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421 Items

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Takashi Soga - Bizen Yunomi

8,800 YEN
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size : W7.1cm×7.0cm×H9.1cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This Yunomi is very lightly made with his commitment.


Tsuneo Osawa - Bizen Yohen Yunomi

3,000 YEN
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size : W7.8cm×7.5cm×H9.2cm

He has been researching old Bizen ware and other ancient ceramics.
While using the knowledge he has gained through his research to create his works, his theme is to create works that match the modern life.
The red clay color of this Yunomi is a "well-fired" red, reminiscent of old Bizen ware.
And he scrapes the surface of the Yunomi as if brushing it.
Rather than shaping, the scraping technique seems to evoke the power that lies dormant in the clay.


Mitsuru Isezaki - Imbe Yunomi

11,000 YEN
Sold out

size : W7.5cm×7.4cm×H9.3cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This work was fired by him around 2004.
The surface of this Yunomi has a rainbow-colored fire pattern called "Kinsai".
Due to the influence of Kinsai, Hangzhou has also changed to a metallic color.


Masao Akiya - Bizen umbrella stand

33,000 YEN
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size : W29.5cm×29.0cm×H58.0cm

Masao Akiya is a disciple of Jun Isezaki.
He also uses hole type klin called "Anagama".
In front of this umbrella stand, a golden fire pattern called "Kigoma" is generated by direct exposure to flame.
And the strong heat has changed the clay color of the front to a glossy brown.
This piece is difficult to calculate shipping costs and will be treated as 25kg and the unused portion will be refunded after I receive the shipping costs.


Shuroku Harada - Bizen wine glass

66,000 YEN
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size : W8.5cm×8.3cm×H15.7cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
These wine glasses are rare among his works.
He makes the legs by scraping them on the potter's wheel.
The legs are fired without being directly on the fire, and the fire pattern is different on the body and the legs.


Masao Akiya - Bizen cup and saucer

4,000 YEN
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size : cup：W11.5cm×8.7cm×H5.6cm
saucer：W14.3cm×14.3cm×H1.6cm

Masao Akiya is a disciple of Jun Isezaki.
He also uses hole type klin called "Anagama".
In front of this cup, a golden fire pattern called "Kigoma" is generated by direct exposure to flame.
And dark brown on the back of the cup and red on the bottom of the cup.
This cup's handle is made very thin.
This saucer was fired on top of each other along with the other saucers, so Hidasuki is the main fire pattern.


Shuroku Harada - Bizen wine glass

66,000 YEN
Sold out

size : W8.7cm×8.3cm×H16.0cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
These wine glasses are rare among his works.
He makes the legs by scraping them on the potter's wheel.
The legs are fired without being directly on the fire, and the fire pattern is different on the body and the legs.


Shuroku Harada - Bizen wine glass

66,000 YEN
Sold out

size : W8.5cm×8.2cm×H15.8cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
These wine glasses are rare among his works.
He makes the legs by scraping them on the potter's wheel.
The legs are fired without being directly on the fire, and the fire pattern is different on the body and the legs.


Kazan Matsuda 4th - Bizen Yunomi

8,800 YEN
Sold out

size : W7.8cm×7.8cm×H9.0cm

He learned his craft from his father, Mazda Kazan 3rd, from an early age.
They did not like flashy designs or colors, preferring yellow Goma and burgundy clay colors.
This piece is also very simple and burgundy clay color only.
You can feel his aesthetics.


Kosuke Kaneshige - Bizen Yunomi

11,000 YEN
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size : W7.2cm×7.2cm×H10.2cm

Kousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
It is his characteristic design that makes the neckline near the center of the body.
On the surface of the work Beautiful yellow Goma is attached to give a smooth texture.
This Yunomi was fired around 2004.


Tomoyuki Matsui - Bizen Yunomi

8,800 YEN
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size : W7.2cm×7.2cm×H8.9cm

I would guess that he created this piece around 1996.
Goma and Youhen are attached to the surface as one.
The clay color is a deep reddish purple, like red wine.
And throughout the skin, a fire pattern like the glow of metal called Kinsai occurs.
Yunomi's exemplary design is typical of his work as a pottery instructor.


Mitsuru Isezaki - Imbe Yunomi

11,000 YEN
Sold out

size : W7.3cm×7.2cm×H9.4cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This work was fired by him around 2007.
The surface of this Yunomi has a rainbow-colored fire pattern called "Kinsai".
Due to the influence of Kinsai, Hangzhou has also changed to a metallic color.


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