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Bizen Sake Bottle & sake Cup
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Takashi Soga - Bizen Guinomi
16,500 YENSold out
size : W6.0cm×5.9cm×H5.5cmTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Guinomi, which was just baked in July 2020.
A mysterious Yohen like black soot is added to his characteristic blue silver Hidasuki.
Shuroku Harada - Bizen Guinomi
50,000 YENSold out
size : W7.8cm×7.3cm×H5.6cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
Looking at the enclosed resume, I presume that it was made around 1990.
He completed the shape by shaving this Guinomi with a wooden spatula.
It has a visual effect, leaving a shaving mark, and it is speculated that it was the basis of his "Shinogi technique" later.
Kosuke Kaneshige - Bizen Hidasuki Guinomi
45,000 YENSold out
size : W5.9cm×5.9cm×H6.3cmKousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This work was fired in an electric kiln at the end of 2020.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.
Kosuke Kaneshige - Bizen Guinomi
30,000 YENSold out
size : W6.5cm×6.5cm×H6.1cmKousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This is the latest work he fired at the end of 2020.
It is Guinomi of Goma fired in the back of the firing mouth in front of Noborigama kiln.
On the surface of the work Beautiful yellow Goma is attached to give a smooth texture.
Shuroku Harada - Bizen Sakazuki
48,000 YENSold out
size : W9.4cm×8.7cm×H9.2cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
Looking at the condition of the wooden box and the enclosed resume, I presume that it was made around 1993.
The upper part has a worm-eaten design with the edges scraped off.
This Sakazuki has a style like Bajouhai as a sake cup, but I felt like an ancient ritual goods.
The author's mark is not an engraving type, but is written with a brush by dissolving straw ash in water.
By firing, the author's mark is written on the work like an iron painting.
Shuroku Harada - Bizen Guinomi
60,000 YENSold out
size : W6.8cm×6.8cm×H7.1cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi has a lot of natural glaze so that it seems as if it was glazed.
The pale green natural glaze is one of his characteristics.
The lower part of the work is deformed like a pumpkin and is very impressive.
The overall Guinomi design looks like a deep-sea creature.
Shuroku Harada - Bizen Sakazuki
48,000 YENSold out
size : W8.9cm×7.9cm×H9.3cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
Looking at the condition of the wooden box and the enclosed resume, I presume that it was made around 1980.
The upper part is a relatively ordinary Sakazuki, but the pedestal part is very voluminous.
This Sakazuki has a style like Bajouhai as a sake cup, but I felt like an ancient ritual goods.
Shuroku Harada - Bizen Tokkuri
98,000 YENSold out
size : W8.6cm×8.4cm×H9.6cm 180㏄Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
Looking at the condition of the wooden box and the enclosed resume, I presume that it was made around 1980~1990.
This Tokkuri feels his style different from the present.
Good quality clay has changed to three colors.
He completed the shape by shaving it with a wooden spatula.
He now makes visual cuts, but this time he didn't show much of the shavings.
Shuroku Harada - Bizen Hidasuki Guinomi
66,000 YENSold out
size : W7.5cm×7.5cm×H6.1cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi fired in his kiln around 2010.
In this work, a rich Hidaski occurs throughout the work.
There is his own way to make the body.
He builds the body by stacking clay into tubes.
Kodai is not carved, but is attached later and cut into a cross.
Suehiro Koyama - Bizen Yohen Sakazuki
19,000 YENSold out
size : W7.5cm×7.4cm×H4.5cmAlthough not an official disciple, he was a student of Sozan Kaneshige.
He learned how to make good clay and design from Sozan.
This Guinomi was made around 1990.
He burned this Guinomi in the place where Yohen burns from the middle to the back of the Noborigama kiln.
The large amount of dark gray ash and the strong red clay color feels great.
Suehiro Koyama - Bizen Yohen Guinomi
19,000 YENSold out
size : W5.8cm×5.9cm×H5.3cmAlthough not an official disciple, he was a student of Sozan Kaneshige.
He learned how to make good clay and design from Sozan.
This Guinomi was made around 1999.
He burned this Guinomi in the place where Yohen burns from the middle to the back of the Noborigama kiln.
The large amount of dark gray ash and the strong red clay color feels great.
Yuho Kaneshige - Imbe Guinomi
50,000 YENSold out
size : W6.7cm×6.6cm×H4.8cmHe inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
He built a small Noborigama kiln in 2005.
He burned this Guinomi in the small Noborigama kiln for the first time in a long time.
The most vivid scarlet clay color of this Guinomi is hidden inside.
When wet with Sake, it will entertain the owner with a wonderful clay color.
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