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Bizen Sake Bottle & sake Cup

908 Items

FIRST PREV 67 / 76 page NEXT LAST

Kentaro Miyoshi - Guinomi

4,500 YEN
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size : W8.3cm×8.0cm×H5.1cm

This is Karatsu ware Guinomi.
The knowledge he learned in Karatsu is used to produce wonderful glazes.
Kairagi like Ido's work gives this Guinomi a dignified power.
This is like a very small tea bowl.
When I hold it in my hand and look at it, I feel as if I have become a giant.



Takashi Soga - Bizen Shuko (Sake pourer)

27,500 YEN
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size : W11.3cm×11.3cm×H12.6cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in July 2020.
Due to his special Kiln influences, many of the works have a bright red clay color.



Mamoru Taku - Bizen Shuhai

8,000 YEN
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size : W7.2cm×6.8cm×H5.7cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He made this Guinomi around 2008.
This Guinomi is made by a method similar to the old Bizen Inbe style.
He made it using clay from different strata in the same area.
He applies iron-rich clay in liquid form before firing it in a kiln.



Masayuki Higuchi - Shino Guinomi

4,500 YEN
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size : W7.2cm×6.7cm×H5.5cm

This is Shino's Guinomi made by Masayuki Higuchi around 2007.
This Guinomi has a wonderful body design by the potter's wheel.
The teachings of Toshu Yamamoto and the sculpture techniques he learned at university are utilized in this work.
Shino glaze seems to be a mixture of a slight gray color and a slight madder color.
The iron painting is also reddish brown and matches the color of Shino glaze.
This Guinomi has a very strong silhouette including glaze, but it is easy to hold and just light.



Munehiko Maruta - Karatsu Guinomi

12,000 YEN
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size : W7.1cm×7.1cm×H5.8cm

This is a work about 10 years ago.
This is Guinomi, who often shows the results of his research on Old Karatsu.
The glaze is mixed in a well-balanced manner to generate Kairagi in some places.
Especially the inner glaze and some frizzy glazes are wonderful.
The more you use this Guinomi, the more shibui and cool it becomes.
That change is the biggest attraction of Karatsu ware.



Rakuzan Fujiwara ? - Shino Guinomi

30,000 YEN
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size : W7.5cm×6.9cm×H5.5cm

This is Shino Guinomi, which Rakuzan Ⅱ fired in Kujiri, Gifu Prefecture from 1967 to 1968.
Bizen ware does not use glaze, and Shino ware uses glaze.
I think the effect of the presence or absence of glaze is very large, but he wasn't.
This is Guinomi, which is as beautiful as a potter who has been making Shino ware for a long time.
The beautiful white glaze turns orange at the finger marks and edges.



Takashi Soga - Bizen Guinomi

16,500 YEN
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size : W7.7cm×7.7cm×H3.2cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
Due to his special Kiln influences, many of the works have a bright red clay color.
And you will be amazed by the very soft texture of Kasegoma.



Go Ikenishi - Bizen Shuhai

20,000 YEN
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size : W6.9cm×6.5cm×H6.0cm

Go Ikenishi is studying old ceramics from Japan, China and Korea.
He applies what he has learned from the study of old ceramics to his work production.
Guinomi has a simple and classic fire pattern called Goma and Sangiri.
However, the quality of those fire patterns and modeling was very high, and I was surprised.
Sangiri shines a little like a wet rock.
Goma is scattered so that each one is small and beautiful.
I feel that this Guinomi is close to Old Bizen.



Yuho Kaneshige - Imbe Rinka Guinomi

25,000 YEN
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size : W7.0cm×7.0cm×H5.4cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was burned in 2007 in a small kiln next to it, not in its demolished kiln.
This design imitates a flower.
He thought that the five petal-like edges all had different shapes, so the taste of sake was different.



Koji Nakahara - Bizen Susogo Kinsai Guinomi

12,100 YEN
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size : W8.2cm×8.1cm×H3.5cm

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
Susogo is a word used to dye clothes.
He named it because the gradation from pink gold to dark gray is similar.



Mitsuru Isezaki - Imbe Hidasuki Guinomi

30,000 YEN
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size : W7.1cm×7.0cm×H4.5cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
He fired Hidasuki in a Noborigama kiln without using an electric or gas kiln.
This Guinomi is a Noborigama kiln Hidasuki but has bright scarlet color and beautiful white clay color.
I feel that the works fired with Noborigama kiln are rare because they often turn into charcoal gray clay color and dark red Hidasuki.



Koji Nakahara - Bizen Susogo Kinsai Tokkuri

24,200 YEN
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size : W8.3cm×8.2cm×H15.6cm 260cc

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
Susogo is a word used to dye clothes.
He named it because the gradation from pink gold to dark gray is similar.



FIRST PREV 67 / 76 page NEXT LAST




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