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Bizen Sake Bottle & sake Cup
908 Items
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Shuroku Harada - Bizen Sakazuki
48,000 YENSold out
size : W8.9cm×7.9cm×H9.3cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
Looking at the condition of the wooden box and the enclosed resume, I presume that it was made around 1980.
The upper part is a relatively ordinary Sakazuki, but the pedestal part is very voluminous.
This Sakazuki has a style like Bajouhai as a sake cup, but I felt like an ancient ritual goods.
Shuroku Harada - Bizen Tokkuri
98,000 YENSold out
size : W8.6cm×8.4cm×H9.6cm 180㏄Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
Looking at the condition of the wooden box and the enclosed resume, I presume that it was made around 1980~1990.
This Tokkuri feels his style different from the present.
Good quality clay has changed to three colors.
He completed the shape by shaving it with a wooden spatula.
He now makes visual cuts, but this time he didn't show much of the shavings.
Shuroku Harada - Bizen Hidasuki Guinomi
66,000 YENSold out
size : W7.5cm×7.5cm×H6.1cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi fired in his kiln around 2010.
In this work, a rich Hidaski occurs throughout the work.
There is his own way to make the body.
He builds the body by stacking clay into tubes.
Kodai is not carved, but is attached later and cut into a cross.
Suehiro Koyama - Bizen Yohen Sakazuki
19,000 YENSold out
size : W7.5cm×7.4cm×H4.5cmAlthough not an official disciple, he was a student of Sozan Kaneshige.
He learned how to make good clay and design from Sozan.
This Guinomi was made around 1990.
He burned this Guinomi in the place where Yohen burns from the middle to the back of the Noborigama kiln.
The large amount of dark gray ash and the strong red clay color feels great.
Suehiro Koyama - Bizen Yohen Guinomi
19,000 YENSold out
size : W5.8cm×5.9cm×H5.3cmAlthough not an official disciple, he was a student of Sozan Kaneshige.
He learned how to make good clay and design from Sozan.
This Guinomi was made around 1999.
He burned this Guinomi in the place where Yohen burns from the middle to the back of the Noborigama kiln.
The large amount of dark gray ash and the strong red clay color feels great.
Yuho Kaneshige - Imbe Guinomi
50,000 YENSold out
size : W6.7cm×6.6cm×H4.8cmHe inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
He built a small Noborigama kiln in 2005.
He burned this Guinomi in the small Noborigama kiln for the first time in a long time.
The most vivid scarlet clay color of this Guinomi is hidden inside.
When wet with Sake, it will entertain the owner with a wonderful clay color.
Koji Nakahara - Bizentsuthi Susogo kinsai Guinomi
12,100 YENSold out
size : W6.9cm×6.8cm×H6.4cmKoji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
And the clay is not completely mixed to make it even.
As a result, the metallic color looks like a tiger pattern.
Yuho Kaneshige - Imbe Guinomi
55,000 YENSold out
size : W7.0cm×6.6cm×H5.4cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
He built a small Noborigama kiln in 2005.
He burned this Guinomi in the small Noborigama kiln for the first time in a long time.
Koudai seems to be a master sword that has been forged due to its sharp design and the beauty of clay in cross section.
Shuroku Harada - Bizen Guinomi
66,000 YENSold out
size : W6.8cm×6.7cm×H6.7cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi has a lot of natural glaze so that it seems as if it was glazed.
The beautiful pale green natural glaze has a different texture from place to place.
The clay color on the inside is also as if it was platinum coated.
There is his own way to make the body.
He builds the body by stacking clay into tubes.
Yuho Kaneshige - Imbe Guinomi
55,000 YENSold out
size : W6.3cm×6.2cm×H5.3cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
He built a small Noborigama kiln in 2005.
He burned this Guinomi in the small Noborigama kiln for the first time in a long time.
The covered part on the front changed to 3 tones with a little fire on the cover.
Takashi Soga - Bizen Guinomi
16,500 YENSold out
size : W6.2cm×6.0cm×H5.5cmTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
In this work, the glossy part and the non-glossy part are clearly separated.
In addition to the glossy, the texture of clay is also wonderful, so it looks like old Bizen ware.
Masayuki Higuchi - Shino Guinomi
4,500 YENSold out
size : W7.2cm×6.9cm×H6.0cmThis is Shino's Guinomi made by Masayuki Higuchi around 2007.
This Guinomi has a wonderful body design by the potter's wheel.
The teachings of Toshu Yamamoto and the sculpture techniques he learned at university are utilized in this work.
Shino glaze seems to be a mixture of a slight gray color and a slight blue color.
The iron painting is reddish brown and looks like a burning flame.
This Guinomi has a very strong silhouette including glaze, but it is easy to hold and just light.
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