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Bizen Sake Bottle & sake Cup

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Rokuro Nakamura - Bizen Guinomi

70,000 YEN
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size : W7.3cm×7.2cm×H5.5cm

This is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The Nakamura clan's unique body design makes it very easy to hold.
I speculate that this Guinomi was made by him between the ages of 60 and 70.
The texture of the surface is very soft and you can see that it was used carefully under the collector.


Shinjiro Aika - Bizen Guinomi

14,000 YEN
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size : W7.9cm×7.3cm×H5.9cm

He learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
And the texture of the surface has many small holes like citrus peels.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.


Koichiro Isezaki - Kuro Kezuri Guinomi

24,000 YEN
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size : W7.7cm×7.7cm×H4.8cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This new work was fired in 2021.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.


Shuroku Harada - Hidasuki Tokuri

88,000 YEN
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size : W8.7cm×8.6cm×H12.1cm 250㏄

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Tokkuri is a work just before his retirement.
In this work, a rich Hidaski occurs throughout the work.
There is his own way to make the body.
He builds the body by stacking clay into tubes.
To finish off, he tans the skin and scrapes the body with a spatula.


Kei Fujiwara - Bizen Tokkuri

60,000 YEN
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size : W9.1cm×9.0cm×H12.3cm 350cc

This is a work after Kei Fujiwara's career.
This Tokkuri is fired with another piece or a tubular refractory clay.
In the upper part of the work, Hidasuki that shines like metal is generated.
The lower part of the work is beautiful with Sangiri and Goma, which look like fog.
The simple design embodies his ceramic philosophy.


Koichiro Isezaki - Hikidashiguro Kakewake Guinomi

36,000 YEN
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size : W8.1cm×8.3cm×W5.6cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
Hikidasi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
And this work is a white work because it uses special white clay collected from Inbe.
The black part is coated with special clay and is indigo by Hikidashi effect.


Mitsuru Isezaki - Imbe Guinomi

40,000 YEN
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size : W6.9cm×6.6cm×H6.5cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Guinomi has a beautiful texture due to the good quality of the clay.
I think it is Guinomi, which is rare among Mitsuru's works.
This Guinomi has a presence that exceeds its actual size due to his potter's wheel technique and design.


Shuroku Harada - Bizen Guinomi

70,000 YEN
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size : W9.1cm×7.1cm×H7.5cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi is his last work.
The wooden vat design that exists in old ceramics is transformed for Guinomi.
Both ends of the rope design wrapped around the edge are cut to make it easier to drink.
The wooden box is in the process of being made, but it will be completed soon.


Yuu Fujiwara - Bizen Shuhai

70,000 YEN
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size : W6.7cm×6.6cm×H5.5cm

Yu Fujiwara's designs are characterized by their thickness and heaviness.
However, this work is from his early to mid period, and those characteristics are almost meaningless.
This Guinomi is a work of his later years.
He is very good at making fire patterns with refractory soil called Botamochi.
He placed a semi-circular Botamochi on the edge of Guinomi to change the pattern and improve usability.
And it turns out that he was thinking of putting Botamochi on the back and inside of Guinomi to entertain those who used.


Masao Akiya - Hikidashiguro Guinomi

15,000 YEN
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size : W7.0cm×6.9cm×H5.6cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
This work is taken out of kiln during firing, so the color is vivid.


Toru Ichikawa - Guinomi Invisible//Ray

43,780 YEN
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size : W13.4cm×14.9cm×H11.9cm

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
This is the new Guinomi from the Ray series.
He named this Guinomi "Invisible Ray".
He is trying a new way of expressing the shape of a huge shell as it is in this work.


Takashi Soga - Bizen Guinomi

16,500 YEN
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size : W6.4cm×6.3cm×H5.2cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
In this work, the glossy part and the non-glossy part are clearly separated.
In addition to the glossy, the texture of clay is also wonderful, so it looks like old Bizen ware.


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