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361 Items
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Takashi Soga - Bizen Shuko
33,000 YENSold out
size : W9.4cm×9.3cm×H12.4cm 350ccTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in May 2024.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.
This was designed based on a small Old Bizen pot that he purchased and uses.
He is not feeling well and may have to wait a very long time about the wooden box.
Takashi Soga - Bizen glass
8,800 YENSold out
size : W7.7cm×7.3cm×H9.3cmTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new glass, which was just fired in May 2024.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.
Takashi Soga - Bizen Shuko
33,000 YENSold out
size : W9.2cm×9.0cm×H12.5cm 350ccTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in May 2024.
This was designed based on a small Old Bizen pot that he purchased and uses.
He is not feeling well and may have to wait a very long time about the wooden box.
Takashi Soga - Bizen Shuko
27,500 YENSold out
size : W9.9cm×9.7cm×H9.1cm 200ccTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in May 2024.
This was designed based on a small Old Bizen pot that he purchased and uses.
He is not feeling well and may have to wait a very long time about the wooden box.
Yukio Tomori - Bizen rock glass
3,300 YENSold out
size : W10.6cm×10.1cm×H8.5cmYukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
He always wants to preserve the most beautiful moment of the clay when using the potter's wheel.
He prioritizes the energetic swelling of the clay rather than suppressing it as a vessel for everyday human use.
It is as powerful as a small jar, and the finger traces on the inside are like whirlpools.
Yukio Tomori - Bizen rock glass
3,300 YENSold out
size : W10.2cm×10.0cm×H8.3cmYukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
He always wants to preserve the most beautiful moment of the clay when using the potter's wheel.
He prioritizes the energetic swelling of the clay rather than suppressing it as a vessel for everyday human use.
It is as powerful as a small jar, and the finger traces on the inside are like whirlpools.
Tomoyuki Oiwa - Kuro Sakazuki
11,000 YEN
size : W9.3cm×9.0cm×H9.0cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
This glass was fired in May 2022.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this glass has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.
Yukio Tomori - Bizen rock glass
3,300 YENSold out
size : W9.8cm×9.3cm×H8.8cmYukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
He always wants to preserve the most beautiful moment of the clay when using the potter's wheel.
He prioritizes the energetic swelling of the clay rather than suppressing it as a vessel for everyday human use.
It is as powerful as a small jar, and the finger traces on the inside are like whirlpools.
Tomoyuki Oiwa - Bizen Beerglass
5,500 YENSold out
size : W7.9cm×7.8cm×H12.7cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
Thai Beerglass was fired in April 2024.
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
This beerglass has a very stylish design that inherits the design techniques of Ryuichi Kakurezaki.
Yukio Tomori - Bizen rock glass
3,300 YENSold out
size : W9.3cm×9.2cm×H8.3cmYukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
He always wants to preserve the most beautiful moment of the clay when using the potter's wheel.
He prioritizes the energetic swelling of the clay rather than suppressing it as a vessel for everyday human use.
It is as powerful as a small jar, and the finger traces on the inside are like whirlpools.
Yukio Tomori - Oribe rock glass
3,300 YENSold out
size : W8.6cm×8.5cm×H9.1cmYukio Tomori is a potter with roots in Okinawa Prefecture.
The works with his unique rhythm is very beautiful.
This work is Oribe ware, but the base clay uses Bizen clay.
The powerful sculpture looks like bamboo in combination with the green color of Oribe.
Tokobo Yu - Porcelain scrape-off pattern Yunomi
4,400 YEN
size : W6.2cm×6.2cm×H7.5cmThey inherit the careful and quiet style of Yuho Kaneshige.
The inside of the work is full of fine finger marks, but the outside is as calm as the surface of still water.
The edges are very thinly made and very comfortable to use.
This piece is made of semi-porcelain clay covered with white glaze and scraped down to depict flowers and birds.
It is finished with a celadon glaze and has a beautiful light blue color.
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