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Bizen Sake Bottle & sake Cup
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Sohei Takashima - Hikidashiguro Guinomi
14,300 YENSold out
size : W5.7cm×5.7cm×H5.2cmHe is a disciple of Jun Isezaki.
He completed this work using the hikidashi technique he learned from Jun Isezaki.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
The black part is coated with special clay and is indigo by Hikidashi effect.
The simple design does not prevent you from observing the indigo beauty of this Guinomi.
Sohei Takashima - Hikidashiguro Guinomi
14,300 YENSold out
size : W6.5cm×6.3cm×H4.4cmHe is a disciple of Jun Isezaki.
He completed this work using the hikidashi technique he learned from Jun Isezaki.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
The black part is coated with special clay and is indigo by Hikidashi effect.
The simple design does not prevent you from observing the indigo beauty of this Guinomi.
Tosyu Yamamoto - Bizen Guinomi
70,000 YENSold out
size : W6.8cm×6.7cm×H5.3cmTosyu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
It is a work from around the middle of his career.
His clay at this time was reddish-purple in color and contained a relatively large number of small stone grains.
Small stone grains add chaos to the symmetrical shape of Kodai.
Kosuke Kaneshige - Bizen Tokkuri
100,000 YEN
size : W9.0cm×9.0cm×H12.8cm 400ccKousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This Tokkuri was fired around 2000.
Tokkuri is a gorgeous fire pattern that combines Kase-Goma and Yohen.
Yuichi Yamamoto - Bizen Guinomi
30,000 YENSold out
size : W6.8cm×6.6cm×H5.7cmThe Yamamoto clan is good at modeling without distortion by rokuro.
This Guinomi was fired by Yuichi Yamamoto in 1980.
It is fired by a very strong flame and its effect can be seen in various parts.
A large amount of natural glaze is layered in three layers.
The clay color is a natural black color that is not painted clay.
His design does not incorporate deformation or distortion, but is slightly distorted due to the effects of flames.
Tosyu Yamamoto - Bizen Guinomi
70,000 YENSold out
size : W6.5cm×6.5cm×H5.6cmTosyu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
It is a work from around the middle of his career.
His clay at this time was reddish-purple in color and contained a relatively large number of small stone grains.
Small stone grains add chaos to the symmetrical shape of Kodai.
Yuichi Yamamoto - Bizen Tokkuri
55,000 YENSold out
size : W8.8cm×8.5cm×H13.1cm 390ccYuichi Yamamoto is the eldest son of Toshu Yamamoto and a leader of the Yamamoto clan.
The Yamamoto clan is good at modeling without distortion by rokuro.
This Tokkuri was fired by him around 1982.
This Tokkuri was fired at very high temperature place in his kiln.
The melted ash hardens into a black glassy substance, over which a liquid natural glaze flows.
Tosyu Yamamoto - Bizen Tokkuri
150,000 YENSold out
size : W9.8cm×H9.5cm×H14.2cm 530ccThis Tokkuri is the final piece of his career.
Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
Always his Tokkuri body is almost circular.
However, this Tokkuri is distorted by a few millimeters because it was installed in a place with a lot of heat.
I feel that the distortion of a few millimeters is a trace of the battle between the master of rokuro and the flame.
And this Tokkuri was loved by a strong flame and acquired a Goma that looks like a mixture of green and gold, dark black and a beautiful reddish purple color.
Hiroshi Goseki - Sohen Kuro Guinomi
13,200 YENSold out
size : W7.2cm×7.1cm×H6.4cmHe is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in December 2022.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Hiroshi Goseki - Sohen Kuro Guinomi
13,200 YENSold out
size : W6.6cm×6.6cm×H6.9cmHe is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in December 2022.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Shuroku Harada - Bizen Guinomi
100,000 YENSold out
size : W8.7cm×7.7cm×H6.6cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi has a lot of natural glaze so that it seems as if it was glazed.
The strong flame produces a natural black color due to the reaction between the clay components and the flame.
There is his own way to make the body.
He builds the body by stacking clay into tubes.
Finally, a large cut with a spatula "Shinogi" is used to complete the design.
The inner edges have hidden cuts to improve usability rather than design, which helps to understand his style of pottery.
Mitsuru Isezaki - Imbe Yunomi
11,000 YENSold out
size : W7.2cm×6.8cm×H9.2cmMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This work was fired by him around 2004.
The surface of this Yunomi has a rainbow-colored fire pattern called "Kinsai".
Due to the influence of Kinsai, Hangzhou has also changed to a metallic color.
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