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Bizen Sake Bottle & sake Cup

937 Items

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Anjin Abe - Saishiki Bizen Guinomi

200,000 YEN
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size : W6.7cm×6.1cm×H5.7cm

Anjin Abe is a professional in old ceramic research.
He studied various types of old ceramics while working as an oil painting painter.
His work, based on his deep insight and research, is comparable to old ceramics.
This work is a series called "Saishiki Bizen".
His original technique of bonding glass and gold to the surface while burning.
This is a wonderful series that fuses old bizen's firing method with oil painting technology.



Zenji Urakami - Bizen Tokkuri

42,000 YEN
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size : W9.1cm×9.1cm×H14.5cm

This Tokkuri was fired around the spring of 2000.
This is a Hisago type, which is rare for Zenji Urakami's Tokkuri.
Hisago is a gourd.
In Japan, gourd has long been the preferred lucky item.
There are many types of Hisago designs depending on the personality of the artist.
This Zenzi Hisago stands upright and imposing.



Ryuhou Fujita 2nd - Bizen Guinomi

16,000 YEN
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size : W6.7cm×6.4cm×H5.0cm

This works is a very simple Bizen ware Guinomi.
The edge opens slightly outward and the body is shaped to be easy to hold.
The Koudai is sharpened, which contrasts with the slowly movement of the body



Yu Fujiwara - Bizen Shuhai

80,000 YEN
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size : W6.8cm×6.5cm×H4.3cm

Yu Fujiwara had a handicap in his sight but therefore produced a daring style.
This Guinomi has a very strong presence in your hands.
But it's tuned just fine without being too heavy.
Three "botamochi" which are particular about Yu Fujiwara are also beautiful.
The three red parts "Botamochi" on the front, inside, and back are wonderful.
You can enjoy "Botamochi" both when you drink tea and when you look at the bowl after finishing.



Tosyu Yamamoto - Bizen Guinomi

120,000 YEN
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size : W6.9cm×6.8cm×H5.8cm

Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This is a precious Guinomi with a "Youhen" fire pattern.
This Guinomi was fired near the small firewood openings on both sides of the kiln.
A circular red part is generated because disc-shaped refractory soil was put inside and fired.



Suehiro Koyama - Bizen Guinomi

10,000 YEN
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size : W6.6cm×6.5cm×H5.6cm

Although not an official disciple, he was a student of Sozan Kaneshige.
He learned how to make good clay and design from Sozan.
This Guinomi was made around 1990.
There is a strong influence of Sozan on the color and design of the work.
He and Sozan were always checking if good clay was excavated in Bizen City.
This Guinomi is also made of the finest Bizen clay.



Izuru Yamamoto - Bizen Shussai Bajohai

45,000 YEN

size : W6.6cm×6.5cm×H8.4cm

His ceramic style is a combination of the traditional Bizen ware technique inherited from Toushu Yamamoto and the sculpting technique learned in France.
He is famous for his own unique molding method and coloring of clay.
This Guinomi uses a method of coloring clay called "Shussai".
The upper part of this Guinomi is also black due to the Shussai technique.
Bajohai was inspired by the cup shape used by Mongolians on horseback.



Mitsuru Isezaki - Imbe Guinomi

28,000 YEN
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size : W7.2cm×6.6cm×H6.4cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Guinomi has a beautiful texture due to the good quality of the clay.
The inside of this Guinomi has a fire pattern of Hikaburi-Youhen.
I think that the inside of this Guinomi was filled with burning charcoal when firing.



Yuho Kaneshige - Imbe Sakazuki

49,500 YEN
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size : W8.2cm×7.7cm×H4.2cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi is a work that was fired in its primitive kiln.
This Guinomi features both elegant colors of the Kaneshige style and strong colors of old Bizen.
This Guinomi was fired in 2020.



Yoshinobu Morimoto - Bizen Syuhai

15,000 YEN
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size : W6.4cm×6.2cm×H5.3cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This Guinomi is also a wonderful piece created from his knowledge and skills.
This Guinomi is fired with rice straw.
Natural glaze and rice straw combine to affect the shape and color of the fire pattern.



Ken Fujiwara - Bizen Bajohai

48,000 YEN
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size : W6.3cm×6.3cm×H6.2cm

This Guinomi was made by Ken Fujiwara after 1970.
He made a large kiln in 1970, this Guinomi was fired in that kiln.
This Guinomi was fired in a large piece or in a special ceramic box.
The dark brown Hidasuki looks great on the red surface.
Bajohai was inspired by the cup shape used by Mongolians on horseback.



Eikou Wani - Bizen Guinomi

12,000 YEN
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size : W6.6cm×5.8cm×H4.4cm

Eikou Wani is a disciple of Toyo Kaneshige
He was greatly influenced by the technique and thought of Toyo Kaneshige.
He learned from Michiaki Kaneshige and Sozon Kaneshige after the death of Toyo Kaneshige.
The fire pattern of this Guinomi is very similar to the Toyo Kanesige.
"Kase Goma" mixed with blue and yellow and "Koge Goma" with a very elegant texture are wonderful.
This Guinomi was made using only his hands, not Rokuro.



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