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Bizen Sake Bottle & sake Cup

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Tomoyuki Oiwa - Kuro Sakazuki

18,700 YEN
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size : W9.1cm×7.9cm×H5.3cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
This Sakazuki was fired in May 2022.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this Sakazuki has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.



Kazuki Nakamura - Bizen Yohen Tokkuri

25,000 YEN
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size : W9.7cm×9.6cm×H11.9cm 380cc

Kazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2022.
The strong fire pattern and the bright scarlet color are beautiful.
He fired this Tokkuri near a side hole in Noborigama for throwing firewood.
It has a wonderful fire pattern in the traditional Noborigama Youhen style.



Takashi Soga - Bizen Guinomi

16,500 YEN
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size : W6.0cm×6.0cm×H5.7cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
Due to his special Kiln influences, many of the works have a bright red clay color.
This work has a very beautiful red clay color and he has certified it as a special Guinomi.



Masahiro Miyao - Kuro Guinomi

15,000 YEN
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size : W6.5cm×6.3cm×H6.3cm

He presents his work in two ways: traditional Bizen ware style and black style.
This Guinomi is made in black style.
This Guinomi was fired by him in March 2022.
It is a technique to apply mud containing a small amount of cobalt, which has been popular since 2000.
Black-style pieces have a beautiful black clay color that is roughly glossy and a bright cobalt blue fire pattern.
However, in this Guinomi, the black is almost completely transformed into indigo, which is very strange.
The black color is still present in the base, and in the areas where the clay is thin, a beautiful black color can be seen.



Shuroku Harada - Bizen Wara Guinomi

65,000 YEN
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size : W6.9cm×6.4cm×H7.7cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi is his last work.
Wara is rice straw.
In Japan, straw is sometimes tied and stood up in the rice paddies after the rice harvest is over.
This Guinomi is designed as a bundle of tied straw, reminiscent of that scene.



Takashi Soga - Bizen Hachi

8,800 YEN
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size : W19.5cm×19.2cm×H4.1cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Bizen Hachi, which was just fired in December 2021.
A mysterious Yohen like black soot is added to his characteristic silver metallic clay color.



Makoto Kaneshige - Haiyu Guinomi

66,000 YEN
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size : W6.6cm×6.5cm×H5.3cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was fired in October 2021.
He, like his father, will try his hand at more than just Bizen ware.
This Guinomi is made of Bizen clay covered with straw ashes similar to Karatsu ware.
He fired this piece in the Noborigama kiln.
The glaze developed a light blue color due to the influence of the clay and the kiln.



Makoto Kaneshige - Bizen Guinomi

77,000 YEN
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size : W6.7cm×6.0cm×H6.8cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was fired in October 2021.
His "Maruyagama" features a beautiful blue Kase Goma.
When you are done using it, he said, paint the red clay-colored area with Sake and let Guinomi himself have a drink.



Makoto Kaneshige - Bizen Guinomi

88,000 YEN
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size : W6.7cm×6.2cm×H6.3cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was fired in October 2021.
When I first saw this Guinomi, I thought it was "broken."
The clarified Goma and the light brown inside color are features of overheating at high temperatures.
When Bizen potter opens kiln, you can see such broken works.
But this work was not broken, The wonderful harmony of fire and clay has caused miracles.



Takashi Soga - Bizen Guinomi

16,500 YEN
Sold out

size : W6.3cm×6.2cm×H5.5cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.



Anjin Abe - Saishiki Bizen Hisago Tokkuri

935,000 YEN
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size : W9.2cm×8.7cm×H15.0cm 300cc

Anjin Abe is a professional in old ceramic research.
He studied various types of old ceramics while working as an oil painting painter.
His work, based on his deep insight and research, is comparable to old ceramics.
This work is a series called "Saishiki Bizen".
His original technique of bonding glass and gold to the surface while burning.
This is a wonderful series that fuses old Bizen's firing method with oil painting technology.



Toru Ichikawa - Guinomi ??Ray?≒??

46,200 YEN
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size : W7.9cm×7.7cm×H6.0cm

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
This is the new Guinomi from the Ray series.
This Guinomi was fired in April 2022.
A large amount of pure white glaze is applied on the base of vanilla white clay.
And red and orange is an effective accent.



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