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Bizen Sake Bottle & sake Cup
937 Items
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Iwao Kaneshige - Imbe Sakazuki
10,000 YENSold out
size : W7.8cm×7.3cm×H5.7cmHe was born in a family of famous Bizen potters.
He learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
This Guinomi has a yellow "Goma" like gold dust and beautiful purple skin.
These are Kanesige fire patterns that are now rarely seen in his works.
This is Guinomi sold at his first solo exhibition held in 2007 at Tenmaya, Okayama.
Mamoru Taku - Bizen Shuhai
16,500 YENSold out
size : W7.3cm×7.2cm×H4.7cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He told me that Hidasuki was his basic theme.
Hidasuki works of various colors were placed in his workshop.
A large amount of iron and other substances are gushing on the white clay skin.
The red color at the edge is colored using smoke fired by straw.
Mamoru Taku - Bizen Shuhai
16,500 YENSold out
size : W7.1cm×7.0cm×H4.4cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Guinomi is made by a method similar to the old Bizen Inbe style.
He made it using clay from different strata in the same area.
He applies iron-rich clay in liquid form before firing it in a kiln.
Tosyu Yamamoto - Bizen Guinomi
98,000 YENSold out
size : W6.3cm×6.1cm×H5.8cmTosyu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This Guinomi is a Sangiri style fired in the back of the kiln.
Only soil, fire, and ash produce a surprising variety of colors.
I feel the color of iron rust, white, light blue silver, vermilion, and gold.
Mamoru Taku - Bizen Hidasuki Shuhai
16,500 YENSold out
size : W6.4cm×6.3cm×H5.3cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He told me that Hidasuki was his basic theme.
Hidasuki works of various colors were placed in his workshop.
This Guinomi's Hidasuki reminded me of Toyo Kanesige.
An elegant and beautiful Hidasuki color created from rice field clay.
Takashi Soga - Bizen Guinomi
16,500 YENSold out
size : W5.9cm×5.9cm×H5.3cmTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Guinomi, which was just baked in July 2020.
A mysterious Yohen like black soot is added to his characteristic astringent Hidasuki.
Tomoyuki Oiwa - Bizen Konkou Guinomi
14,300 YENSold out
size : W9.0cm×7.8cm×H4.9cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
The flame of Anagama kiln blows into the back of kiln at a stretch.
The technique is the same as that used in the Una Mistura series by his master, Ryuichi Kakurezaki.
This clay is made by collecting the discarded parts of the Bizen mountain clay.
The difference in the composition of clay is a marble pattern.
Mamoru Taku - Bizen Shuhai
16,500 YENSold out
size : W8.5cm×8.2cm×H4.9cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Guinomi is made by a method similar to the old Bizen Inbe style.
He made it using clay from different strata in the same area.
He applies iron-rich clay in liquid form before firing it in a kiln.
Mitsuru Isezaki - Imbe Guinomi
20,000 YENSold out
size : W6.7cm×6.3cm×H5.9cmMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Guinomi has a beautiful texture due to the good quality of the clay.
There is a black fire pattern under the Goma, which is considered to be due to the strong flame.
Mamoru Taku - Bizen Shuhai
16,500 YENSold out
size : W6.5cm×6.3cm×H4.8cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Guinomi is an avant-garde works using special clay.
Rough sandy clay is fired to give two colors.
He paints ash glaze with a brush to give a small accent.
Sozan Kaneshige - Bizen Hidasuki Tokkuri
180,000 YENSold out
size : W10.4cm×10.3cm×H15.1cm 530ccThis Tokkuri was made by Sozan when he was 60 to 70 years old.
This Hidasuki Tokkuri was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.
I feel that the design balance of this Tokkuri is genius.
The body swells strongly and converges to the neck all at once to feel catharsis.
The way to wrap rice straw for fluffing is also perfect.
Mamoru Taku - Bizen Shuhai
16,500 YENSold out
size : W7.1cm×6.8cm×H5.4cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Guinomi also has a special clay color.
Inside the three circles in the center of Guinomi, the white clay color is gradation to black.
Kasegoma, which looks like the texture of rocks created from smoke in a kiln, is also very interesting.
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