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Bizen Sake Bottle & sake Cup
868 Items
FIRST PREV 36 / 73 page NEXT LAST
Toyo Kaneshige - Bizen Hidasuki Tokkuri
1,200,000 YENSold out
size : W8.6cm×W8.5cm×H12.7cm 350ccThis is one of the masterpieces of Tokkuri by Toyo Kaneshige.
This Tokkuri was made using the best clay he had available.
Its clay has great color, but it also has very high deformability.
The graceful design is like a fairy in a hidasuki dress.
Rather than persistently wrapping straw around the body, he is only concerned with enhancing the overall integrity of the piece.
Hidasuki is quietly installed inside the spout, which looks like an elegant lipstick.
Hiroshi Goseki - Sohen Kuro Guinomi
13,200 YENSold out
size : W6.8cm×6.8cm×H7.2cmHe is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in December 2022.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Sohei Takashima - Bizen Guinomi
9,900 YENSold out
size : W7.0cm×6.8cm×H4.4cmHe is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This Guinomi has a typical anagama kiln fire pattern.
The body has a white clay color with a gradient color from dark brown to scarlet at the mouth rim.
This was due to the fact that most of the pieces were covered and not directly exposed to fire.
Sohei Takashima - Ouhai
11,000 YENSold out
size : W8.8cm×8.5cm×H4.8cmHe is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This Sakazuki has endured three firings.
Natural glaze covers 95% of the piece, and the natural glaze varies in color from piece to piece.
In some parts, the ashes of the straw are mixed with the ashes of the straw and resemble white ink.
Kazuki Nakamura - Bizen Tokkuri
22,000 YENSold out
size : W9.9cm×9.6cm×H11.1cm 350ccKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in October 2022.
This Tokkuri expresses the red color beautifully by the Nakamura family's original fire method.
The strong fire pattern and the bright scarlet color are beautiful.
When drinking Sake, the bright scarlet color changes more beautifully with water.
Tomio - Hidasuki Yunomi
7,000 YENSold out
size : W8.2cm×8.0cm×H8.1cmTomio ochi is a relative of Anjin Abe.
He was an office worker but loved art.
After retiring from the company, he studied pottery as a student at Anjin Abe.
He studied the control of the fire method of the old Bizen from Anjin Abe.
This Yunomi was fired at high temperature.
He completed Hidasuki, which was as strong and hard as old Bizen.
Tomio Ochi - Shino Yunomi
7,000 YENSold out
size : W8.0cm×8.0cm×H8.2cmTomio ochi is a relative of Anjin Abe.
He was an office worker but loved art.
After retiring from the company, he studied pottery as a student at Anjin Abe.
He studied the control of the fire method of the old Bizen from Anjin Abe.
This is Shino, whose commitment is very well felt.
The volume of the glaze is modest, with a hard, solid texture.
The clay visible through the Koudai is also well fired and hardened.
Sohei Takashima - Bizen Yohen Tokkuri
19,800 YENSold out
size : W8.3cm×8.1cm×H12.7cm 270ccHe is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
His small anagama will cause a Noborigama-like fire pattern in certain positions in the kiln.
The red clay color in the center of the work is as rich as if it were wet.
It is a delicate design, like that of a seasoned artist.
Sohei Takashima - Bizen Yohen Hisago Tokkuri
19,800 YENSold out
size : W9.0cm×8.9cm×H13.7cm 280ccHe is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
His small anagama will cause a Noborigama-like fire pattern in certain positions in the kiln.
This Tokkuri also has very dark gray ash crystals adhering to it.
The light, slim design is also excellent.
It is a delicate design, like that of a seasoned artist.
Koichiro Isezaki - Kuro Kakewake Guinomi
26,000 YENSold out
size : W8.1cm×7.9cm×H5.8cmKoichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This Guinomi was fired in March 2023.
White clay from Imbe was used as the base clay for this piece.
In addition, black clay is partially applied to make it "Kakewake.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Sohei Takashima - Kuro Guinomi
11,000 YENSold out
size : W7.2cm×7.0cm×H6.0cmHe is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Sohei Takashima - Hikidashiguro Guinomi
14,300 YENSold out
size : W6.1cm×6.1cm×H5.4cmHe is a disciple of Jun Isezaki.
He completed this work using the hikidashi technique he learned from Jun Isezaki.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
The black part is coated with special clay and is indigo by Hikidashi effect.
The simple design does not prevent you from observing the indigo beauty of this Guinomi.
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