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Bizen Sake Bottle & sake Cup
906 Items
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Mitsuru Isezaki - Imbe Guinomi
28,000 YENSold out
size : W7.2cm×6.6cm×H6.4cmMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Guinomi has a beautiful texture due to the good quality of the clay.
The inside of this Guinomi has a fire pattern of Hikaburi-Youhen.
I think that the inside of this Guinomi was filled with burning charcoal when firing.
Yuho Kaneshige - Imbe Sakazuki
49,500 YENSold out
size : W8.2cm×7.7cm×H4.2cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi is a work that was fired in its primitive kiln.
This Guinomi features both elegant colors of the Kaneshige style and strong colors of old Bizen.
This Guinomi was fired in 2020.
Yoshinobu Morimoto - Bizen Syuhai
15,000 YENSold out
size : W6.4cm×6.2cm×H5.3cmYoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This Guinomi is also a wonderful piece created from his knowledge and skills.
This Guinomi is fired with rice straw.
Natural glaze and rice straw combine to affect the shape and color of the fire pattern.
Ken Fujiwara - Bizen Bajohai
48,000 YENSold out
size : W6.3cm×6.3cm×H6.2cmThis Guinomi was made by Ken Fujiwara after 1970.
He made a large kiln in 1970, this Guinomi was fired in that kiln.
This Guinomi was fired in a large piece or in a special ceramic box.
The dark brown Hidasuki looks great on the red surface.
Bajohai was inspired by the cup shape used by Mongolians on horseback.
Eikou Wani - Bizen Guinomi
12,000 YENSold out
size : W6.6cm×5.8cm×H4.4cmEikou Wani is a disciple of Toyo Kaneshige
He was greatly influenced by the technique and thought of Toyo Kaneshige.
He learned from Michiaki Kaneshige and Sozon Kaneshige after the death of Toyo Kaneshige.
The fire pattern of this Guinomi is very similar to the Toyo Kanesige.
"Kase Goma" mixed with blue and yellow and "Koge Goma" with a very elegant texture are wonderful.
This Guinomi was made using only his hands, not Rokuro.
Tadashi Yoshimoto - Bizen Tokkuri
60,000 YENSold out
size : W10.0cm×10.0cm×H13.6cm 470ccTadashi Yoshimoto is a disciple of Kei Fujiwara.
He respected Kei Fujiwara and inherited the technique of Bizen ware.
He makes simple and easy-to-understand Bizen ware without excessive decoration.
This Tokkuri is also made according to the theme.
Beautiful "Kasegoma" is a complex mixture of blue, green, gray and yellow.
The exposed part of the clay becomes a more wonderful color when wet with sake.
Kosuke Kaneshige - Bizen Guinomi
28,000 YENSold out
size : W6.7cm×6.7cm×H5.3cmKousuke Kaneshige is the third son of Toyokanesige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kanesige.
This Guinomi was made by him around 1995.
The Kanesige family has a very good quality of clay and the surface color of the work itself is wonderful.
And this Guinomi got distorted during firing and got an interesting shape.
Yoshinobu Morimoto - Bizen Guinomi
15,000 YENSold out
size : W8.4cm×7.9cm×H4.6cmYoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This Guinomi is also a wonderful piece created from his knowledge and skills.
This Guinomi is fired with rice straw.
Natural glaze and rice straw combine to affect the shape and color of the fire pattern.
Makoto Kaneshige - Bizen Guinomi
88,000 YENSold out
size : W6.0cm×5.7cm×H6.8cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
When I first saw this Guinomi, I thought it was "broken."
The clarified Goma and the light brown inside color are features of overheating at high temperatures.
When Bizen potter opens kiln, you can see such broken works.
But this work was not broken, The wonderful harmony of fire and clay has caused miracles.
Yoshinobu Morimoto - Hidasuki Syuhai
15,000 YENSold out
size : W8.1cm×7.6cm×H4.0cmYoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This guinomi is also a wonderful piece created from his knowledge and skills.
There is a chocolate color on the surface of the work.
Hidaski feels the wabi-sabi seen in old Bizen ware.
Jun Isezaki - Bizen Tokkuri
70,000 YENSold out
size : W8.5cm×8.5cm×H12.3cm 320ccJun Isazaki is a human living national treasure in Bizen were. (Fifth person in Bizen ware)
This Tokkuri is a work of his career midterm.
The sign drawn on the bottom of the work is "AI".
This Tokkuri was fired in Noborigama kiln.
The first thing I saw and felt was very similar to the fire pattern of his brother Mitsuru Isezaki.
You can see the characteristic fire patterns of Noborigama kiln such as "Goma", "Sangiri" and "Kinsai".
Yoshinobu Morimoto - Hidasuki Shuhai
15,000 YENSold out
size : W7.1cm×6.9cm×H5.8cmYoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This guinomi is also a wonderful piece created from his knowledge and skills.
There is a slight blue color on the surface of the work.
Hidaski feels the wabi-sabi seen in old Bizen ware.
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