Products
| Bizen Sake Bottle & sake Cup | Tea Ceremony Things | Bizen Flower Vase | Bizen Dish & Bowl | Others |
Others
373 Items
FIRST PREV 3 / 32 page NEXT LAST
Toukoubou Yu - Imbe Yunomi
11,000 YEN
size : W5.8cm×5.7cm×H7.3cmThey inherit the careful and quiet style of Yuho Kaneshige.
They were too afraid to use Bizen clay when the studio was first formed.
You can tell they take very good care of their clay.
On the inside, fine and closely spaced potter’s wheel marks remain,
while the outer surface has been thrown so as to leave as few wheel marks as possible,
creating a strikingly different impression when viewed from both the inside and outside after finishing a drink.
This quiet style directly translates into excellent usability.
The thinly crafted rim and the gently fitting body are superb.
To the touch, the surface is so fine that one might imagine a dusting of powder clinging to the fingers—
an exquisite texture on par with Yuho Kaneshige’s renowned Shiro Chawan.
Toukoubou Yu - Imbe Hidasuki Beerglass
5,500 YENSold out
size : W6.5cm×6.4cm×H12.4cmThey inherit the careful and quiet style of Yuho Kaneshige.
They were too afraid to use Bizen clay when the studio was first formed.
You can tell they take very good care of their clay.
On the inside, fine and closely spaced potter’s wheel marks remain,
while the outer surface has been thrown so as to leave as few wheel marks as possible,
creating a strikingly different impression when viewed from both the inside and outside after finishing a drink.
This is a rather slender beer glass, yet it holds a practical volume of approximately 140cc—just the right size for refined enjoyment.
Most striking is the thinly crafted rim, which reflects Toukoubou Yu’s passion for enhancing the taste of beer through craftsmanship.
The delicate Hidasuki , created using an electric kiln—a technique inherited from Yuho Kaneshige—begin at the mouth and gracefully lead the eye into the deep interior of the cup, offering a captivating visual experience.
Toukoubou Yu - Imbe Yunomi
11,000 YENSold out
size : W6.0cm×5.9cm×H8.0cmThey inherit the careful and quiet style of Yuho Kaneshige.
They were too afraid to use Bizen clay when the studio was first formed.
You can tell they take very good care of their clay.
On the inside, fine and closely spaced potter’s wheel marks remain,
while the outer surface has been thrown so as to leave as few wheel marks as possible,
creating a strikingly different impression when viewed from both the inside and outside after finishing a drink.
This quiet style directly translates into excellent usability.
The thinly crafted rim and the gently fitting body are superb.
To the touch, the surface is so fine that one might imagine a dusting of powder clinging to the fingers—
an exquisite texture on par with Yuho Kaneshige’s renowned Shiro Chawan.
Toukoubou Yu - Imbe Yunomi
11,000 YENSold out
size : W6.3cm×6.4cm×H7.9cmThey inherit the careful and quiet style of Yuho Kaneshige.
They were too afraid to use Bizen clay when the studio was first formed.
You can tell they take very good care of their clay.
On the inside, fine and closely spaced potter’s wheel marks remain,
while the outer surface has been thrown so as to leave as few wheel marks as possible,
creating a strikingly different impression when viewed from both the inside and outside after finishing a drink.
This quiet style directly translates into excellent usability.
The thinly crafted rim and the gently fitting body are superb.
To the touch, the surface is so fine that one might imagine a dusting of powder clinging to the fingers—
an exquisite texture on par with Yuho Kaneshige’s renowned Shiro Chawan.
Toukoubou Yu - Porcelain scrape-off pattern Yunomi
11,000 YEN
size : W6.8cm×6.7cm×H9.5cmThey inherit the careful and quiet style of Yuho Kaneshige.
The inside of the work is full of fine finger marks, but the outside is as calm as the surface of still water.
The edges are very thinly made and very comfortable to use.
This piece is made of semi-porcelain clay covered with white glaze and scraped down to depict flowers and birds.
It is finished with a celadon glaze and has a beautiful light blue color.
Shinjiro Aika - Bizen Suzumekuchi Kotsubo
39,600 YEN
size : W10.0cm×10.0cm×H10.4cHe learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
The works of Shinjiro Aika are best described as “beyond profitability.”
He is a ceramic artist who relentlessly fires his pieces until they meet his own high standards, resulting in truly outstanding creations.
While prolonged firing often hardens Bizen clay and diminishes its color, this piece by Shinjiro Aika reveals a rich, moistened surface with deep earthen tones, centered around a vibrant Hidasuki pattern. It offers a glimpse into a new form of Bizen that transcends even the aesthetics of old Bizen, which Shinjiro Aika has long pursued.
At the center of the piece, a pale, dry-textured area emerges as a contrasting highlight, while scattered traces of Hidasuki evoke the appearance of classical Bizen ware with remarkable authenticity.
The simple, unpretentious form reflects Shinjiro Aika’s deep admiration for old Bizen and old Shigaraki. Its understated shape offers great versatility, making it well-suited for use as either a Katakuchi sake pourer or a small flower vase.
Yoshiteru Takariki - Bizen Katakuchi Sake pourer
5,500 YENSold out
size : W11.2cm×8.5cm×H11.9cmHe inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Katakuchi was fired in front of the Noborigama kiln.
At that location, a lot of Goma adheres to the surface of the skin.
And a strong luster is generated on the skin.
This mug was fired in June 2024.
Yoshiteru Takariki - Bizen Mugcup
4,400 YEN
size : W11.3cm×8.5cm×H8.3cmHe inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This mug was fired in front of the Noborigama kiln.
At that location, a lot of Goma adheres to the surface of the skin.
And a strong luster is generated on the skin.
This mug was fired in June 2024.
Toukoubou Yu - Haiyu Yunomi
4,400 YENSold out
size : W6.6cm×6.5cm×H8.3cmThey inherit the careful and quiet style of Yuho Kaneshige.
The inside of the work is full of fine finger marks, but the outside is as calm as the surface of still water.
The edges are very thinly made and very comfortable to use.
This Yunomi is made in a style that closely resembles Karatsu ware.
A deep gray ash glaze covers the surface, with iron painting added by brush.
Only natural materials gathered from the local environment were used—no commercial materials were involved.
Toukoubou Yu - Kohiki Yunomi
4,400 YENSold out
size : W7.0cm×6.9cm×H8.5cmThey inherit the careful and quiet style of Yuho Kaneshige.
The inside of the work is full of fine finger marks, but the outside is as calm as the surface of still water.
The edges are very thinly made and very comfortable to use.
By using slightly coarse clay for this Kohiki piece, extremely fine ishihaze (tiny mineral bursts caused by heat expansion) appear in some areas, adding a subtle and beautiful accent—like new life sprouting from beneath the snow.
Yoshinobu Morimoto - Bizen Hidasuki Katakuchi
17,600 YENSold out
size : W10.3cm×8.1cm×H8.9cmYoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This Katakuchi was fired about 15 years ago.
This Katakuchi is also a wonderful piece created from his knowledge and skills.
He has done a good job of expressing the distinctive red Hidasuki color found in old Bizen ware in this piece.
This Katakuchi can be used both for pouring sake and as tableware.
Yoshiteru Takariki - Bizen Mugcup
4,400 YENSold out
size : W12.0cm×9.9cm×H7.5cmHe inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This mug was fired in front of the Noborigama kiln.
At that location, a lot of Goma adheres to the surface of the skin.
And a strong luster is generated on the skin.
This mug was fired in June 2024.
FIRST PREV 3 / 32 page NEXT LAST
