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Bizen Sake Bottle & sake Cup

869 Items

FIRST PREV 35 / 73 page NEXT LAST

Tosyu Yamamoto - Bizen Tokkuri

100,000 YEN
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size : W8.6cm×8.5cm×H13.0cm 380cc

Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a middle work in his career.
This Tokkuri was made in 1955.
His signature was conceived based on an ancient Japanese script called Manyogana.
This Tokkuri is made of very good quality clay.
The green cassegoma mixed with blue covers half of the piece and is wonderful.



Hiroshi Goseki - Hakudei Guinomi

11,000 YEN
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size : W10.6cm×10.3cm×H5.2cm

He is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in December 2022.
He works mainly with Bizen Pottery in Ibaraki Prefecture.
However, he is studying not only Bizen ware but also various glazed ceramics.
He used straw ashes as a glaze for this Guinomi and named it "Hakudei".
Hakudei is a word meaning white mud.
The color is a bluish white, and some of the glaze has run off, like Madara-Karatsu.



Hiroshi Goseki - Sohen Kuro Guinomi

13,200 YEN
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size : W7.0cm×7.0cm×H6.6cm

He is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in December 2022.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.



Rokuro Nakamura - Bizen Guinomi

95,000 YEN

size : W7.2cm×7.1cm×H5.5cm

This is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The Nakamura clan's unique body design makes it very easy to hold.
I presume that this Guinomi was fired when he was around 60 years old.
Unlike his later works, which often use bright clay colors, this red clay color is a natural color.



Koichiro Isezaki - Kuro Sakazuki

24,000 YEN
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size : W8.0cm×7.6cm×H3.8cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This new work was fired in March 2023.
He makes works with white Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.



Sohei Takashima - Hikidashiguro Guinomi

14,300 YEN
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size : W7.1cm×7.1cm×H4.9cm

He is a disciple of Jun Isezaki.
He completed this work using the hikidashi technique he learned from Jun Isezaki.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
The surface texture of this Guinomi also became highly glossy as if it were wet due to rapid cooling.



Sohei Takashima - Kuro Guinomi

11,000 YEN
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size : W7.3cm×7.1cm×H6.3cm

He is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.



Rokuro Nakamura - Bizen Guinomi

95,000 YEN
Sold out

size : W7.4cm×7.4cm×H5.3cm

This is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The Nakamura clan's unique body design makes it very easy to hold.
I presume that this Guinomi was fired when he was around 60 years old.
Unlike his later works, which often use bright clay colors, this red clay color is a natural color.



Sohei Takashima - Bizen Guinomi

9,900 YEN
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size : W6.4cm×6.4cm×H4.6cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This Guinomi has a typical anagama kiln fire pattern.
The body has a white clay color with a gradient color from dark brown to scarlet at the mouth rim.
The inside has a very fine-grained natural glaze that falls like a light rain.



Sohei Takashima - Bizen Hidasuki Tokkuri

17,600 YEN
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size : W9.4cm×9.4cm×H15.7cm 390cc

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
In Anagama, Goma and Hidasuki are the main fire patterns.
He burned this Tokkuri without exposing it directly to flame, generating only Hidasuki.
The soil is coarse clay, and pebbles and clay components are blown out of the skin.
The light, slim design is also excellent.
It is a delicate design, like that of a seasoned artist.



Sohei Takashima - Bizen Sakazuki

9,900 YEN
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size : W8.4cm×8.2cm×H4.3cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This Guinomi has a typical anagama kiln fire pattern.
The body has a white clay color with a gradient color from dark brown to scarlet at the mouth rim.
The exposed areas are covered with large amounts of natural glaze and have a strong fire pattern.



Shinjiro Aika - Imbe Guinomi

16,500 YEN
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size : W9.8cm×9.5cm×H4.1cm

He learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
The surface is then coated with iron-rich clay, completing the rich brown skin.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.



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