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Bizen Sake Bottle & sake Cup

937 Items

FIRST PREV 33 / 79 page NEXT LAST

Kazuki Nakamura - Bizen Yohen Tokkuri

25,000 YEN
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size : W10.2cm×10.2cm×H10.7cm 350cc

Kazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2023.
The strong fire pattern and the bright scarlet color are beautiful.
He fired this Tokkuri near a side hole in Noborigama for throwing firewood.
It has a wonderful fire pattern in the traditional Noborigama Youhen style.


Sohei Takashima - Bizen Guinomi

9,900 YEN
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size : W6.5cm×6.1cm×H5.3cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This Guinomi has a typical anagama kiln fire pattern.
A large amount of natural glaze adheres to the surface, creating a wide variety of fire patterns.
Even the interior shows a black vitreous fire pattern where the natural glaze has cooled and hardened.


Sohei Takashima - Koshoku Guinomi

14,300 YEN
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size : W7.8cm×7.6cm×H5.4cm

He is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This is his latest work, published in September 2023.
Koshoku is a word meaning old-fashioned shades.
Remarkably, this was fired in a kerosene kiln without the use of wood.
He used iron oxide from western Okayama prefecture to generate this mysterious black color.


Tosyu Yamamoto - Bizen Guinomi

60,000 YEN
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size : W6.5cm×6.5cm×H6.1cm

Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This Guinomi is made from a clay with relatively low iron content, which gives it a lighter overall color.
The light brown clay color with added luster is very beautiful.
The well-balanced modeling with a thin rim and thick bottom is typical of Toshu.


Tosyu Yamamoto - Bizen Tokkuri

110,000 YEN
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size : W9.3cm×9.2cm×H13.0cm 430cc

Tosyu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
It is a work from around the middle of his career.
This is a tokkuri made of high quality clay from the Imbe area at that time.
This was fired around the middle of the kiln.
This wonderful red clay color will become more beautiful the more you use it.


Sozan Kaneshige - Imbe Tokkuri

150,000 YEN
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size : W9.2cm×9.2cm×H14.3cm 410cc

This Tokkuri was made by Sozan when he was 73 to 83 years old.
This is the work he has done since he moved to Imbe Gyujinshita, Imbe.
Since moving to Gyujinshita, he has been producing more tea ceremony works and less Tokkuri and Guinomi works.
The artifice of his work from this period has disappeared, and it is very generous and confident.
Goma with a greenish tint is very plain, but if you use it for a long time, you will surely grow attached to it.
The sharp spatula shaving on the bottom of Tokkuri's bowl shows off his supreme skill.


Tomoyuki Matsui - Bizen Aisai Guinomi

25,000 YEN
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size : W6.2cm×6.1cm×H6.2cm

I would guess that he created this piece around 1992.
He invented various new ways of firing Bizen ware in addition to standard Bizen ware.
This Guinomi is from the Aisai series, fired by mixing cobalt with clay.
The blue color of the work is shaded due to the difference in the way the clay is exposed to fire.
Guinomi's exemplary design is typical of his work as a pottery instructor.


Toru Ichikawa - Guinomi Ray?

46,200 YEN
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size : W7.8cm×7.7cm×H7.0cm

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
This is the new Guinomi from the Ray series.
This Guinomi was fired in April 2022.
A large amount of pure white glaze is applied on the base of vanilla white clay.
And yellow and orange is an effective accent.


Sohei Takashima - Koshoku Guinomi

14,300 YEN
Sold out

size : 径7.0cm×6.8cm×高さ5.2cm

He is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This is his latest work, published in September 2023.
Koshoku is a word meaning old-fashioned shades.
Remarkably, this was fired in a kerosene kiln without the use of wood.
He used iron oxide from western Okayama prefecture to generate this mysterious black color.


Sohei Takashima - Koshoku Guinomi

14,300 YEN
Sold out

size : W6.6cm×6.4cm×H7.0cm

He is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This is his latest work, published in September 2023.
Koshoku is a word meaning old-fashioned shades.
Remarkably, this was fired in a kerosene kiln without the use of wood.
He used iron oxide from western Okayama prefecture to generate this mysterious black color.


Sohei Takashima - Bizen Yunomi

4,400 YEN
Sold out

size : W7.0cm×6.8cm×H7.7cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This Yunomi has a typical anagama kiln fire pattern.
The body has a white clay color with a gradient color from dark brown to scarlet at the mouth rim.
The inside has a very fine-grained natural glaze that falls like a light rain.


Sohei Takashima - Koshoku Tokkuri

27,500 YEN

size : W8.8cm×8.8cm×H14.1cm 350cc

He is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This is his latest work, published in September 2023.
Koshoku is a word meaning old-fashioned shades.
Remarkably, this was fired in a kerosene kiln without the use of wood.
He used iron oxide from western Okayama prefecture to generate this mysterious black color.


FIRST PREV 33 / 79 page NEXT LAST




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