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Bizen Sake Bottle & sake Cup

958 Items

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Tomoyuki Oiwa - Beni Guinomi

16,500 YEN

size : W7.8cm×7.3cm×H6.0cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in November 2024.
He makes works with normal Bizen clay, and paints crimson clay after drying.
The entire piece is a salmon pink color without luster.Light brown fire patterns occur where the natural glaze hit.
He, like his mentor, is contemplating various uses of clay.


Takeshi Kaneshige - Bizen Guinomi

8,800 YEN
Sold out

size : W6.8cm×6.7cm×H4.5cm

This Guinomi is an early work of his.
This Guinomi was fired around 2012.
This is the first Guinomi he has baked in Novorigama kiln in a long time.
Although this is not the kiln of his Ibe family, where he was born and raised, a variety of fire patterns typical of noborigama kiln are occurring.
This Guinomi was purchased by a collector in 2012 and stored without being used.


Junpei Keneshige - Bizen Guinomi

11,000 YEN
Sold out

size : W6.8cm×6.8cm×H5.9cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired about five to ten years ago now and was purchased by a collector who kept it without using it.
A strong "Yohen" style Guinomi that has been fired in a large amount of burning charcoal.
However, the quality of the clay is so good that a beautiful red clay color remains in the work.
The finish after firing is also very polite, so I feel it is very fun to touch.


Jun Isezaki - Bizen Guinomi

66,000 YEN
Sold out

size : W7.7cm×7.3cm×H6.7cm

Jun Isazaki is a human living national treasure in Bizen were. (Fifth person in Bizen ware)
He firing with a straight hole-shaped kiln called "Anagama".
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
He wrapped rice straw in his work and fired it.
The color and shape of rice straw changes from part to part due to the influence of natural glaze.
This Guinomi was fired in October 2024.


Takeshi Kaneshige - Bizen Yohen Guinomi

8,800 YEN
Sold out

size : W7.1cm×7.0cm×H6.0cm

This Guinomi was fired around 2013.
It was burned after he moved from Imbe to Kugui.
As a primitive method, he dug a hole in the ground and made a tunnel to burn this Guinomi.
This Guinomi was purchased by a collector in 2003 and stored without being used.


Iwao Kaneshige - Imbe Sakazuki

18,000 YEN
Sold out

size : W9.8cm×9.0cm×H4.3cm

He learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
He fired this Guinomi roughly 15 years ago in the kiln he inherited from his grandfather and father.
He does not like excessive fire patterns with natural glaze.
He prefers fire patterns that occur in amounts that naturally adhere during the firing process of the piece.
This Guinomi has a slight Yohen and Kasegoma, and a beautiful scarlet clay color.
These are Kanesige fire patterns that are now rarely seen in his works.


Tamon Kaneshige - Bizen Guinomi

8,800 YEN
Sold out

size : W6.7cm×6.7cm×H5.7cm

Tamon Kaneshige is the eldest son of Makoto Kaneshige.
He makes Bizen ware using Maruyama kiln, designed by Sozan Kanesige.
He makes Bizen ware in the traditional way of the Kanesige family.
He uses no machinery when making clay,And the clay is sorted by hand.
This Guinomi was fired about five to ten years ago now and was purchased by a collector who kept it without using it.
He burned in a place where Yohen could collect in the back of the Noborigama kiln.
This Guinomi is made of clay once dissolved in water.


Junpei Keneshige - Bizen Guinomi

11,000 YEN
Sold out

size : W7.1cm×7.1cm×H5.3cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired about five to ten years ago now and was purchased by a collector who kept it without using it.
A strong "Yohen" style Guinomi that has been fired in a large amount of burning charcoal.
However, the quality of the clay is so good that a beautiful red clay color remains in the work.
The finish after baking is also very polite, so I feel it is very fun to touch.


Takeshi Kaneshige - Bizen Guinomi

16,500 YEN
Sold out

size : W7.8cm×7.5cm×H3.5cm

This Guinomi is an early work of his.
This Guinomi was fired around 2003.
This piece was fired using the kiln inherited from his grandfather, Toyo Kaneshige, and his father, Michiachi Kaneshige.
Fire patterns in subtle shades are his style.
He seeks natural colors without burning more than necessary.
This Guinomi was purchased by a collector in 2003 and stored without being used.


Iwao Kaneshige - Imbe Sakazuki

20,000 YEN
Sold out

size : W7.3cm×7.1cm×H5.6cm

He learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
He fired this Guinomi roughly 3 years ago in the kiln he inherited from his grandfather and father.
He does not like excessive fire patterns with natural glaze.
He prefers fire patterns that occur in amounts that naturally adhere during the firing process of the piece.
This Guinomi has a slight Yohen and Kasegoma, and a beautiful scarlet clay color.
These are Kanesige fire patterns that are now rarely seen in his works.


Rokuro Nakamura - Bizen Guinomi

154,000 YEN
Sold out

size : W7.4cm×7.3cm×H5.4cm

This is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The Nakamura clan's unique body design makes it very easy to hold.
I presume that this Guinomi was fired when he was around 60 years old.
The soft texture of the entire piece suggests that it has been used for many years.
The beautiful bright red clay color will become even more beautiful when wet with alcohol.


Shuroku Harada - Bizen Guinomi

110,000 YEN

size : W7.6cm×7.5cm×H5.0cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi has a lot of natural glaze so that it seems as if it was glazed.
The strong flame produces a natural black color due to the reaction between the clay components and the flame.
There is his own way to make the body.
He builds the body by stacking clay into tubes.
Finally, a large cut with a spatula "Shinogi" is used to complete the design.
The inner edges have hidden cuts to improve usability rather than design, which helps to understand his style of pottery.


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