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Tea Ceremony Things
53 Items
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Gosuke Yashiro - Imbe Chawan
20,000 YENSold out
size : W12.1cm×12.0cm×H9.6cmHe was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This work is also very simple and powerful.
This Chawan was fired by him so that it would not be exposed to direct fire.
Therefore, this Chawan has acquired a clay texture that looks like Nanban Yakishime.
It is not possible to keep water for a long time.
A wooden box is not included, but you can make one.
Mitsuru Isezaki - Bizen Katatsuki Chaire
160,000 YENSold out
size : W6.0cm×5.9cm×H8.1cmMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Chaire has a beautiful texture due to the good quality of the clay.
The fire pattern, Haikaburi Yohen, is also very beautiful, and I believe that this Chaire was his most confident work.
The Chaire comes with a case, a replacement case, an ivory lid, a name tag for the case, and a wooden box to hold it all.
Gosuke Yashiro - Imbe Chawan
20,000 YENSold out
size : W16.6cm×16.2cm×H8.1cmHe was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This work is also very simple and powerful.
Goma, a mixture of blue and gray, is plain but has Bizen ware-like goodness.
You can feel the influence of Yuho Kaneshige on the clay color and fire pattern of this Chawan.
A wooden box is not included, but you can make one.
Yoshiteru Takariki - Bizen Chawan
50,000 YENSold out
size : W12.0cm×11.9cm×H8.0cmHe inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
It is very difficult for Yohen's works to balance the black ash cover and the red clay color.
After firing for a long time, the black ash cover will become blacker, but the red color will be lost.
This Chawan is miraculously beautiful in both red and black.
Mitsuru Isezaki - Bizen Mimitsuki Mizusashi
120,000 YENSold out
size : W20.0cm×17.4cm×H18.7cmMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This work was fired by him around 2003.
Sangiri with a cloud-like pattern is generated on the body of this work.
And it has a painting-like atmosphere in combination with Higakimon carved on the body by Mitsuru.
Toshun Tokuda - Ao Bizen Chawan
10,000 YENSold out
size : W12.5cm×12.3cm×H7.7cmThis Chawan shows the influence of his teacher, Ryuho Fujita.
He succeeded in producing a blue color by firing in a strong reduction state.
The color of the hidasuki also changed to orange.
He polished this Chawan before firing it, giving it a smooth surface like a stone worn by the river.
Tomoyuki Oiwa - Kuro Chawan
82,500 YENSold out
size : W14.0cm×11.3cm×H10.2cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this Chawan has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.
I wondered if this chawan was due to the Hikidashi technique, but it's not.
Tomio Ochi - Shigaraki Chawan
50,000 YENSold out
size : W12.1cm×11.7cm×H9.1cmTomio ochi is a relative of Anjin Abe.
He was an office worker but loved art.
After retiring from the company, he studied pottery as a student at Anjin Abe.
He studied the control of the fire method of the old Bizen from Anjin Abe.
The clay used in this Chawan is the clay from the Shigaraki region collected with Anjin Abe.
He fired this Chawan seven times.
He is shaving the entire work with a wooden spatula.
By doing so, the design became sharp, and a design margin was created on the inside.
He devises to use the margin to widen the lower part of the inside so that the taste of tea can be changed.
Ken Fujiwara - Bizen Hidasuki Chawan
100,000 YENSold out
size : W14.0cm×13.8cm×H8.9cmThis Chawan was made by Ken Fujiwara before 1970.
He made a large kiln in 1970, this Chawan was fired in Noborigama kiln.
He installed this Chawan in a place in Noborigama kiln where it was not exposed to direct fire.
It is in another works or in a box of refractory soil called Saya.
It has a color similar to the high-quality white clay used by Toyo Kaneshige.
The color is in excellent condition due to the interaction with Hidasuki.
Koji Nakahara - Susogo Kinsai Chawan
55,000 YEN
size : W13.0cm×12.0cm×H9.0cmKoji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
And the clay is not completely mixed to make it even.
As a result, the metallic color looks like a tiger pattern.
Fumio Kawabata - Bizen Shizen Nerikomi Chawan
20,000 YENSold out
size : W11.7cm×11.6cm×H7.9cmThis works was produced using the technique of "Shizen Nerikomi".
"Shizennerikomi" means natural kneading.
Using techniques devised by Fumio Kawabata, he creates works without completely mixing clay.
The difference in the composition of each clay results in a different color and a marble pattern.
The red part of this Chawan is Hidaski.
Michiaki Kaneshige - Bizen Chawan
98,000 YENSold out
size : W12.9cm×12.7cm×H7.2cmMichiaki Kaneshige is the eldest son of Toyo Kanesige.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This chawan is a work from the middle of his career.
This Chawan was fired near the barber spot in kiln.
The position is very hot and many natural glazes adhere to the works.
People in Kaneshige clan often fire a Chawan there.
This is because a large amount of natural glaze will fire a glossy and smooth textured works.
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