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345 Items
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Takashi Baba - Shino Yunomi
8,800 YENSold out
size : W8.3cm×8.2cm×H7.8cmTakashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Yunomi was fired by him in April 2023.
Based on Bizen clay, it was glazed with Shino and baked in Bizen Noborigam kiln.
Shino glaze changed to more complex shades with Noboligama kiln.
A green natural glaze is layered on top of Shino's white glaze.
Tsuneo Osawa - Bizen Katakuchi
5,500 YENSold out
size : W16.2cm×12.5cm×H8.1cmHe has been researching old Bizen ware and other ancient ceramics.
While using the knowledge he has gained through his research to create his works, his theme is to create works that match the modern life.
The red clay color of this Katakuchi is a "well-fired" red, reminiscent of old Bizen ware.
It can also be used as a Sake pourer, but care must be taken with the angle at which it is tilted.
Makoto Kaneshige - Bizen Hidasuki Beerglass
7,700 YENSold out
size : W7.5cm×7.2cm×H10.4cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This is his older work.
Kodai has a powerful design that is typical of him, but the mouth rim is thin and looks very easy to use.
The clay is rough and soaks up water easily, so Makoto applied some silicon for ceramics to stop the leaks.
Makoto Kaneshige - Hidasuki Beerglass
16,500 YENSold out
size : W7.8cm×7.7cm×H10.6cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
Kodai has a powerful design that is typical of him, but the mouth rim is thin and looks very easy to use.
Jun Isezaki - Bizen Beerglass
22,000 YENSold out
size : W7.4cm×7.4cm×H9.6cmJun Isazaki is a human living national treasure in Bizen were. (Fifth person in Bizen ware)
He firing with a straight hole-shaped kiln called "Anagama".
This beer glass was made around 2013.
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
He wrapped rice straw in his work and fired it.
The color and shape of rice straw changes from part to part due to the influence of natural glaze.
Tomoyuki Oiwa - Kuro beer glass
14,300 YEN
size : W7.4cm×7.4cm×H12.3cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
This glass was fired in November 2023.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this glass has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.
I wondered if this glass was due to the Hikidashi technique, but it's not.
Makoto Kaneshige - Bizen Beerglass
16,500 YENSold out
size : W7.1cm×6.8cm×H10.4cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
Kodai has a powerful design that is typical of him, but the mouth rim is thin and looks very easy to use.
The clay is rough and soaks up water easily, so Magoto applied some silicon for ceramics to stop the leaks.
Makoto Kaneshige - Hidasuki Beerglass
16,500 YENSold out
size : W7.7cm×7.7cm×H11.1cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
Kodai has a powerful design that is typical of him, but the mouth rim is thin and looks very easy to use.
Makoto Kaneshige - Bizen Beerglass
16,500 YENSold out
size : W7.3cm×7.1cm×H11.0cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
Kodai has a powerful design that is typical of him, but the mouth rim is thin and looks very easy to use.
The clay is rough and soaks up water easily, so Magoto applied some silicon for ceramics to stop the leaks.
Makoto Kaneshige - Hidasuki Beerglass
16,500 YENSold out
size : W8.0cm×8.0cm×H10.5cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
Kodai has a powerful design that is typical of him, but the mouth rim is thin and looks very easy to use.
Tomoyuki Oiwa - Kuro beer glass
14,300 YENSold out
size : W7.7cm×7.5cm×H12.4cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
This glass was fired in November 2023.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this glass has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.
I wondered if this glass was due to the Hikidashi technique, but it's not.
Michiaki Kaneshige - Bizen Yunomi
44,000 YENSold out
size : W8.2cm×8.2cm×H10.2cmMichiaki Kaneshige is the eldest son of Toyo Kanesige.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
The work is very simple in style, but it is filled with Michiaki's ceramic aesthetics.
The beautiful orange clay color that this Yunomi has is typical of him.
The sangiri has a strong luster, as if only that part of the piece is wet.
It comes with a wooden box appraised by his second son, Takeshi Kaneshige.
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