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Bizen Sake Bottle & sake Cup
868 Items
FIRST PREV 39 / 73 page NEXT LAST
Hiroshi Goseki - Sohen Kuro Sakazuki
13,200 YENSold out
size : W11.5cm×10.4cm×H4.4cmHe is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
This Sakazuki was fired in December 2022.
Hiroshi Goseki - Sohen Kuro Guinomi
13,200 YENSold out
size : W7.6cm×7.5cm×H6.8cmHe is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in December 2022.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Hiroshi Goseki - Hidasuki Guinomi
8,800 YENSold out
size : W6.9cm×6.8cm×H7.1cmHe is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in December 2022.
He built an anagama kiln in Ibaraki Prefecture.
This Guinomi was fired in a case called a saya made of highly refractory clay.
On the outside, flame-like patterns are made with rice straw.
On the inside, Hidasuki occurs on almost every surface.
Hiroshi Goseki - Kuro Tokkuri
22,000 YENSold out
size : W9.2cm×9.1cm×H17.0cm 540ccHe is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
The Kigoma on the front is a wonderful fire pattern that fits well with the atmosphere of the work as it adheres in a liquid, dripping manner.
The reverse side has a brownish-brown color mixed with an old Bizen Imbete style.
This Tokkuri was fired in December 2022.
Hiroshi Goseki - Sohen Kuro Guinomi
13,200 YENSold out
size : W7.1cm×7.0cm×H6.9cmHe is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in December 2022.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Hiroshi Goseki - Sohen Kuro Guinomi
13,200 YENSold out
size : W6.9cm×6.8cm×H6.7cmHe is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in December 2022.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Shinjiro Aika - Bizen Tokkuri
46,200 YEN
size : W9.4cm×9.3cm×H14.0cm 460ccHe learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Tokkuri has a thick Kigoma that looks like a liquid natural glaze.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.
From the shoulders up, the clay is covered with a cup-like shape and fired, creating a change in the color of the clay.
Shinjiro Aika - Bizen Sakazuki
16,500 YENSold out
size : W10.1cm×9.9cm×H4.6cmHe learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
And the texture of the surface has many small holes like citrus peels.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.
Shinjiro Aika - Bizen Guinomi
16,500 YENSold out
size : W7.3cm×7.0cm×H6.2cmHe learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.
The design of the piece looks like a small Chawan.
The design is very tense and shows that the artist is very talented.
Yuho Kaneshige - Imbe Guinomi
38,500 YENSold out
size : W6.1cm×6.0cm×H4.3cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi is a work that was fired in its primitive kiln.
This Guinomi features both elegant colors of the Kaneshige style and strong colors of old Bizen.
This Guinomi was fired in November 2022.
Yuho Kaneshige - Imbe Guinomi
38,500 YENSold out
size : W6.9cm×6.8cm×H5.6cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Imbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi is a work that was fired in its primitive kiln.
He often uses that kiln to produce symmetrical Chawan without natural glaze adhesion in recent years.
This is a very attractive Guinomi that is directly converted from the technique of making that Chawan.
This Guinomi was fired in November 2022.
Yuho Kaneshige - Imbe Guinomi
38,500 YENSold out
size : W6.0cm×6.0cm×H4.7cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Imbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi is a work that was fired in its primitive kiln.
He often uses that kiln to produce symmetrical Chawan without natural glaze adhesion in recent years.
This is a very attractive Guinomi that is directly converted from the technique of making that Chawan.
This Guinomi was fired in November 2022.
FIRST PREV 39 / 73 page NEXT LAST
