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Bizen Sake Bottle & sake Cup

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Takashi Baba - Ao Shino Guinomi

14,300 YEN
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size : W7.1cm×6.8cm×H6.2cm

Takashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Guinomi was fired by him in November 2021.
Based on Bizen clay, it was glazed with Shino and baked in Bizen Noborigam kiln.
Shino glaze changed to more complex shades with Noboligama kiln.
He named it "Ao Shino" because of the beautiful blue color.


Koji Nakahara - Bizen Nerikomi Platinum Toutai Guinomi

13,200 YEN
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size : W6.7cm×6.3cm×H6.7cm

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
Toutai means a piece of lacquered pottery.
Red lacquer is applied to the skin of Bizen ware and is bright, but it is in a carmine color that is not too flashy.
The platinum part is a technique called "Byakudan painting".
He uses a thin layer of silver foil and lacquer on top to make it look platinum.


Takashi Baba - Bizen Yohen Ao Guinomi

24,200 YEN
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size : W6.6cm×6.2cm×H6.4cm

Takashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Guinomi was fired by him in November 2021.
This work is painted black clay and cobalt on the surface.
Furthermore, a bright blue fire pattern is generated by intensively applying a strong fire.
Goma's yellow, black clay, and bright blue are a set and have a very fantastic beauty.


Tomoyuki Oiwa - Bizen Shiro Tokkuri

29,700 YEN
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size : W9.7cm×7.9cm×H14.6cm 200cc

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints white clay after drying.
His white clay is based on mountain soil with kaolinite added to it.
Kaolinite is a mineral that is also used in Hagi ware, and this Tokkuri has a fire pattern similar to that of Hagi ware.


Makoto Nakamura - Bizen Hisago Tokkuri

45,000 YEN
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size : W10.7cm×10.7cm×H12.5cm 290cc

Makoto Nakamura is the eldest son of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This Tokkuri was fired in October 2021.
The characteristic of Nakamura Clan is the red clay color.
However, this work is burned in a fiery flame until it loses its red clay color.
The melted ash has solidified and changed like a black stone.
Only the sides of the body are Kasegoma due to the different way the fire hits them.
Kasegoma part has a very vivid red clay color that is typical of him.


Junpei Kaneshige - Bizen Guinomi

18,000 YEN
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size : W6.4cm×6.3cm×H5.6cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This work was fired in an electric kiln at September 2021.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.


Mitsuru Isezaki - Akae Guinomi

18,000 YEN
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size : W5.7cm×5.7cm×H5.9cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This is Akae's Guinomi, made with porcelain clay and glaze.
His artistic sense and deep knowledge make it an authentic work of art.


Junpei Kaneshige - Bizen Guinomi

20,000 YEN
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size : W8.7cm×8.4cm×H4.3cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired in 2021 September.
This is a piece that was fired in the front part of the kiln near the wood loading port.
It is also the place where Chawan and other items are fired, and a large amount of natural glaze adheres, forming glassy fire patterns.
The shape also resembles Ido Chawan, and when you hold it in your hand, you will have the illusion of a small Chawan.


Tosyu Yamamoto - Bizen Guinomi

60,000 YEN
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size : W6.6cm×6.5cm×H5.4cm

Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This Guinomi was fired in a gas kiln co-developed with his eldest son Yuuichi Yamamoto.
This gas kiln has an effect to make the white color stronger than general Hidaski works.


Yoshiteru Takariki - Bizen Hidasuki Tokkuri Mini

19,800 YEN
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size : W9.0cm×9.0cm×H10.5cm 240cc

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Hidasuki Tokkuri was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.


Yu Fujiwara - Bizen Shuhai

70,000 YEN
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size : W7.0cm×7.0cm×H5.1cm

Yu Fujiwara's designs are characterized by their thickness and heaviness.
However, this work is from his early to mid period, and those characteristics are almost meaningless.
This Guinomi is a work of his later years.
He is very good at making fire patterns with refractory soil called Botamochi.
He placed a semi-circular Botamochi on the edge of Guinomi to change the pattern and improve usability.
And it turns out that he was thinking of putting Botamochi on the back and inside of Guinomi to entertain those who used.


Junpei Kaneshige - Bizen Guinomi

25,000 YEN
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size : W6.4cm×6.3cm×H5.1cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired in 2021 September.
A strong "Yohen" style Guinomi that has been fired in a large amount of burning charcoal.
However, the quality of the clay is so good that a beautiful red clay color remains in the work.
The finish after baking is also very polite, so I feel it is very fun to touch.


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