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Bizen Sake Bottle & sake Cup
921 Items
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Iwao Kaneshige - Imbe Tokkuri
27,500 YENSold out
size : W8.6cm×8.6cm×H12.9cm 270ccHe learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
He fired this Tokkuri roughly 10 years ago in the kiln he inherited from his grandfather and father.
He does not like excessive fire patterns with natural glaze.
He prefers fire patterns that occur in amounts that naturally adhere during the firing process of the piece.
This Tokkuri has a slight Yohen and Kasegoma, and a beautiful scarlet clay color.
These are Kanesige fire patterns that are now rarely seen in his works.
Shinjiro Aika - Bizen Guinomi
12,100 YENSold out
size : W7.8cm×7.6cm×H5.0cmHe learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
Yellow Goma and white Sangiri occur side by side.
Both are intense fire patterns reminiscent of strong flames.
Conversely, the interior shows a deep, lustrous clay color similar to old Bizen ware.
This Guinomi was fired about 5 years ago.
It is an unused piece that has been carefully stored by a collector.
Mitsuru Isezaki - Imbe Hidasuki Tokkuri
22,000 YENSold out
size : W8.4cm×8.3cm×H12.3cm 330ccMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
He fired Hidasuki in a Noborigama kiln without using an electric or gas kiln.
This Tokkuri was fired about 15 years ago.
This Tokkuri is a Noborigama kiln Hidasuki but has bright scarlet color and beautiful white clay color.
I feel that the works fired with Noborigama kiln are rare because they often turn into charcoal gray clay color and dark red Hidasuki.
It is an unused piece that has been carefully stored by a collector.
Takashi Baba - Shino Yohen Guinomi
7,700 YENSold out
size : W7.6cm×7.3cm×H6.1cmTakashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Guinomi was fired by him in 2022.
Based on Bizen clay, it was glazed with Shino and baked in Bizen Noborigam kiln.
Shino glaze changed to more complex shades with Noboligama kiln.
A green natural glaze is layered on top of Shino's white glaze.
Tomoyuki Oiwa - Kuro Guinomi
22,000 YENSold out
size : W7.2cm×7.1cm×H6.2cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in February 2025.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this Guinomi has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.
As moisture seeps into the blue fire pattern, it changes to a more beautiful hue.
Ken Fujiwara - Bizen Guinomi
36,300 YENSold out
size : W7.5cm×7.4cm×H4.8cmThis Guinomi was made by Ken Fujiwara before 1970.
He made a large kiln in 1970, this Guinomi was fired in Noborigama kiln.
He installed this Guinomi in a place in Noborigama kiln where it was not exposed to direct fire.
It is in another works or in a box of refractory soil called Saya.
The surface color of the clay skin is a reddish brown that has lost its luster.
The color is in excellent condition due to the interaction with Hidasuki.
The inner bottom is indented, and the design of the body and mouth rim is so dynamic that this looks like a Chawan.
Mamoru Taku - Bizen Hikidashi Shuhai
11,000 YENSold out
size : W7.1cm×6.7cm×H5.1cmMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
He made this Guinomi around 2010.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
Shinjiro Aika - Bizen Guinomi
12,100 YENSold out
size : W7.8cm×6.8cm×H5.2cmHe learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
Yellow Goma and white Sangiri occur side by side.
Both are intense fire patterns reminiscent of strong flames.
Conversely, the interior shows a deep, lustrous clay color similar to old Bizen ware.
This Guinomi was fired about 5 years ago.
It is an unused piece that has been carefully stored by a collector.
Iwao Kaneshige - Imbe Tokkuri
27,500 YENSold out
size : W9.1cm×8.3cm×H13.1cm 330ccHe learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
He fired this Tokkuri roughly 10 years ago in the kiln he inherited from his grandfather and father.
He does not like excessive fire patterns with natural glaze.
He prefers fire patterns that occur in amounts that naturally adhere during the firing process of the piece.
This Tokkuri has a slight Yohen and Kasegoma, and a beautiful scarlet clay color.
These are Kanesige fire patterns that are now rarely seen in his works.
Shinjiro Aika - Bizen Guinomi
12,100 YENSold out
size : W10.2cm×9.6cm×H4.1cmHe learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
And the texture of the surface has many small holes like citrus peels.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.
This Guinomi was fired about 5 years ago.
It is an unused piece that has been carefully stored by a collector.
Megumi Sueda - Imbe Shuki
19,800 YENSold out
size : W7.0cm×6.7cm×H5.8cmShe learned the technique of firing and modeling from Anjin Abe.
She makes use of these techniques to create works that feel powerful and gorgeous.
This work is colored like an iron works by the "Inbe-te" technique.
The surface of the dried work is coated with iron-rich mud.
The fire is repeatedly turned off and fired, resulting in a thick, vibrant Kigoma.
This piece was made around 2015 and was carefully preserved by a collector.
Go Ikenishi - Hidasuki Shuhai
27,500 YENSold out
size : W6.9cm×6.6cm×H5.8cmGo Ikenishi is studying old ceramics from Japan, China and Korea.
He applies what he has learned from the study of old ceramics to his work production.
This Guinomi was fired around 2007-2010.
It is an unused piece that has been carefully stored by a collector.
He learned firing methods from Anjin Abe and reproduced old Bizen ware hidasuki.
The entire piece is covered with Hidasuki and has a very strong luster.
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