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Bizen Sake Bottle & sake Cup
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Toru Ichikawa - Tokkuri Hime Shino premium
50,490 YENSold out
size : W7.9cm×7.5cm×H17.0cm 130ccToru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
This is the new Rock glass from the Shino Premium series.
He opened the gas kiln and ash glaze when firing this work.
The pop-colored Shino glaze and the green ash glaze collide on the surface of the work.
Masao Akiya - Hikidashi Guinomi
15,000 YENSold out
size : W7.5cm×7.0cm×H5.4cmMasao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
This work is taken out of kiln during firing, so the color is vivid.
Iwao Kaneshige - Imbe Sakazuki
24,000 YENSold out
size : W7.5cm×7.0cm×H5.4cmHe learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
This Sakazuki was fired in 2021 June with the kiln he inherited from his father and grandfather.
This Sakazuki has a green "Kasegoma" like melon skin and beautiful red clay color.
These are Kanesige fire patterns that are now rarely seen in his works.
Kazuki Nakamura - Bizen Hisago Tokkuri
22,000 YENSold out
size : W10.9cm×10.8cm×H11.9cm 270ccKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in june 2021.
This Tokkuri expresses the red color beautifully by the Nakamura family's original fire method.
The strong fire pattern and the bright scarlet color are beautiful.
When drinking Sake, the bright scarlet color changes more beautifully with water.
Makoto Nakamura - Bizen Guinomi
18,000 YENSold out
size : W7.7cm×7.6cm×H5.1cmMakoto Nakamura is the eldest son of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
The characteristic of Nakamura Clan is the red clay color.
However, this work is burned in a fiery flame until it loses its red clay color.
The melted ash has solidified and changed like a black stone.
A little red clay color is left inside, despite the fierce flames.
I am impressed by the power of his clay.
Gosuke Yashiro - Imbe Guinomi
6,500 YENSold out
size : W8.0cm×7.8cm×H5.5cmHe was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This work is also very simple and powerful.
This Guinomi was fired by him so that it would not be exposed to direct fire.
Therefore, this Guinomi has acquired a clay texture that looks like Nanban Yakishime.
It is not possible to keep water for a long time.
A wooden box is not included, but you can make one.
Masao Akiya - Kuro Tokkuri
15,000 YENSold out
size : W9.1cm×8.5cm×H11.8cmMasao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Toyo Kaneshige - Bizen Guinomi
500,000 YENSold out
size : W6.8cm×6.5cm×H5.2cmI think this Guinomi was made around 1950, guessing from the shape of the Toyo mark.
This is the work when he changed his production style from Saikumono to Rokuromono.
There are three main differences from his later style.
The first is the thickness of the work, and this Guinomi is very thin.
The second is Koudai's design, which is simple and thin.
The third is Higakimon on the body, with or without carving with design.
Kase Goma and red clay are wonderful colors from rice field clay and Noborigama kilns.
The appraisal of his third son, the potter Kousuke Kanesige, is included.
Gosuke Yashiro - Imbe Tokkuri
10,000 YENSold out
size : W9.0cm×8.7cm×H14.8cm 440ccHe was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This Tokkuri was fired three times.
This Tokkuri has a rare transparent blue-green natural graze.
The natural graze color is similar to Shigaraki ware.
A large amount of ash adheres to the surface and it looks like a reef.
The design is simple and very quiet Katatsuki-Tokkuri.
Gosuke Yashiro - Imbe Guinomi
6,500 YENSold out
size : W8.2cm×8.1cm×H4.8cmHe was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This work is also very simple and powerful.
Goma, a mixture of blue and gray, is plain but has Bizen ware-like goodness.
You can feel the influence of Yuho Kaneshige on the clay color and fire pattern of this Chawan.
A wooden box is not included, but you can make one.
Toru Ichikawa - Tokkuri Etchan
43,890 YENSold out
size : W8.0cm×8.0cm×H16.8cm 180ccToru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
A large amount of pure white glaze is applied on the base of vanilla white clay.
And orange, silver and gold are mixed to form a marble-like pattern.
Gosuke Yashiro - Imbe Guinomi
6,500 YENSold out
size : W7.7cm×7.5cm×H6.5cmHe was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This work is also very simple and powerful.
This Guinomi was fired by him so that it would not be exposed to direct fire.
Therefore, this Guinomi has acquired a clay texture that looks like Nanban Yakishime.
It is not possible to keep water for a long time.
A wooden box is not included, but you can make one.
FIRST PREV 63 / 78 page NEXT LAST