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Bizen Sake Bottle & sake Cup
907 Items
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Tomoyuki Oiwa - Bizen Konkou Guinomi
14,300 YENSold out
size : W9.0cm×7.8cm×H4.9cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
The flame of Anagama kiln blows into the back of kiln at a stretch.
The technique is the same as that used in the Una Mistura series by his master, Ryuichi Kakurezaki.
This clay is made by collecting the discarded parts of the Bizen mountain clay.
The difference in the composition of clay is a marble pattern.
Mamoru Taku - Bizen Shuhai
16,500 YENSold out
size : W8.5cm×8.2cm×H4.9cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Guinomi is made by a method similar to the old Bizen Inbe style.
He made it using clay from different strata in the same area.
He applies iron-rich clay in liquid form before firing it in a kiln.
Mitsuru Isezaki - Imbe Guinomi
20,000 YENSold out
size : W6.7cm×6.3cm×H5.9cmMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Guinomi has a beautiful texture due to the good quality of the clay.
There is a black fire pattern under the Goma, which is considered to be due to the strong flame.
Mamoru Taku - Bizen Shuhai
16,500 YENSold out
size : W6.5cm×6.3cm×H4.8cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Guinomi is an avant-garde works using special clay.
Rough sandy clay is fired to give two colors.
He paints ash glaze with a brush to give a small accent.
Sozan Kaneshige - Bizen Hidasuki Tokkuri
180,000 YENSold out
size : W10.4cm×10.3cm×H15.1cm 530ccThis Tokkuri was made by Sozan when he was 60 to 70 years old.
This Hidasuki Tokkuri was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.
I feel that the design balance of this Tokkuri is genius.
The body swells strongly and converges to the neck all at once to feel catharsis.
The way to wrap rice straw for fluffing is also perfect.
Mamoru Taku - Bizen Shuhai
16,500 YENSold out
size : W7.1cm×6.8cm×H5.4cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Guinomi also has a special clay color.
Inside the three circles in the center of Guinomi, the white clay color is gradation to black.
Kasegoma, which looks like the texture of rocks created from smoke in a kiln, is also very interesting.
Anjin Abe - Saishiki Bizen Guinomi
200,000 YENSold out
size : W6.7cm×6.1cm×H5.7cmAnjin Abe is a professional in old ceramic research.
He studied various types of old ceramics while working as an oil painting painter.
His work, based on his deep insight and research, is comparable to old ceramics.
This work is a series called "Saishiki Bizen".
His original technique of bonding glass and gold to the surface while burning.
This is a wonderful series that fuses old bizen's firing method with oil painting technology.
Zenji Urakami - Bizen Tokkuri
42,000 YENSold out
size : W9.1cm×9.1cm×H14.5cmThis Tokkuri was fired around the spring of 2000.
This is a Hisago type, which is rare for Zenji Urakami's Tokkuri.
Hisago is a gourd.
In Japan, gourd has long been the preferred lucky item.
There are many types of Hisago designs depending on the personality of the artist.
This Zenzi Hisago stands upright and imposing.
Ryuhou Fujita 2nd - Bizen Guinomi
16,000 YENSold out
size : W6.7cm×6.4cm×H5.0cmThis works is a very simple Bizen ware Guinomi.
The edge opens slightly outward and the body is shaped to be easy to hold.
The Koudai is sharpened, which contrasts with the slowly movement of the body
Yu Fujiwara - Bizen Shuhai
80,000 YENSold out
size : W6.8cm×6.5cm×H4.3cmYu Fujiwara had a handicap in his sight but therefore produced a daring style.
This Guinomi has a very strong presence in your hands.
But it's tuned just fine without being too heavy.
Three "botamochi" which are particular about Yu Fujiwara are also beautiful.
The three red parts "Botamochi" on the front, inside, and back are wonderful.
You can enjoy "Botamochi" both when you drink tea and when you look at the bowl after finishing.
Tosyu Yamamoto - Bizen Guinomi
120,000 YENSold out
size : W6.9cm×6.8cm×H5.8cmToshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This is a precious Guinomi with a "Youhen" fire pattern.
This Guinomi was fired near the small firewood openings on both sides of the kiln.
A circular red part is generated because disc-shaped refractory soil was put inside and fired.
Suehiro Koyama - Bizen Guinomi
10,000 YENSold out
size : W6.6cm×6.5cm×H5.6cmAlthough not an official disciple, he was a student of Sozan Kaneshige.
He learned how to make good clay and design from Sozan.
This Guinomi was made around 1990.
There is a strong influence of Sozan on the color and design of the work.
He and Sozan were always checking if good clay was excavated in Bizen City.
This Guinomi is also made of the finest Bizen clay.
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