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Bizen Sake Bottle & sake Cup
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Yuho Kaneshige - Imbe Guinomi
38,500 YENSold out
size : W5.9cm×5.7cm×H4.7cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Imbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi is a work that was fired in its primitive kiln.
He often uses that kiln to produce symmetrical Chawan without natural glaze adhesion in recent years.
This is a very attractive Guinomi that is directly converted from the technique of making that Chawan.
This Guinomi was fired in November 2022.
Yuho Kaneshige - Imbe Guinomi
55,000 YENSold out
size : W7.6cm×7.5cm×H5.5cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi is a work that was fired in its primitive kiln.
This Guinomi features both elegant colors of the Kaneshige style and strong colors of old Bizen.
This Guinomi was fired in November 2022.
Masao Akiya - Kuro Guinomi
9,000 YENSold out
size : W6.0cm×5.8cm×H5.7cmMasao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Masao Akiya - Kuro Guinomi
9,000 YENSold out
size : W7.5cm×6.7cm×H5.3cmMasao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Shingo Koyama - Bizen Yohen Guinomi
18,700 YENSold out
size : W6.1cm×6.1cm×H5.9cmAs a disciple of Sozan Kaneshige, he learned not only technique, but also respect for clay and the spirit of ceramics.
The circular red clay-colored area on the front of the piece indicates that this Guinomi is made of very good clay.
The Yohen also has a very nice color and feels like an example of "Haikaburi-Yohen".
The ashes melt and harden into a black glass-like substance, which is called "Namako-Hada = sea cucumber skin" and is highly prized.
Kazuki Nakamura - Bizen Tokkuri
25,000 YENSold out
size : W9.6cm×9.5cm×H11.4cm 350ccKazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in October 2022.
The strong fire pattern and the bright scarlet color are beautiful.
He fired this Tokkuri near a side hole in Noborigama for throwing firewood.
It has a wonderful fire pattern in the traditional Noborigama Kase-Youhen style.
Shingo Koyama - Bizen Yohen Guinomi
18,700 YENSold out
size : W6.4cm×6.2cm×H5.4cmAs a disciple of Sozan Kaneshige, he learned not only technique, but also respect for clay and the spirit of ceramics.
The circular red clay-colored area on the front of the piece indicates that this Guinomi is made of very good clay.
The Yohen also has a very nice color and feels like an example of "Haikaburi-Yohen".
The ashes melt and harden into a black glass-like substance, which is called "Namako-Hada = sea cucumber skin" and is highly prized.
Toru Ichikawa - Guinomi Dairokuten-Maou
46,200 YENSold out
size : W8.0cm×8.0cm×H5.0cmToru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
Oda Nobunaga signed himself as a letter “Dairokuten-Maou”.
He meets the end of his life as the Honnouji Temple burns.
The burnt glaze color makes one imagine the scene.
Toru Ichikawa - Guinomi Hagakure
46,200 YENSold out
size : W7.6cm×7.2cm×H6.2cmToru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The title this time is a return to the earlier title of "Hagakure" and is based on the image of Bushido.
The piece is covered with a heavy platinum glaze that looks like armor.
And the red line on the front feels like blood.
Makoto Nakamura - Bizen Guinomi
18,000 YENSold out
size : W7.6cm×7.5cm×H5.0cmMakoto Nakamura is the eldest son of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
This Guinomi was fired in October 2022.
He is also good at making sake wares, just like Rokuro Nakamura.
The characteristic of Nakamura Clan is the red clay color.
However, this work is burned in a fiery flame until it loses its red clay color.
The melted ash has solidified and changed like a black stone.
A little red clay color is left inside, despite the fierce flames.
I am impressed by the power of his clay.
Yuho Kaneshige - Imbe Guinomi
55,000 YENSold out
size : W7.2cm×6.8cm×H5.0cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
He built a small Noborigama kiln in 2005.
He burned this Guinomi in the small Noborigama kiln for the first time in a long time.
Koudai seems to be a master sword that has been forged due to its sharp design and the beauty of clay in cross section.
Yuho Kaneshige - Imbe Guinomi
55,000 YENSold out
size : W6.7cm×6.6cm×H5.0cmHe inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
He built a small Noborigama kiln in 2005.
He burned this Guinomi in the small Noborigama kiln for the first time in a long time.
The most vivid scarlet clay color of this Guinomi is hidden in Koudai.
When wet with Sake, it will entertain the owner with a wonderful clay color.
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