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322 Items

FIRST PREV 22 / 27 page NEXT LAST

Ken Fujiwara - Bizen Yunomi

50,000 YEN
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size : W7.0cm×6.9cm×H9.2cm

This Yunomi was fired by a large Anagama near the end of his career.
It has a color similar to the high-quality white clay used by Toyo Kanesige.
He put it in a cylinder and fired it, so the rim was lit and turned caramel brown.
I feel the influence of Toyo and Kaneshige on this Yunomi design.
The color and pattern of the hidasuki suits the design well, and it is a very complete Yunomi.


Megumi Sueda - Inbe Chu-hai

6,000 YEN
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size : W8.3cm×8.2cm×H8.2cm

She learned the technique of firing and modeling from Anjin Abe.
She makes use of these techniques to create works that feel powerful and gorgeous.
This work is colored like an iron works by the "Inbe-te" technique.
The surface of the dried work is coated with iron-rich mud.
"Chu-hai" is her original title, which has the characteristics of both rock glass and Yunomi.


Yoshiteru Takariki - Bizen Katakuchi

4,400 YEN
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size : W14.3cm×14.0cm×H7.4cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Katakuchi is sprinkled with ash before firing.
He planned and fired it to be an artificial Yohen.
The ash melts with heat and adheres to katakuchi as a glaze.


Sozan Kaneshige - Bizen Hachi

88,000 YEN
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size : W16.7cm×15.6cm×H8.1cm

This work was fired by Sozan at about 60 years old at Maruyama kiln.
There are many fire patterns in this work.
I feel Kasegoma, Yohen, Sangiri and Goma.
The exposed clay part, which was not covered with natural glaze, has also changed to various colors.
It is a work where you can enjoy the various colors that are characteristic of the Noborigama kiln.


Takashi Soga - Bizen Yunomi

8,800 YEN
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size : W6.9cm×6.9cm×H9.3cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Yunomi, which was just baked in July 2020.
This Yunomi is very lightly made with his commitment.


Takashi Soga - Bizen Yunomi

8,800 YEN
Sold out

size : W7.2cm×7.1cm×H9.1cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Yunomi, which was just baked in July 2020.
This Yunomi is very lightly made with his commitment.


Takashi Soga - Bizen Yunomi

8,800 YEN
Sold out

size : W6.8cm×6.8cm×H9.3cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Yunomi, which was just baked in July 2020.
This Yunomi is very lightly made with his commitment.


Takashi Soga - Bizen Yunomi

8,800 YEN
Sold out

size : W7.3cm×7.3cm×H9.2cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Yunomi, which was just baked in July 2020.
This Yunomi is very lightly made with his commitment.


Tomoyuki Oiwa - Bizen Beerglass

5,500 YEN
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size : W7.3cm×7.2cm×H12.3cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
This beerglass has a very stylish design that inherits the design techniques of Ryuichi Kakurezaki.


Tadashi Yoshimoto - Bizen Hidasuki Yunomi Set

18,000 YEN
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size : L W7.9cm×7.8cm×H10.0cm
R W8.2cm×8.1cm×H10.1cm

Tadashi Yoshimoto is a disciple of Kei Fujiwara.
He respected Kei Fujiwara and inherited the technique of Bizen ware.
He makes simple and easy-to-understand Bizen ware without excessive decoration.
This Yunomi is also made according to the theme.
The electric kiln Hidasuki by Kei Fujiwara and his disciples is characterized by a red clay color.
Red clay color is added with red Hidasuki to form a warm fire pattern.


Tomoyuki Oiwa - Bizen Katakuchi

27,500 YEN
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size : W16.7cm×9.7cm×H8.3cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
The flame of Anagama kiln blows into the back of kiln at a stretch.
This is Katakuchi of "Youhen" that can be fired only in a specific place in Anagama kiln.
This katakuchi has an excellent fire pattern due to its very high heat value.
Katakuchi is a bowl-shaped design with a spout attached.


Ken Fujiwara - Bizen Yunomi

25,000 YEN
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size : W8.7cm×8.6cm×H9.9cm

This Yunomi is bigger than his usual style.
I think it is rarer than the flat design Yunomi called Kumidashi.
This Yunomi uses a rough clay with small stones.
He fired this Yunomi inside another large piece or in a refractory box.
The simple and simple design and the wonderful colors make you feel the Wabi-sabi.
His wife signs a wooden box after Ken's death.


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