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352 Items

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Megumi Sueda - Inbe Chu-hai

6,000 YEN
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size : W8.3cm×8.2cm×H8.2cm

She learned the technique of firing and modeling from Anjin Abe.
She makes use of these techniques to create works that feel powerful and gorgeous.
This work is colored like an iron works by the "Inbe-te" technique.
The surface of the dried work is coated with iron-rich mud.
"Chu-hai" is her original title, which has the characteristics of both rock glass and Yunomi.


Sozan Kaneshige - Bizen Hachi

88,000 YEN
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size : W16.7cm×15.6cm×H8.1cm

This work was fired by Sozan at about 60 years old at Maruyama kiln.
There are many fire patterns in this work.
I feel Kasegoma, Yohen, Sangiri and Goma.
The exposed clay part, which was not covered with natural glaze, has also changed to various colors.
It is a work where you can enjoy the various colors that are characteristic of the Noborigama kiln.


Tomoyuki Oiwa - Bizen Beerglass

5,500 YEN
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size : W7.3cm×7.2cm×H12.3cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
This beerglass has a very stylish design that inherits the design techniques of Ryuichi Kakurezaki.


Tadashi Yoshimoto - Bizen Hidasuki Yunomi Set

18,000 YEN
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size : L W7.9cm×7.8cm×H10.0cm
R W8.2cm×8.1cm×H10.1cm

Tadashi Yoshimoto is a disciple of Kei Fujiwara.
He respected Kei Fujiwara and inherited the technique of Bizen ware.
He makes simple and easy-to-understand Bizen ware without excessive decoration.
This Yunomi is also made according to the theme.
The electric kiln Hidasuki by Kei Fujiwara and his disciples is characterized by a red clay color.
Red clay color is added with red Hidasuki to form a warm fire pattern.


Tomoyuki Oiwa - Bizen Katakuchi

27,500 YEN
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size : W16.7cm×9.7cm×H8.3cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
The flame of Anagama kiln blows into the back of kiln at a stretch.
This is Katakuchi of "Youhen" that can be fired only in a specific place in Anagama kiln.
This katakuchi has an excellent fire pattern due to its very high heat value.
Katakuchi is a bowl-shaped design with a spout attached.


Ken Fujiwara - Bizen Yunomi

25,000 YEN
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size : W8.7cm×8.6cm×H9.9cm

This Yunomi is bigger than his usual style.
I think it is rarer than the flat design Yunomi called Kumidashi.
This Yunomi uses a rough clay with small stones.
He fired this Yunomi inside another large piece or in a refractory box.
The simple and simple design and the wonderful colors make you feel the Wabi-sabi.
His wife signs a wooden box after Ken's death.


Toyo Kaneshige - Bizen Yunomi

200,000 YEN
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size : W8.4cm×8.3cm×H10.1cm

I think this Yunomi was made around 1955, guessing from the shape of the Toyo mark.
This Yunomi is made from fine clay with low iron content.
This Yunomi is based on a white clay color and has changed to amber or scarlet due to the effect of fire.
The large and powerful design is full of confidence.
When I got it, this Yunomi didn't have a set wooden box.
The price of Yunomi includes the appraisal fee of Kosuke, the third son of Toyo, and the cost of making a wooden box.


Masao Akiya - Bizen Mugcup

3,000 YEN
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size : W11.3cm×9.0cm×H6.0cm

Masao Akiya is a disciple of Jun Isezaki.
He also uses hole type klin called "Anagama".
In front of this cup, a golden fire pattern called "Kigoma" is generated by direct exposure to flame.
And dark brown on the back of the cup and red on the bottom of the cup.


Syunzan Kanai - Bizen Tobi Shishi Incense Furnace

190,000 YEN
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size : W19.2cm×13.7cm×H20.4cm

He inherited the skill of Shunko Nishimura, master of decorated figures "Saikumono".
This works is a traditional Incense Furnace called "Kouro".
"Shishi" is a motif with a very large number of works among Saikumono.
"Shishi" is an imaginary animal with a lion as a motif.
"Shishi" is a sacred animal and a symbol of amulet that has long been loved by Japanese.
He describes the jumping appearance of "Shishi" in very detail.
The design like the earrings on the body is also very unique.


Masao Akiya - Bizen Mugcup

3,000 YEN
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size : W10.3cm×8.3cm×8.3cm

Masao Akiya is a disciple of Jun Isezaki.
He also uses hole type klin called "Anagama".
This mug is made of clay with a little sand content.
He fired this mug without direct exposure to the flame in his kiln.
The slightly adhered natural glaze looks golden due to a synergistic effect with the small sand particles in the clay.


Shunko Nishimura - Bizen Incense Furnace

330,000 YEN
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size : W20.7cm×15.2cm×H14.2cm

Shunko Penishimura was a master of Bizen ware from the Taisho era to the mid-Showa era.
He was good at sculptural works and had great skills.
This works is a traditional Incense Furnace called "Kouro".
The rabbit on the lid has a very Shunko-like design.
It is a simple and cute unique design.
He was skilled but preferred to express it simply and uniquely.


Yukio Tomori - Oribe rock glass

3,300 YEN
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size : W8.9cm×8.7cm×H9.3cm

Yukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
This work is Oribe ware, but the base clay uses Bizen clay.
The powerful sculpture looks like bamboo in combination with the green color of Oribe.


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