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Bizen Sake Bottle & sake Cup

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Masao Akiya - Hikidashi Guinomi

15,000 YEN
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size : W7.5cm×7.0cm×H5.4cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
This work is taken out of kiln during firing, so the color is vivid.


Iwao Kaneshige - Imbe Sakazuki

24,000 YEN
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size : W7.5cm×7.0cm×H5.4cm

He learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
This Sakazuki was fired in 2021 June with the kiln he inherited from his father and grandfather.
This Sakazuki has a green "Kasegoma" like melon skin and beautiful red clay color.
These are Kanesige fire patterns that are now rarely seen in his works.


Kazuki Nakamura - Bizen Hisago Tokkuri

22,000 YEN
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size : W10.9cm×10.8cm×H11.9cm 270cc

Kazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in june 2021.
This Tokkuri expresses the red color beautifully by the Nakamura family's original fire method.
The strong fire pattern and the bright scarlet color are beautiful.
When drinking Sake, the bright scarlet color changes more beautifully with water.


Makoto Nakamura - Bizen Guinomi

18,000 YEN
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size : W7.7cm×7.6cm×H5.1cm

Makoto Nakamura is the eldest son of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
The characteristic of Nakamura Clan is the red clay color.
However, this work is burned in a fiery flame until it loses its red clay color.
The melted ash has solidified and changed like a black stone.
A little red clay color is left inside, despite the fierce flames.
I am impressed by the power of his clay.


Gosuke Yashiro - Imbe Guinomi

6,500 YEN
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size : W8.0cm×7.8cm×H5.5cm

He was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This work is also very simple and powerful.
This Guinomi was fired by him so that it would not be exposed to direct fire.
Therefore, this Guinomi has acquired a clay texture that looks like Nanban Yakishime.
It is not possible to keep water for a long time.
A wooden box is not included, but you can make one.


Masao Akiya - Kuro Tokkuri

15,000 YEN
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size : W9.1cm×8.5cm×H11.8cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.


Toyo Kaneshige - Bizen Guinomi

500,000 YEN
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size : W6.8cm×6.5cm×H5.2cm

I think this Guinomi was made around 1950, guessing from the shape of the Toyo mark.
This is the work when he changed his production style from Saikumono to Rokuromono.
There are three main differences from his later style.
The first is the thickness of the work, and this Guinomi is very thin.
The second is Koudai's design, which is simple and thin.
The third is Higakimon on the body, with or without carving with design.
Kase Goma and red clay are wonderful colors from rice field clay and Noborigama kilns.
The appraisal of his third son, the potter Kousuke Kanesige, is included.


Gosuke Yashiro - Imbe Tokkuri

10,000 YEN
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size : W9.0cm×8.7cm×H14.8cm 440cc

He was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This Tokkuri was fired three times.
This Tokkuri has a rare transparent blue-green natural graze.
The natural graze color is similar to Shigaraki ware.
A large amount of ash adheres to the surface and it looks like a reef.
The design is simple and very quiet Katatsuki-Tokkuri.


Gosuke Yashiro - Imbe Guinomi

6,500 YEN
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size : W8.2cm×8.1cm×H4.8cm

He was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This work is also very simple and powerful.
Goma, a mixture of blue and gray, is plain but has Bizen ware-like goodness.
You can feel the influence of Yuho Kaneshige on the clay color and fire pattern of this Chawan.
A wooden box is not included, but you can make one.


Toru Ichikawa - Tokkuri Etchan

43,890 YEN
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size : W8.0cm×8.0cm×H16.8cm 180cc

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
A large amount of pure white glaze is applied on the base of vanilla white clay.
And orange, silver and gold are mixed to form a marble-like pattern.


Gosuke Yashiro - Imbe Guinomi

6,500 YEN
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size : W7.7cm×7.5cm×H6.5cm

He was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This work is also very simple and powerful.
This Guinomi was fired by him so that it would not be exposed to direct fire.
Therefore, this Guinomi has acquired a clay texture that looks like Nanban Yakishime.
It is not possible to keep water for a long time.
A wooden box is not included, but you can make one.


Anjin Abe - Saishiki Bizen Guinomi

200,000 YEN
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size : W6.7cm×5.9cm×H6.7cm

Anjin Abe is a professional in old ceramic research.
He studied various types of old ceramics while working as an oil painting painter.
His work, based on his deep insight and research, is comparable to old ceramics.
This work is a series called "Saishiki Bizen".
His original technique of bonding glass and gold to the surface while burning.
This is a wonderful series that fuses old Bizen's firing method with oil painting technology.


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