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Tea Ceremony Things

66 Items

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Yuho Kaneshige - Kuro Korai Chawan

440,000 YEN
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size : W11.7cm×11.7cm×H8.8cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited his family’s home and kiln in Inbe from his father.
For many years, he produced traditional works in the classic Kaneshige style.
However, around 2018, he embarked on a new artistic journey.
He dismantled the inherited kiln and built a more primitive one of his own.
This Guinomi was fired in May 2025.
Yuhou refers to the color of this piece as “Tengen no Kuro,” a black reminiscent of a black hole or the cosmos itself.
This poetic expression perfectly captures the complex yet captivating glaze, where a deep, inky black—like finely ground sumi ink—is interspersed with shimmering golden flecks.
These are not actually metallic particles, but rather the result of the glaze contracting and becoming semi-transparent during firing.
Inside the Chawan, this contraction is even more dramatic, creating the illusion that real gold has melted beneath the glaze.
Within this majestic landscape of black and gold, the vibrant green of matcha stands out beautifully.
As the tea is finished, a faint trace of green remains on the surface—like life blooming in the vastness of space.
The bowl’s form also reflects the full extent of Yuhou’s technical mastery.
It has a substantial weight, but it does not feel burdensome. Rather, it offers a sense of unity with the user—an experience of harmony between hand and vessel.



Mamoru Taku - Bizen Chawan

16,500 YEN
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size : W12.0cm×11.8cm×H8.7cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Chawan is made by a method similar to the old Bizen Imbe style.
He made it using clay from different strata in the same area.
He applies iron-rich clay in liquid form before firing it in a kiln.



Kenji Takenaka - Bizen Chawan

11,000 YEN
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size : W12.0cm×12.0cm×H9.5cm

He was one of Jun Isesaki's early disciples.
He is one of the members who researched and developed black clay, which is the specialty of the Isezaki Group.
He has also made many Bizen ware using black clay.
This piece was fired by him around 2006.
The cylindrical design and low koudai give it the feel of Setoguro work.



Mamoru Taku - Bizen Chawan

16,500 YEN
Sold out

size : W12.4cm×12.4cm×H8.8cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Chawan is made by a method similar to the old Bizen Imbe style.
He made it using clay from different strata in the same area.
He applies iron-rich clay in liquid form before firing it in a kiln.



Yoshiteru Takariki - Bizen Chawan

22,000 YEN
Sold out

size : W15.2m×14.7cm×H6.6cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This is a chawan he produced about 10 years ago.
He made it for an old pottery called Yama Chawan, which is an unglazed miscellaneous livingware.
This chawan contains a lot of mountain clay and has a wild clay color.



Yuho Kaneshige - Imbe Shiro Chawan

418,000 YEN
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size : W13.2cm×12.1cm×H8.7cm

He has been creating unique pieces in primitive kilns in recent years.
He has also produced a work titled "Shiro.
However, this "Shiro" was not fired in a primitive kiln, but in an electric kiln.
It was fired at a high temperature and has slight Hidasuki adhering to it.
It is very hard, but the surface is smooth and almost worn.
The design is also interesting as it has repeatedly shrunk and expanded on the potter's wheel.
One feels that the work is not made of a single piece of board, but is put together like a three-dimensional puzzle.
This work was exhibited at his solo exhibition in March 2024.



Mamoru Taku - Bizen Chawan

16,500 YEN
Sold out

size : W12.5cm×11.6cm×H8.7cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Chawan is made by a method similar to the old Bizen Imbe style.
He made it using clay from different strata in the same area.
He applies iron-rich clay in liquid form before firing it in a kiln.



Kenji Takenaka - Imbe Chawan

11,000 YEN
Sold out

size : W12.5cm×11.2cm×H9.5cm

He was one of Jun Isesaki's early disciples.
He is one of the members who researched and developed black clay, which is the specialty of the Isezaki Group.
He has also made many Bizen ware using black clay.
This piece was fired by him around 2006.
The cylindrical design and low koudai give it the feel of Setoguro work.



Yoshiteru Takariki - Bizen Hidasuki Chawan

22,000 YEN
Sold out

size : W13.2cm×13.0cm×H8.6cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Hidasuki Chawan was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.



Yoshiteru Takariki - Bizen Nuritsuchi Hidasuki Chawan

22,000 YEN
Sold out

size : W12.0cm×11.8cm×H8.6cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
He had been following his teacher's method of firing hidasuki until now.
He then developed a polka-dot patterned scarlet tasuki using blocks with holes in them.
He further developed this clay-coated hidasuki as his next approach.
This technique is found in old time Bizen ware, but he has modified it for firing in an electric kiln.



Yuho Kaneshige - Imbe Shiro Chawan

385,000 YEN
Sold out

size : W11.7cm×11.5cm×H8.7cm

He has been creating unique pieces in primitive kilns in recent years.
He has also produced a work titled "Shiro.
However, this "Shiro" was not fired in a primitive kiln, but in an electric kiln.
It was fired at a high temperature and has slight Hidasuki adhering to it.
It is very hard, but the surface is smooth and almost worn.
The design is also interesting as it has repeatedly shrunk and expanded on the potter's wheel.
One feels that the work is not made of a single piece of board, but is put together like a three-dimensional puzzle.



Kenji Takenaka - Bizen Chawan

11,000 YEN
Sold out

size : W12.1cm×12.0cm×H8.2cm

He was one of Jun Isesaki's early disciples.
He is one of the members who researched and developed black clay, which is the specialty of the Isezaki Group.
He has also made many Bizen ware using black clay.
This piece was fired by him around 2010.
The cylindrical design and low koudai give it the feel of Setoguro work.



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