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322 Items
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Yukio Tomori - Bizen rock glass
3,300 YENSold out
size : W9.8cm×9.3cm×H8.8cmYukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
He always wants to preserve the most beautiful moment of the clay when using the potter's wheel.
He prioritizes the energetic swelling of the clay rather than suppressing it as a vessel for everyday human use.
It is as powerful as a small jar, and the finger traces on the inside are like whirlpools.
Tomoyuki Oiwa - Bizen Beerglass
5,500 YENSold out
size : W7.9cm×7.8cm×H12.7cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
Thai Beerglass was fired in April 2024.
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
This beerglass has a very stylish design that inherits the design techniques of Ryuichi Kakurezaki.
Yukio Tomori - Bizen rock glass
3,300 YENSold out
size : W9.3cm×9.2cm×H8.3cmYukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
He always wants to preserve the most beautiful moment of the clay when using the potter's wheel.
He prioritizes the energetic swelling of the clay rather than suppressing it as a vessel for everyday human use.
It is as powerful as a small jar, and the finger traces on the inside are like whirlpools.
Yukio Tomori - Oribe rock glass
3,300 YENSold out
size : W8.6cm×8.5cm×H9.1cmYukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
This work is Oribe ware, but the base clay uses Bizen clay.
The powerful sculpture looks like bamboo in combination with the green color of Oribe.
Tokobo Yu - Porcelain scrape-off pattern Yunomi
4,400 YEN
size : W6.2cm×6.2cm×H7.5cmThey inherit the careful and quiet style of Yuho Kaneshige.
The inside of the work is full of fine finger marks, but the outside is as calm as the surface of still water.
The edges are very thinly made and very comfortable to use.
This piece is made of semi-porcelain clay covered with white glaze and scraped down to depict flowers and birds.
It is finished with a celadon glaze and has a beautiful light blue color.
Reiji Omori - Bizen Suribachi
14,000 YENSold out
size : W17.0cm×16.6cm×H6.8cmHe loves old Bizen ware and wants to study them.
And when he creates his work, he uses the knowledge and techniques he has learned about old Bizen ware.
However, his work does not end with the reproduction of old Bizen ware.
He also thinks about the thoughts, religions and philosophies of those who lived at that time.
Those spiritual considerations appear throughout the work and give it originality.
Speaking of this work, you can feel them in the pattern drawn with the inner by comb.
The pattern of the comb is functional and picturesque.
Toyo Kaneshige - Bizen Yunomi
143,000 YENSold out
size : W7.8cm×7.8cm×H7.9cmI think this Yunomi was made around 1960, guessing from the shape of the Toyo mark.
This Yunomi is made from fine clay with low iron content.
This Yunomi is based on a white clay color and has changed to amber or scarlet due to the effect of fire.
When I got it, this Yunomi didn't have a set wooden box.
The price of Yunomi includes the appraisal fee of Kosuke, the third son of Toyo, and the cost of making a wooden box.
Mamoru Taku - Bizen Hidasuki Tsutsuwan
11,000 YENSold out
size : W9.3cm×9.3cm×H10.5cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He told me that Hidasuki was his basic theme.
Hidasuki works of various colors were placed in his workshop.
A large amount of iron and other substances are gushing on the Beige clay skin.
The wonderful hidasuki is comparable to old Bizen ware.
Shuroku Harada - Bizen Suribachi
132,000 YENSold out
size : W14.7cm×12.2cm×H7.0cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Suribachi fired in his kiln around 2010.
The surface is baked over a strong fire until it becomes like glass.
Various types of fire patterns occur in various parts of the work.
It can be used as both tableware and Sake pourer.
When pouring Sake, a little Sake drips, but it is good to apply it to the clay skin.
Mamoru Taku - Bizen Hidasuki Oyunomi
11,000 YENSold out
size : W9.6cm×9.0cm×H10.6cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He told me that Hidasuki was his basic theme.
Hidasuki works of various colors were placed in his workshop.
Reddish purple colored skin is combined with vermilion hidasuki.
The wonderful hidasuki is comparable to old Bizen ware.
Koji Nakahara - Bizen Manekineko Hohin
44,000 YEN
size : W12.4cm×10.3cm×H8.9cmKoji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
His unique design is a modern take on the Houhin, which was popular in the Showa era.
He fired this piece in Fumio Kawabata's kiln, which is now in Bizen City.
Rokuro Nakamura - Bizen Yunomi
55,000 YENSold out
size : W9.1cm×9.0cm×H7.4cmThis is Yunomi made by Rokuro Nakamura who is called a master of sake ware.
I would guess that this Yunomi is from his later years.
The clay color of the entire work is not his characteristic red, but a subdued brown clay color, like that of the Toyo kaneshige.
The Nakamura clan's unique body design makes it very easy to hold.
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