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Bizen Sake Bottle & sake Cup
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Koji Nakahara - Bizentsuthi Susogo kinsai Guinomi
12,100 YENSold out
size : W6.9cm×6.8cm×H6.4cmKoji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
And the clay is not completely mixed to make it even.
As a result, the metallic color looks like a tiger pattern.
Yuho Kaneshige - Imbe Guinomi
55,000 YENSold out
size : W7.0cm×6.6cm×H5.4cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
He built a small Noborigama kiln in 2005.
He burned this Guinomi in the small Noborigama kiln for the first time in a long time.
Koudai seems to be a master sword that has been forged due to its sharp design and the beauty of clay in cross section.
Shuroku Harada - Bizen Guinomi
66,000 YENSold out
size : W6.8cm×6.7cm×H6.7cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi has a lot of natural glaze so that it seems as if it was glazed.
The beautiful pale green natural glaze has a different texture from place to place.
The clay color on the inside is also as if it was platinum coated.
There is his own way to make the body.
He builds the body by stacking clay into tubes.
Yuho Kaneshige - Imbe Guinomi
55,000 YENSold out
size : W6.3cm×6.2cm×H5.3cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
He built a small Noborigama kiln in 2005.
He burned this Guinomi in the small Noborigama kiln for the first time in a long time.
The covered part on the front changed to 3 tones with a little fire on the cover.
Takashi Soga - Bizen Guinomi
16,500 YENSold out
size : W6.2cm×6.0cm×H5.5cmTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
In this work, the glossy part and the non-glossy part are clearly separated.
In addition to the glossy, the texture of clay is also wonderful, so it looks like old Bizen ware.
Masayuki Higuchi - Shino Guinomi
4,500 YENSold out
size : W7.2cm×6.9cm×H6.0cmThis is Shino's Guinomi made by Masayuki Higuchi around 2007.
This Guinomi has a wonderful body design by the potter's wheel.
The teachings of Toshu Yamamoto and the sculpture techniques he learned at university are utilized in this work.
Shino glaze seems to be a mixture of a slight gray color and a slight blue color.
The iron painting is reddish brown and looks like a burning flame.
This Guinomi has a very strong silhouette including glaze, but it is easy to hold and just light.
Makoto Nakamura - Bizen Guinomi
18,000 YENSold out
size : W8.0cm×8.0cm×H4.8cmMakoto Nakamura is the eldest son of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This Guinomi expresses the red color beautifully by the Nakamura family's original fire method.
When drinking Sake, the red color changes more beautifully with water.
And the green Kasegoma will change to a smoother texture as you use it.
Yuho Kaneshige - Imbe Hai
22,000 YENSold out
size : W8.0cm×7.9cm×H4.4cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was burned in 2007 in a small kiln next to it, not in its demolished kiln.
He uses a lot of mountain clay to make this Guinomi.
Mountain clay cannot be transformed by potter's wheel for a longer time than rice field clay.
That is why it has a simple and powerful design.
Tomoyuki Oiwa - Kuro Tokkuri
29,700 YENSold out
size : W9.3cm×6.7cm×H16.5cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Shuroku Harada - Bizen Shinogi Tokkuri
120,000 YENSold out
size : W10.1cm×9.8cm×H11.6cm 140㏄Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Tokkuri is made quite thick and then scraped off with a spatula.
Therefore, the title is "Shinogi".
The Shinogi technique allows you to enjoy turning clay and raising stone grains, but this Tokkuri is even more surprising.
That is the power of the shaving itself.
It's very interesting because it feels like it's cut with a small Katana.
Makoto Kaneshige - Bizen Guinomi
88,000 YENSold out
size : W6.4cm×6.1cm×H6.5cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was burned in October 2020.
He burned in a place where Yohen could collect in the back of the Noborigama kiln.
A large amount of heated charcoal poured into the work, forming a lava-like fire pattern.
However, Bizen clay did not lose its heat and left a beautiful red clay color.
Yuho Kaneshige - Kohiki Guinomi
25,000 YENSold out
size : W7.3cm×6.8cm×H5.0cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was burned around 2007.
This is one of the works he was preparing for his solo exhibition.
He manually grinded porcelain clay.
A wonderful glaze like the masterpieces of old Kohiki works has been completed.
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