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Bizen Sake Bottle & sake Cup

937 Items

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Go Ikenishi - Bizen Shuhai

20,000 YEN
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size : W6.9cm×6.5cm×H6.0cm

Go Ikenishi is studying old ceramics from Japan, China and Korea.
He applies what he has learned from the study of old ceramics to his work production.
Guinomi has a simple and classic fire pattern called Goma and Sangiri.
However, the quality of those fire patterns and modeling was very high, and I was surprised.
Sangiri shines a little like a wet rock.
Goma is scattered so that each one is small and beautiful.
I feel that this Guinomi is close to Old Bizen.


Yuho Kaneshige - Imbe Rinka Guinomi

25,000 YEN
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size : W7.0cm×7.0cm×H5.4cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was burned in 2007 in a small kiln next to it, not in its demolished kiln.
This design imitates a flower.
He thought that the five petal-like edges all had different shapes, so the taste of sake was different.


Koji Nakahara - Bizen Susogo Kinsai Guinomi

12,100 YEN
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size : W8.2cm×8.1cm×H3.5cm

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
Susogo is a word used to dye clothes.
He named it because the gradation from pink gold to dark gray is similar.


Mitsuru Isezaki - Imbe Hidasuki Guinomi

30,000 YEN
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size : W7.1cm×7.0cm×H4.5cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
He fired Hidasuki in a Noborigama kiln without using an electric or gas kiln.
This Guinomi is a Noborigama kiln Hidasuki but has bright scarlet color and beautiful white clay color.
I feel that the works fired with Noborigama kiln are rare because they often turn into charcoal gray clay color and dark red Hidasuki.


Koji Nakahara - Bizen Susogo Kinsai Tokkuri

24,200 YEN
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size : W8.3cm×8.2cm×H15.6cm 260cc

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
Susogo is a word used to dye clothes.
He named it because the gradation from pink gold to dark gray is similar.


Mitsuru Isezaki - Imbe Guinomi

25,000 YEN
Sold out

size : W8.3cm×8.1cm×H4.8cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
The surface of this Guinomi has a rainbow-colored fire pattern called "Kinsai".
Due to the influence of Kinsai, Hangzhou has also changed to a metallic color.
Koudai is a cut Wari-Koudai with a flashy design that is unusual for him.


Mitsuru Isezaki - Imbe Guinomi Hidari-Uma

40,000 YEN
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size : W6.8cm×6.7cm×5.9cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Guinomi has a beautiful texture due to the good quality of the clay.
I think it is Guinomi, which is rare among Mitsuru's works.
Hidari-Uma is a mark that indicates that it is the first works that kiln was made and fired.
Hidari-Uma has been loved by people since ancient times as a good mark of acting.


Yoshinobu Morimoto - Bizen Shuhai

15,000 YEN
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size : W8.3cm×8.0cm×H3.7cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This Guinomi is also a wonderful piece created from his knowledge and skills.
This Guinomi is fired with rice straw.
Natural glaze and rice straw combine to affect the shape and color of the fire pattern.


Koji Nakahara - Bizen Susogo Kinsai Guinomi

12,100 YEN
Sold out

size : W8.0cm×7.3cm×H6.8cm

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
And the clay is not completely mixed to make it even.
As a result, the metallic color looks like a tiger pattern.


Ken Fujiwara - Bizen Guinomi

30,000 YEN
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size : W6.6cm×6.5cm×H5.4cm

This Guinomi was made by Ken Fujiwara before 1970.
He made a large kiln in 1970, this Guinomi was fired in Noborigama kiln.
He installed this Guinomi in a place in Noborigama kiln where it was not exposed to direct fire.
It is in another works or in a box of refractory soil called Saya.
The surface color of the clay skin is a reddish brown that has lost its luster.
The color is in excellent condition due to the interaction with Hidasuki.


Rokuro Nakamura - Bizen Guinomi

180,000 YEN
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size : W7.8cm×7.7cm×H5.2cm

This is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The green Goma on the side also goes well with the red clay color.
The Nakamura clan's unique body design makes it very easy to hold.
The work and wooden box have been verified by his son Makoto Nakamura.


Go Ikenishi - Inbe Shuhai

20,000 YEN
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size : W7.1cm×6.9cm×H5.3cm

Go Ikenishi is studying old ceramics from Japan, China and Korea.
He applies what he has learned from the study of old ceramics to his work production.
This work is colored like an iron works by the "Inbe-te" technique.
The surface of the dried work is coated with iron-rich mud.
The worn-out iron-like color makes you feel Wabi-Sabi.
He is lectured by Anjin Abe on the firing method.
Layers are created in Kigoma by firing multiple times.


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