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Bizen Sake Bottle & sake Cup

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Masao Akiya - Hikidashiguro Guinomi

15,000 YEN
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size : W5.8cm×5.6cm×H6.5cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
This work is taken out of kiln during firing, so the color is vivid.


Sozan Kaneshige - Bizen Tokkuri

160,000 YEN
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size : W9.1cm×9.0cm×H13.5cm 380cc

I guessed that he fired this piece when he was about 60 years old.
He fired in his brother Toyo Kaneshige's kiln or in his new Maruyama-Gama kiln.
The balance between the body and the spout is special, and the neck and spout are large.
But I don't feel uncomfortable, in fact I feel it's a very good posture.
Kigoma, Koge-Goma, and lightly glowing clay colors are very nice.
When left in place, this Tokkuri is very quiet and has a low presence.
But once you pick it up and start using it, it starts to tell you a lot of things.


Takashi Soga - Bizen Guinomi

16,500 YEN
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size : W7.9cm×7.8cm×H4.3cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Guinomi, which was just burned in July 2020.
The clay component appears as black dots on the surface and shines.


Rokuro Nakamura - Bizen Guinomi

120,000 YEN
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size : W7.2cm×7.2cm×H5.4cm

This is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The Nakamura clan's unique body design makes it very easy to hold.
I presume that this Guinomi was fired when he was about 80 years old.
It has a color that is typical of Rokuro Nakamura, such as green Goma and light orange clay color.
It is rarely used and is in the same condition as new.


Tosyu Yamamoto - Bizen Guinomi

50,000 YEN
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size : W6.6cm×6.6cm×H5.4cm

Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This Guinomi is a mid-term work in his career.
His emblem is designed to be close to an equilateral triangle.
This Guinomi is made using low iron content clay.
He wrapped the straw in the Noborigama kiln and fired this Guinomi.
At that time, it was not completely sealed, so a little smoke invaded changed Hidasuki and clay color.


Takashi Soga - Bizen Guinomi

16,500 YEN
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size : W6.5cm×6.0cm×H5.6cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This Guinomi is his early work.
This Guinomi has a clear and brightly colored Hidasuki.
And it has a strong luster as if it were wet.


Yuu Fujiwara - Bizen Shuhai

60,000 YEN
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size : W6.9cm×6.9cm×H5.3cm

Yuu Fujiwara's designs are characterized by their thickness and heaviness.
However, this work is from his early to mid period, and those characteristics are almost meaningless.
I feel the influence of his father, Kei Fujiwara.
I can feel the soft color of good clay fired in a kiln with Noborigama kiln.
This is a work that can be accepted by those who do not like Yu Fujiwara's unique designs.　


Rokuro Nakamura - Bizen Hisago Tokkuri

380,000 YEN
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size : W10.3cm×9.9cm×H12.2cm 250cc

This is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The green Goma on the side also goes well with the red clay color.
His Tokkuri is most famous for the Henko type (bag-like shape), but this Hisago type is also rare and very popular.
It is estimated that this Hisago Tokkuri was made when he was about 80 years old.
The design of the whole work is not wasteful, but it is very spacious and comfortable.


Rokuro Nakamura - Bizen Guinomi

150,000 YEN
Sold out

size : W7.5cm×7.4cm×H5.4cm

This is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The Nakamura clan's unique body design makes it very easy to hold.
I presume that this Guinomi was fired when he was about 70 years old.
It has been used and the whole has changed to a soft texture, and I feel the love of the previous owner.


Kazu Fujiwara - Bizen Tokkuri

28,000 YEN

size : W9.6cm×9.4cm×H13.5cm 450cc

He inherited the style of his grandfather Kei Fujiwara and his father Yuu Fujiwara.
It is a style that pursues simple beauty without relying on technique.
This Tokkuri is also made according to that style.
The beautiful spherical body has a strong presence.
The fire pattern is also a traditional method of firing by Fujiwara Clan.
He wrapped straw around the neck of this Tokkuri, covered it with another object, and fired it.


Takashi Soga - Bizen Hisago Tokkuri

50,000 YEN
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size : 9.1cm×9.1cm×16.5cm 360cc

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This Tokkuri is based on the old Bizen Hisago Tokkuri from the Momoyama period.
Pushing in the lower part and the resulting unique neck tilt, And a diamond-shaped stamp pattern.


Anjin Abe - Saishiki Bizen Guinomi

200,000 YEN
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size : W7.0cm×6.1cm×H6.7cm

Anjin Abe is a professional in old ceramic research.
He studied various types of old ceramics while working as an oil painting painter.
His work, based on his deep insight and research, is comparable to old ceramics.
This work is a series called "Saishiki Bizen".
His original technique of bonding glass and gold to the surface while burning.
This is a wonderful series that fuses old Bizen's firing method with oil painting technology.


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