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Bizen Sake Bottle & sake Cup

937 Items

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Yuichi Yamamoto - Bizen Guinomi

55,000 YEN
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size : W6.7cm×6.6cm×H6.2cm

Yuichi Yamamoto is the eldest son of Toshu Yamamoto and a leader of the Yamamoto clan.
The Yamamoto clan is good at modeling without distortion by rokuro.
This Guinomi was burned by Yuichi Yamamoto in 2006.
It is burned by a very strong flame and its effect can be seen in various parts.
A large amount of natural glaze is layered in three layers.
The clay color is a natural black color that is not painted clay.
His design does not incorporate deformation or distortion, but is slightly distorted due to the effects of flames.


Makoto Kaneshige - Bizen Guinomi

88,000 YEN
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size : W6.8cm×6.5cm×H5.8cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was fired in October 2020.
He burned in a place where Yohen could collect in the back of the Noborigama kiln.
A large amount of heated charcoal poured into the work, forming a lava-like fire pattern.
However, Bizen clay did not lose its heat and left a beautiful red clay color.


Yoshinobu Morimoto - Hidasuki Shuhai

15,000 YEN
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size : W7.2cm×7.0cm×H5.3cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This guinomi is also a wonderful piece created from his knowledge and skills.
There is a slight blue color on the surface of the work.
Hidaski feels the wabi-sabi seen in old Bizen ware.
It takes about a month for this work to make a wooden box after receiving an order.


Makoto Kaneshige - Bizen Henko Tokkuri

220,000 YEN
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size : W11.0cm×10.3cm×H11.8cm 380cc

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was burned in October 2020.
He burned in a place where Yohen could collect in the back of the Noborigama kiln.
A large amount of heated charcoal poured into the work, forming a lava-like fire pattern.
You can see the color of the clay through the gap between the round ash.
It is a blue-gray like Aobizen due to the influence of strong flames.
And a golden fire pattern is generated in the round ash gap, which is like an annular solar eclipse.


Makoto Kaneshige - Bizen Guinomi

88,000 YEN
Sold out

size : W6.5cm×6.1cm×H5.9cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was burned in October 2020.
He burned in a place where Yohen could collect in the back of the Noborigama kiln.
A large amount of heated charcoal poured into the work, forming a lava-like fire pattern.
However, Bizen clay did not lose its heat and left a beautiful red clay color.


Kentaro Miyoshi - Guinomi

4,500 YEN
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size : W8.3cm×8.0cm×H5.1cm

This is Karatsu ware Guinomi.
The knowledge he learned in Karatsu is used to produce wonderful glazes.
Kairagi like Ido's work gives this Guinomi a dignified power.
This is like a very small tea bowl.
When I hold it in my hand and look at it, I feel as if I have become a giant.


Takashi Soga - Bizen Shuko (Sake pourer)

27,500 YEN
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size : W11.3cm×11.3cm×H12.6cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in July 2020.
Due to his special Kiln influences, many of the works have a bright red clay color.


Mamoru Taku - Bizen Shuhai

8,000 YEN
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size : W7.2cm×6.8cm×H5.7cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He made this Guinomi around 2008.
This Guinomi is made by a method similar to the old Bizen Inbe style.
He made it using clay from different strata in the same area.
He applies iron-rich clay in liquid form before firing it in a kiln.


Masayuki Higuchi - Shino Guinomi

4,500 YEN
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size : W7.2cm×6.7cm×H5.5cm

This is Shino's Guinomi made by Masayuki Higuchi around 2007.
This Guinomi has a wonderful body design by the potter's wheel.
The teachings of Toshu Yamamoto and the sculpture techniques he learned at university are utilized in this work.
Shino glaze seems to be a mixture of a slight gray color and a slight madder color.
The iron painting is also reddish brown and matches the color of Shino glaze.
This Guinomi has a very strong silhouette including glaze, but it is easy to hold and just light.


Munehiko Maruta - Karatsu Guinomi

12,000 YEN
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size : W7.1cm×7.1cm×H5.8cm

This is a work about 10 years ago.
This is Guinomi, who often shows the results of his research on Old Karatsu.
The glaze is mixed in a well-balanced manner to generate Kairagi in some places.
Especially the inner glaze and some frizzy glazes are wonderful.
The more you use this Guinomi, the more shibui and cool it becomes.
That change is the biggest attraction of Karatsu ware.


Rakuzan Fujiwara ? - Shino Guinomi

30,000 YEN
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size : W7.5cm×6.9cm×H5.5cm

This is Shino Guinomi, which Rakuzan Ⅱ fired in Kujiri, Gifu Prefecture from 1967 to 1968.
Bizen ware does not use glaze, and Shino ware uses glaze.
I think the effect of the presence or absence of glaze is very large, but he wasn't.
This is Guinomi, which is as beautiful as a potter who has been making Shino ware for a long time.
The beautiful white glaze turns orange at the finger marks and edges.


Takashi Soga - Bizen Guinomi

16,500 YEN
Sold out

size : W7.7cm×7.7cm×H3.2cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
Due to his special Kiln influences, many of the works have a bright red clay color.
And you will be amazed by the very soft texture of Kasegoma.


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