Works on sale products Japanese Pottery,Earthenware-Bizen ware|KAWAGUCHI TORAKUEN

Products

|   Bizen Sake Bottle & sake Cup   |   Tea Ceremony Things   |   Bizen Flower Vase   |   Bizen Dish & Bowl   |   Others   |  

Tea Ceremony Things

58 Items

FIRST PREV 4 / 5 page NEXT LAST

Tomio Ochi - Shigaraki Chawan

50,000 YEN
Sold out

size : W12.1cm×11.7cm×H9.1cm

Tomio ochi is a relative of Anjin Abe.
He was an office worker but loved art.
After retiring from the company, he studied pottery as a student at Anjin Abe.
He studied the control of the fire method of the old Bizen from Anjin Abe.
The clay used in this Chawan is the clay from the Shigaraki region collected with Anjin Abe.
He fired this Chawan seven times.
He is shaving the entire work with a wooden spatula.
By doing so, the design became sharp, and a design margin was created on the inside.
He devises to use the margin to widen the lower part of the inside so that the taste of tea can be changed.


Ken Fujiwara - Bizen Hidasuki Chawan

100,000 YEN
Sold out

size : W14.0cm×13.8cm×H8.9cm

This Chawan was made by Ken Fujiwara before 1970.
He made a large kiln in 1970, this Chawan was fired in Noborigama kiln.
He installed this Chawan in a place in Noborigama kiln where it was not exposed to direct fire.
It is in another works or in a box of refractory soil called Saya.
It has a color similar to the high-quality white clay used by Toyo Kaneshige.
The color is in excellent condition due to the interaction with Hidasuki.


Koji Nakahara - Susogo Kinsai Chawan

55,000 YEN

size : W13.0cm×12.0cm×H9.0cm

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
And the clay is not completely mixed to make it even.
As a result, the metallic color looks like a tiger pattern.


Fumio Kawabata - Bizen Shizen Nerikomi Chawan

20,000 YEN
Sold out

size : W11.7cm×11.6cm×H7.9cm

This works was produced using the technique of "Shizen　Nerikomi".
"Shizennerikomi" means natural kneading.
Using techniques devised by Fumio Kawabata, he creates works without completely mixing clay.
The difference in the composition of each clay results in a different color and a marble pattern.
The red part of this Chawan is Hidaski.


Michiaki Kaneshige - Bizen Chawan

98,000 YEN
Sold out

size : W12.9cm×12.7cm×H7.2cm

Michiaki Kaneshige is the eldest son of Toyo Kanesige.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This chawan is a work from the middle of his career.
This Chawan was fired near the barber spot in kiln.
The position is very hot and many natural glazes adhere to the works.
People in Kaneshige clan often fire a Chawan there.
This is because a large amount of natural glaze will fire a glossy and smooth textured works.


Zenji Urakami - Bizen Chawan (Ao-bizen)

75,000 YEN
Sold out

size : W15.1cm×15.1cm×H7.3cm

Zenji died in 2006, but this work was made in 2005, just before that.
He made a blue works (Ao-Bizen) with a strong reduction by special firing with an electric kiln.
And the blue works Hidasuki will change to blackish.
The design of this tea bowl is simple and you can enjoy the beauty of the blue color.


Toyo Kaneshige - Bizen Ankou Chaire

350,000 YEN
Sold out

size : 9.3cm×9.3cm×7.6cm

This work is Chaire, made just before the death of Toyo Kaneshige.
This Chaire is made from fine clay with low iron content.
Toyo fired this Chaire near the front of kiln.
A beautiful Goma is born in the front part of this Chaire.
A wooden box signed by Kousuke, the third son of Toyoyo Kanesige, is included.
Kosuke analyzed the type of Chair as "Ankou".
Ankou is an angler and is named because of its similar shape.
This Chaire is similar to the "Chaire Taikai type" that came to Japan from the Song Dynasty of China.


Kosuke Kaneshige - Bizen Chawan

96,000 YEN
Sold out

size : W13.6cm×13.5cm×H7.5cm

Kousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This Chawan was fired near the barber spot in kiln.
The position is very hot and many natural glazes adhere to the works.
People in Kaneshige clan often fire a Chawan there.
This is because a large amount of natural glaze will fire a glossy and smooth textured works.


Tosyu Yamamoto - Bizen Hidasuki Chawan

160,000 YEN
Sold out

size : W12.3cm×12.3cm×H8.5cm

Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This teabowl was fired in a gas kiln co-developed with his eldest son Yuuichi Yamamoto.
This gas kiln has an effect to make the white color stronger than general Hidaski works.
This teabowl was exhibited in a solo exhibition held at a department store in Osaka in 1968.


Fumio Kawabata - Bizen Shizen Nerikomi Mizusashi

45,000 YEN
Sold out

size : W19.2cm×19.0cm×H19.8cm

This work was produced using the technique of "Shizen　Nerikomi".
"Shizennerikomi" means natural kneading.
Using techniques devised by Fumio Kawabata, he creates works without completely mixing clay.
The difference in the composition of each clay results in a different color and a marble pattern.
The red part of this mizusashi is Hidaski.
This mizusashi also has a lacquered lid.


Yoshinobu Morimoto - Mishima Chawan

70,000 YEN
Sold out

size : W14.0cm×14.0cm×H7.6cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This teabowl is Mishima style but was fired in a kiln that burns wood.
"Gomadare" like Bizen ware is generated on the front part of this teabowl.
The inside of Kodai has a blue silver fire pattern.


Yoshinobu Morimoto - Natural-blackglaze Chawan

80,000 YEN
Sold out

size : W13.0cm×12.5cm×H9.3cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This guinomi is also a wonderful piece created from his knowledge and skills.
This bowl has a natural glaze attached to the entire work.
This work produces black with only natural glaze derived during firing without using pigments or glaze.


FIRST PREV 4 / 5 page NEXT LAST




PAGE TOP