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Bizen Sake Bottle & sake Cup
794 Items
FIRST PREV 20 / 67 page NEXT LAST
Ken Fujiwara - Bizen Bajohai
50,000 YENSold out
size : W6.8cm×6.7cm×H6.0cmThis Tokkuri was made by Ken Fujiwara before 1970.
He made a large kiln in 1970, this Bajohai was fired in Noborigama kiln.
Goma and Sangiri are occurring in a balanced manner.
A subtle Hidasuki hangs on the inside, showing his great sense of aesthetics.
Bajohai was inspired by the cup shape used by Mongolians on horseback.
Kosuke Kaneshige - Bizen Guinomi
22,000 YENSold out
size : W6.2cm×6.0cm×H5.8cmKousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This Guinomi was fired around 1995.
This Guinomi was fired in a connecting room in the kiln commonly known as the "suana".
Kasegoma with a slight blue tinge is his characteristic fire pattern.
Koji Nakahara - Bizen Susogo Kinsai Guinomi
12,100 YENSold out
size : W6.8cm×6.5cm×H6.7cmKoji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
Susogo is a word used to dye clothes.
He named it because the gradation from pink gold to dark gray is similar.
Koichiro Isezaki - Kuro Guinomi
26,000 YEN
size : W7.7cm×7.4cm×H6.2cmKoichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This new work was fired in July 2023.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Kazuki Nakamura - Bizen Yohen Tokkuri
25,000 YENSold out
size : W10.2cm×10.2cm×H10.7cm 350ccKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2023.
The strong fire pattern and the bright scarlet color are beautiful.
He fired this Tokkuri near a side hole in Noborigama for throwing firewood.
It has a wonderful fire pattern in the traditional Noborigama Youhen style.
Sohei Takashima - Bizen Guinomi
9,900 YENSold out
size : W6.5cm×6.1cm×H5.3cmHe is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This Guinomi has a typical anagama kiln fire pattern.
A large amount of natural glaze adheres to the surface, creating a wide variety of fire patterns.
Even the interior shows a black vitreous fire pattern where the natural glaze has cooled and hardened.
Sohei Takashima - Koshoku Guinomi
14,300 YENSold out
size : W7.8cm×7.6cm×H5.4cmHe is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This is his latest work, published in September 2023.
Koshoku is a word meaning old-fashioned shades.
Remarkably, this was fired in a kerosene kiln without the use of wood.
He used iron oxide from western Okayama prefecture to generate this mysterious black color.
Tosyu Yamamoto - Bizen Guinomi
60,000 YENSold out
size : W6.5cm×6.5cm×H6.1cmToshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This Guinomi is made from a clay with relatively low iron content, which gives it a lighter overall color.
The light brown clay color with added luster is very beautiful.
The well-balanced modeling with a thin rim and thick bottom is typical of Toshu.
Tosyu Yamamoto - Bizen Tokkuri
110,000 YENSold out
size : W9.3cm×9.2cm×H13.0cm 430ccTosyu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
It is a work from around the middle of his career.
This is a tokkuri made of high quality clay from the Imbe area at that time.
This was fired around the middle of the kiln.
This wonderful red clay color will become more beautiful the more you use it.
Sozan Kaneshige - Imbe Tokkuri
150,000 YENSold out
size : W9.2cm×9.2cm×H14.3cm 410ccThis Tokkuri was made by Sozan when he was 73 to 83 years old.
This is the work he has done since he moved to Imbe Gyujinshita, Imbe.
Since moving to Gyujinshita, he has been producing more tea ceremony works and less Tokkuri and Guinomi works.
The artifice of his work from this period has disappeared, and it is very generous and confident.
Goma with a greenish tint is very plain, but if you use it for a long time, you will surely grow attached to it.
The sharp spatula shaving on the bottom of Tokkuri's bowl shows off his supreme skill.
Tomoyuki Matsui - Bizen Aisai Guinomi
25,000 YENSold out
size : W6.2cm×6.1cm×H6.2cmI would guess that he created this piece around 1992.
He invented various new ways of firing Bizen ware in addition to standard Bizen ware.
This Guinomi is from the Aisai series, fired by mixing cobalt with clay.
The blue color of the work is shaded due to the difference in the way the clay is exposed to fire.
Guinomi's exemplary design is typical of his work as a pottery instructor.
Toru Ichikawa - Guinomi Ray?
46,200 YENSold out
size : W7.8cm×7.7cm×H7.0cmToru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
This is the new Guinomi from the Ray series.
This Guinomi was fired in April 2022.
A large amount of pure white glaze is applied on the base of vanilla white clay.
And yellow and orange is an effective accent.
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