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322 Items

FIRST PREV 4 / 27 page NEXT LAST

Takashi Soga - Bizen Shuko

33,000 YEN
Sold out

size : W9.3cm×9.3cm×H12.3cm 380cc

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in May 2024.
This was designed based on a small Old Bizen pot that he purchased and uses.


Takashi Soga - Bizen Cup

8,800 YEN
Sold out

size : W7.3cm×7.3cm×H9.3cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new glass, which was just fired in May 2024.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.


Takashi Soga - Bizen glass

8,800 YEN
Sold out

size : W7.7cm×7.5cm×H9.4cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new glass, which was just fired in May 2024.
This piece was sealed and fired in the kiln.
The reduction effect changed Hidasuki from red to blue.


Takashi Soga - Bizen glass

8,800 YEN
Sold out

size : W7.6cm×7.6cm×H9.5cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new glass, which was just fired in May 2024.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.


Takashi Soga - Bizen glass

8,800 YEN
Sold out

size : W7.5cm×7.4cm×H9.5cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new glass, which was just fired in May 2024.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.


Takashi Soga - Bizen Shuko

33,000 YEN
Sold out

size : W9.4cm×9.3cm×H12.4cm 350cc

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in May 2024.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.
This was designed based on a small Old Bizen pot that he purchased and uses.
He is not feeling well and may have to wait a very long time about the wooden box.


Takashi Soga - Bizen glass

8,800 YEN
Sold out

size : W7.7cm×7.3cm×H9.3cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new glass, which was just fired in May 2024.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.


Takashi Soga - Bizen Shuko

33,000 YEN
Sold out

size : W9.2cm×9.0cm×H12.5cm 350cc

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in May 2024.
This was designed based on a small Old Bizen pot that he purchased and uses.
He is not feeling well and may have to wait a very long time about the wooden box.


Takashi Soga - Bizen Shuko

27,500 YEN
Sold out

size : W9.9cm×9.7cm×H9.1cm 200cc

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in May 2024.
This was designed based on a small Old Bizen pot that he purchased and uses.
He is not feeling well and may have to wait a very long time about the wooden box.


Yukio Tomori - Bizen rock glass

3,300 YEN
Sold out

size : W10.6cm×10.1cm×H8.5cm

Yukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
He always wants to preserve the most beautiful moment of the clay when using the potter's wheel.
He prioritizes the energetic swelling of the clay rather than suppressing it as a vessel for everyday human use.
It is as powerful as a small jar, and the finger traces on the inside are like whirlpools.


Yukio Tomori - Bizen rock glass

3,300 YEN
Sold out

size : W10.2cm×10.0cm×H8.3cm

Yukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
He always wants to preserve the most beautiful moment of the clay when using the potter's wheel.
He prioritizes the energetic swelling of the clay rather than suppressing it as a vessel for everyday human use.
It is as powerful as a small jar, and the finger traces on the inside are like whirlpools.


Tomoyuki Oiwa - Kuro Sakazuki

11,000 YEN

size : W9.3cm×9.0cm×H9.0cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
This glass was fired in May 2022.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this glass has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.


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