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Bizen Dish & Bowl

86 Items

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Yoshiteru Takariki - Bizen long plate

7,700 YEN
Sold out

size : W36.3cm×13.2cm×H1.3cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
The two fire patterns of Goma and Hidaski are difficult to generate beautifully at the time.
He succeeded in controlling the temperature and devising the installation location of this work in the kiln.



Kazuki Nakamura - Bizen dish long type

20,000 YEN
Sold out

size : W28.6cm×16.0cm×H4.7cm

Kazuki Nakamura is the grandson of Rokuro Nakamura.
Nakamura clans that specialize in sake containers such as Tokkuri and Guinomi.
This work was fired in October 2022.
This work is a Bizen ware dish called "Tataki sara".
“Tataki” means strike in English.
Strike the clay with a stone, wooden stick or bare hand and stretch it into a circle.
Wild and powerful modeling that can't be done with Rokuro is attractive.
This dish expresses the red color beautifully by the Nakamura family's original fire method.
The strong fire pattern and the bright scarlet color are beautiful.



Yoshiteru Takariki - Bizen long plate

7,700 YEN
Sold out

size : W36.0cm×13.0cm×H1.3cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
The two fire patterns of Goma and Hidaski are difficult to generate beautifully at the time.
He succeeded in controlling the temperature and devising the installation location of this work in the kiln.



Takashi Baba - Shino Kobachi set

6,600 YEN
Sold out

size : W10.7cm×10.6cm×H4.3cm

Takashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Kobachi set was fired by him in July 2022.
Based on Bizen clay, it was glazed with Shino and baked in Bizen Noborigam kiln.
Shino glaze changed to more complex shades with Noboligama kiln.
A natural glaze of mixed white and gold overlaid on a white Shino glaze.



Yoshiteru Takariki - Hidasuki hachi

5,500 YEN
Sold out

size : W21.0cm×20.5cm×H5.0cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Hidasuki hachi was fired in July 2022.
This Hidasuki hachi was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.



Takashi Baba - Shino Kobachi set

6,600 YEN
Sold out

size : W11.4cm×11.2cm×H4.5cm

Takashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Kobachi set was fired by him in July 2022.
Based on Bizen clay, it was glazed with Shino and baked in Bizen Noborigam kiln.
Shino glaze changed to more complex shades with Noboligama kiln.
A natural glaze of mixed white and gold overlaid on a white Shino glaze.



Yoshiteru Takariki - Bizen Ricebowl

3,850 YEN
Sold out

size : W12.4cm×12.0cm×H7.2cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This is his latest work, which he fired in May 2022.
This work is a traditional style rice bowl of Bizen.
Bizen rice bowls are convenient because rice grains are less likely to stick to vessels.



Yoshiteru Takariki - Hidasuki Kobachi

2,750 YEN
Sold out

size : W9.7cm×9.7cm×H5.7cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Hidasuki Kobachi was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.



Yoshiteru Takariki - Hidasuki Sankaku Kobachi

3,300 YEN
Sold out

size : W12.9cm×12.7cm×H4.5cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Hidasuki Kobachi was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.



Yoshiteru Takariki - Bizen Hidasuki strawberry Plate

5,500 YEN

size : W12.7cm×12.5cm×H1.4cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Hidasuki plate was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.



Yoshiteru Takariki - Hidasuki Sankaku Kobachi

3,300 YEN
Sold out

size : W12.6cm×12.4cm×H4.5cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Hidasuki Kobachi was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.



Yoshiteru Takariki - Bizen Hachi Rinka type

4,400 YEN
Sold out

size : W14.0cm×13.8cm×H6.5cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
The two fire patterns of Goma and Hidaski are difficult to generate beautifully at the time.
He succeeded in controlling the temperature and devising the installation location of this work in the kiln.



FIRST PREV 4 / 8 page NEXT LAST




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