Works on sale products Japanese Pottery,Earthenware-Bizen ware|KAWAGUCHI TORAKUEN

Products

|   Bizen Sake Bottle & sake Cup   |   Tea Ceremony Things   |   Bizen Flower Vase   |   Bizen Dish & Bowl   |   Others   |  

Others

382 Items

FIRST PREV 13 / 32 page NEXT LAST

Yukio Tomori - Bizen rock glass

3,300 YEN
Sold out

size : W9.3cm×9.2cm×H8.3cm

Yukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
He always wants to preserve the most beautiful moment of the clay when using the potter's wheel.
He prioritizes the energetic swelling of the clay rather than suppressing it as a vessel for everyday human use.
It is as powerful as a small jar, and the finger traces on the inside are like whirlpools.


Yukio Tomori - Oribe rock glass

3,300 YEN
Sold out

size : W8.6cm×8.5cm×H9.1cm

Yukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
This work is Oribe ware, but the base clay uses Bizen clay.
The powerful sculpture looks like bamboo in combination with the green color of Oribe.


Toukoubou Yu - Porcelain scrape-off pattern Yunomi

4,400 YEN
Sold out

size : W6.2cm×6.2cm×H7.5cm

They inherit the careful and quiet style of Yuho Kaneshige.
The inside of the work is full of fine finger marks, but the outside is as calm as the surface of still water.
The edges are very thinly made and very comfortable to use.
This piece is made of semi-porcelain clay covered with white glaze and scraped down to depict flowers and birds.
It is finished with a celadon glaze and has a beautiful light blue color.


Reiji Omori - Bizen Suribachi

14,000 YEN
Sold out

size : W17.0cm×16.6cm×H6.8cm

He loves old Bizen ware and wants to study them.
And when he creates his work, he uses the knowledge and techniques he has learned about old Bizen ware.
However, his work does not end with the reproduction of old Bizen ware.
He also thinks about the thoughts, religions and philosophies of those who lived at that time.
Those spiritual considerations appear throughout the work and give it originality.
Speaking of this work, you can feel them in the pattern drawn with the inner by comb.
The pattern of the comb is functional and picturesque.


Toyo Kaneshige - Bizen Yunomi

143,000 YEN
Sold out

size : W7.8cm×7.8cm×H7.9cm

I think this Yunomi was made around 1960, guessing from the shape of the Toyo mark.
This Yunomi is made from fine clay with low iron content.
This Yunomi is based on a white clay color and has changed to amber or scarlet due to the effect of fire.
When I got it, this Yunomi didn't have a set wooden box.
The price of Yunomi includes the appraisal fee of Kosuke, the third son of Toyo, and the cost of making a wooden box.


Mamoru Taku - Bizen Hidasuki Tsutsuwan

11,000 YEN
Sold out

size : W9.3cm×9.3cm×H10.5cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He told me that Hidasuki was his basic theme.
Hidasuki works of various colors were placed in his workshop.
A large amount of iron and other substances are gushing on the Beige clay skin.
The wonderful hidasuki is comparable to old Bizen ware.


Shuroku Harada - Bizen Suribachi

132,000 YEN
Sold out

size : W14.7cm×12.2cm×H7.0cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Suribachi fired in his kiln around 2010.
The surface is baked over a strong fire until it becomes like glass.
Various types of fire patterns occur in various parts of the work.
It can be used as both tableware and Sake pourer.
When pouring Sake, a little Sake drips, but it is good to apply it to the clay skin.


Mamoru Taku - Bizen Hidasuki Oyunomi

11,000 YEN
Sold out

size : W9.6cm×9.0cm×H10.6cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He told me that Hidasuki was his basic theme.
Hidasuki works of various colors were placed in his workshop.
Reddish purple colored skin is combined with vermilion hidasuki.
The wonderful hidasuki is comparable to old Bizen ware.


Koji Nakahara - Bizen Manekineko Hohin

44,000 YEN
Sold out

size : W12.4cm×10.3cm×H8.9cm

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
His unique design is a modern take on the Houhin, which was popular in the Showa era.
He fired this piece in Fumio Kawabata's kiln, which is now in Bizen City.


Rokuro Nakamura - Bizen Yunomi

55,000 YEN
Sold out

size : W9.1cm×9.0cm×H7.4cm

This is Yunomi made by Rokuro Nakamura who is called a master of sake ware.
I would guess that this Yunomi is from his later years.
The clay color of the entire work is not his characteristic red, but a subdued brown clay color, like that of the Toyo kaneshige.
The Nakamura clan's unique body design makes it very easy to hold.


Mamoru Taku - Bizen Hidasuki Tsutsuwan

11,000 YEN
Sold out

size : W8.8cm×8.7cm×H9.8cm

Mamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He told me that Hidasuki was his basic theme.
Hidasuki works of various colors were placed in his workshop.
A large amount of iron and other substances are gushing on the Beige clay skin.
The wonderful hidasuki is comparable to old Bizen ware.


Masao Akiya - Bizen Cofeeset

4,400 YEN
Sold out

size : cup:W10.7cm×8.1cm×H6.9cm
saucer：W14.6cm×14.5cm×H1.5cm

Masao Akiya is a disciple of Jun Isezaki.
He also uses hole type klin called "Anagama".
In front of this cup, a golden fire pattern called "Kigoma" is generated by direct exposure to flame.
And dark brown on the back of the cup and red on the bottom of the cup.
This cup's handle is made very thin.
This saucer was fired on top of each other along with the other saucers, so Hidasuki is the main fire pattern.


FIRST PREV 13 / 32 page NEXT LAST




PAGE TOP