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Bizen Sake Bottle & sake Cup

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Kosuke Kaneshige - Bizen Guinomi

50,000 YEN
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size : W6.7cm×6.6cm×H6.8cm

Kousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This Guinomi was fired in 2021 September.
He keeps the style of Bizen ware of Kaneshige Clan and feels that he uses very good clay.
Beautiful red and orange clay colors appear on the front and inside of this Guinomi.


Junpei Kaneshige - Bizen Tokkuri

55,000 YEN
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size : W8.2cm×8.1cm×H12.9cm 300cc

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Tokkuri was fired in 2021 September.
Therefore, the red part is very elegant and beautiful.
The fire pattern called “kase goma” is like the skin of a tree.
And half of the work has been buried in charcoal, resulting in a fire pattern called Yohen.


Mitsuru Isezaki - Bizen Guinomi

35,000 YEN
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size : W6.5cm×6.4cm×H6.0cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Guinomi has a beautiful texture due to the good quality of the clay.
The inside of this Guinomi has a fire pattern of Hikaburi-Youhen.
I think that the inside of this Guinomi was filled with burning charcoal when firing.


Yuho Kaneshige - Imbe Hidasuki Sakazuki

20,000 YEN
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size : W7.5cm×7.3cm×H4.4cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Imbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
This works was made by him a few years ago.
This Guinomi was made in 2003.
Hidasuki, which he fired in an electric kiln given to him by Sozan Kaneshige, is very beautiful.
Guinomi is originally a simple work, but it is designed like a tea ceremony pottery by Yuho's technique.


Tomoyuki Oiwa - Hikidashiguro Guinomi

22,000 YEN
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size : W9.4cm×8.3cm×H4.9cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
This work is taken out of kiln during firing, so the color is vivid.


Tomoyuki Oiwa - Shiro Guinomi

14,300 YEN
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size : W7.6cm×6.9cm×H6.7cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints white clay after drying.
His white clay is based on mountain soil with kaolinite added to it.
Kaolinite is a mineral that is also used in Hagi ware, and this Guinomi has a fire pattern similar to that of Hagi ware.


Tomoyuki Oiwa - Kuro Guinomi

19,800 YEN
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size : W7.5cm×6.7cm×H6.2cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this Guinomi has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.
I wondered if this Guinomi was due to the Hikidashi technique, but it's not.


Tomio Ochi - Imbe Hisago Tokkuri

20,000 YEN
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size : W8.3cm×8.3cm×H13.0cm 210cc

Tomio ochi is a relative of Anjin Abe.
He was an office worker but loved art.
After retiring from the company, he studied pottery as a student at Anjin Abe.
He studied the control of the fire method of the old Bizen from Anjin Abe.
He uses the firing method and clay painting technique taught by Anjin Abe to reproduce the texture and color of old Bizen ware.
This tokkuri is imbe style, so it is painted with a different clay than the main body to generate the black color.


Koichiro Isezaki - Bizen Guinomi

20,000 YEN
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size : W8.3cm×8.4cm×H5.8cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This new work was fired in 2021.
This work is made using special white clay collected in the Inve area.
He even wrapped the whole thing with rice straw and burned this Guinomi as an all-Hidasuki.
The clay and rice straw caused a soft orange color to develop throughout Guinomi.


Jun Isezaki - Bizen Kuro Guinomi

120,000 YEN
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size : W6.7cm×6.6cm×H7.1cm

He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
This Guinomi is interesting because it is transformed by a fiery flame.


Masahiro Miyao - Kuro Guinomi

15,400 YEN
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size : W6.2cm×6.0cm×H6.3cm

He presents his work in two ways: traditional Bizen ware style and black style.
This Guinomi is made in black style.
It is a technique to apply mud containing a small amount of cobalt, which has been popular since 2000.
Black-style pieces have a beautiful black clay color that is roughly glossy and a bright cobalt blue fire pattern.
However, in this Guinomi, the black is almost completely transformed into indigo, which is very strange.
The black color is still present in the base, and in the areas where the clay is thin, a beautiful black color can be seen.


Shuroku Harada - Bizen Guinomi

80,000 YEN
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size : W7.5cm×6.6cm×H7.1cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi was fired by him around the year 2000.
This Guinomi has a lot of natural glaze so that it seems as if it was glazed.
The beautiful pale green natural glaze has a different texture from place to place.
There is his own way to make the body.
He builds the body by stacking clay into tubes.


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