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Bizen Sake Bottle & sake Cup

907 Items

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Mitsuru Isezaki - Imbe Guinomi Hidari-Uma

40,000 YEN
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size : W6.8cm×6.7cm×5.9cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Guinomi has a beautiful texture due to the good quality of the clay.
I think it is Guinomi, which is rare among Mitsuru's works.
Hidari-Uma is a mark that indicates that it is the first works that kiln was made and fired.
Hidari-Uma has been loved by people since ancient times as a good mark of acting.


Yoshinobu Morimoto - Bizen Shuhai

15,000 YEN
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size : W8.3cm×8.0cm×H3.7cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This Guinomi is also a wonderful piece created from his knowledge and skills.
This Guinomi is fired with rice straw.
Natural glaze and rice straw combine to affect the shape and color of the fire pattern.


Koji Nakahara - Bizen Susogo Kinsai Guinomi

12,100 YEN
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size : W8.0cm×7.3cm×H6.8cm

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
And the clay is not completely mixed to make it even.
As a result, the metallic color looks like a tiger pattern.


Ken Fujiwara - Bizen Guinomi

30,000 YEN
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size : W6.6cm×6.5cm×H5.4cm

This Guinomi was made by Ken Fujiwara before 1970.
He made a large kiln in 1970, this Guinomi was fired in Noborigama kiln.
He installed this Guinomi in a place in Noborigama kiln where it was not exposed to direct fire.
It is in another works or in a box of refractory soil called Saya.
The surface color of the clay skin is a reddish brown that has lost its luster.
The color is in excellent condition due to the interaction with Hidasuki.


Rokuro Nakamura - Bizen Guinomi

180,000 YEN
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size : W7.8cm×7.7cm×H5.2cm

This is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The green Goma on the side also goes well with the red clay color.
The Nakamura clan's unique body design makes it very easy to hold.
The work and wooden box have been verified by his son Makoto Nakamura.


Go Ikenishi - Inbe Shuhai

20,000 YEN
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size : W7.1cm×6.9cm×H5.3cm

Go Ikenishi is studying old ceramics from Japan, China and Korea.
He applies what he has learned from the study of old ceramics to his work production.
This work is colored like an iron works by the "Inbe-te" technique.
The surface of the dried work is coated with iron-rich mud.
The worn-out iron-like color makes you feel Wabi-Sabi.
He is lectured by Anjin Abe on the firing method.
Layers are created in Kigoma by firing multiple times.


Iwao Kaneshige - Imbe Sakazuki

10,000 YEN
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size : W7.8cm×7.3cm×H5.7cm

He was born in a family of famous Bizen potters.
He learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
This Guinomi has a yellow "Goma" like gold dust and beautiful purple skin.
These are Kanesige fire patterns that are now rarely seen in his works.
This is Guinomi sold at his first solo exhibition held in 2007 at Tenmaya, Okayama.


Mamoru Taku - Bizen Shuhai

16,500 YEN
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size : W7.3cm×7.2cm×H4.7cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He told me that Hidasuki was his basic theme.
Hidasuki works of various colors were placed in his workshop.
A large amount of iron and other substances are gushing on the white clay skin.
The red color at the edge is colored using smoke fired by straw.


Mamoru Taku - Bizen Shuhai

16,500 YEN
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size : W7.1cm×7.0cm×H4.4cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Guinomi is made by a method similar to the old Bizen Inbe style.
He made it using clay from different strata in the same area.
He applies iron-rich clay in liquid form before firing it in a kiln.


Tosyu Yamamoto - Bizen Guinomi

98,000 YEN
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size : W6.3cm×6.1cm×H5.8cm

Tosyu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This Guinomi is a Sangiri style fired in the back of the kiln.
Only soil, fire, and ash produce a surprising variety of colors.
I feel the color of iron rust, white, light blue silver, vermilion, and gold.


Mamoru Taku - Bizen Hidasuki Shuhai

16,500 YEN
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size : W6.4cm×6.3cm×H5.3cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He told me that Hidasuki was his basic theme.
Hidasuki works of various colors were placed in his workshop.
This Guinomi's Hidasuki reminded me of Toyo Kanesige.
An elegant and beautiful Hidasuki color created from rice field clay.


Takashi Soga - Bizen Guinomi

16,500 YEN
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size : W5.9cm×5.9cm×H5.3cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Guinomi, which was just baked in July 2020.
A mysterious Yohen like black soot is added to his characteristic astringent Hidasuki.


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