing method with oil painting technology.


Shinjiro Aika - Bizen Tsurukubi

55,000 YEN
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size : W10.4cm×10.2cm×H17.8cm 480cc

He learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Tokkuri has a thick Kigoma that looks like a liquid natural glaze.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.
And on the other side are glassy, hardened ash crystals.
Both of the two fire patterns are the result of very intense heat, which explains the natural deformation of the neck of the piece.


Tosyu Yamamoto - Bizen Hanaire

220,000 YEN
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size : W12.2cm×12.0cm×H24.0cm

Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This Hanaire combines the characteristics of both old Bizen ware and Yamamoto style Bizen ware.
The overall design follows old Bizen ware but has been sharpened to suit the artist's taste.
Goma and Sangiri have placed round red clay colors in the main fire pattern, which also enhances the old Bizen ware-like appearance.


Mitsuru Isezaki - Imbe Yohen Hanaire

88,000 YEN
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size : W15.6cm×12.4cm×H21.6cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Hanaire has a beautiful texture due to the good quality of the clay.
I assume that this piece was burned in the vicinity of a place called "Suana".
The wet textured gray Yohen is beautiful.
This piece is an example of traditional flower vase design.


Takashi Baba - Bizen Yohen Ao Hanaire

132,000 YEN
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size : W14.1cm×10.4cm×H21.3cm

Takashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This work is painted black clay and cobalt on the surface.
Furthermore, a bright blue fire pattern is generated by intensively applying a strong fire.
Goma's yellow, black clay, and bright blue are a set and have a very fantastic beauty.
This work is a work of a solo exhibition held in Tokiha, Oita Prefecture in February 2021.


Koji Nakahara - Bizentsuthi Susogo kinsai Kotsubo and Buddhist frog (fake)

55,000 YEN

size : W11.1cm×11.1cm×H16.1cm

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
The frog that does zazen was made by melting glass.
It is his original Buddhist frog designed from plaster mold.
He said the frog was a Buddhist mane and had not reached Nirvana.


Satoru Masamune - Bizen Mimitsuki Hanaire

38,000 YEN
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size : W14.9cm×13.4cm×H25.5cm

This is Hanaire when Moriyasu Masamune was calling himself Kengo.
It's a work 30 to 40 years ago, and it's his young work, but I'm amazed at the very powerful design.
It's like a Hanaire made by a potter who has been doing pottery for 40 years and 50 years.
Mimitsuke, who is said to be very difficult, has also completed it with this work.
Beautiful scarlet clay color and Kase goma occur throughout the work.


Mitsuru Isezaki - Imbe Yohen Hanaire

200,000 YEN
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size : W15.2cm×12.7cm×H23.1cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Hanaire is his later work.
The beautiful black Yohen and red Botamochi are amazing.
It is a fire pattern that changes from night sky to sunrise.
The motif of the design is "Hukumimi" from old Bizen Hanaire.


Mitsuru Isezaki - Bizen Tsurukubi Hanaike

45,000 YEN
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size : W11.0cm×10.8cm×H20.2cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Hanaire is his young works.
Hidasuki Tsurukubi hanaire was the highest grade since Momoyama era.
He studied them and reproduced them in his own kiln.
He succeeded in designing a beautiful neck like a crane, which is the etymology of Tsurukubi.


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