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Bizen Sake Bottle & sake Cup

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Yoshiteru Takariki - Bizen Hidasuki Big Guinomi

15,400 YEN
Sold out

size : W7.5cm×7.2cm×H5.7cm

This Guinomi was Fired in June 2024.
He usually works in a very classical style.
But he never forgets to take on new challenges.
But this is no longer a new challenge, but a completely different level of work.
Using a special firing method with mountain clay, this Guinomi is huge but very lightweight.
The design, which looks like it is about to be crushed, is also very strange.



Yoshiteru Takariki - Bizen Hikidashi Kuro Guinomi

16,500 YEN

size : W6.5cm×6.5cm×H5.9cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Guinomi was fired in June 2024.
The entire piece is coated with a special clay containing cobalt.
In addition, a dark gray and cobalt blue skin was generated by removing the piece from the kiln and cooling it rapidly during the firing process.



Sozan Kaneshige - Kohuki Guinomi

55,000 YEN
Sold out

size : W6.3cm×6.2cm×H4.3cm

He built his first kiln in Maruyama, Okayama in 1964.
The kiln is now used by his eldest son, Makoto Kaneshige.
A group of un-fired Sosan Kohiki pieces were found in a warehouse near the kiln.
They were probably made and painted white by him about 50 years ago.
Mako thought it was a waste and tried to fire them in the kiln, and succeeded.
The finished glaze has a pale yellow tinge because it was fired in the kiln.
The soft white color matches very well with his laid-back design.



Yoshiteru Takariki - Bizen Yohen Guinomi

26,400 YEN
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size : W7.1cm×6.8cm×H5.2cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Guinomi was fired in June 2024.
This Guinomi is fired in a very strong Yohen place.
The entire Guinomi is covered with black charcoal Yohen.
However, the beautiful color of the clay remains in the middle circle, which makes me feel the vitality of the clay.



Tsuneo Osawa - Bizen Hidasuki Guinomi

3,300 YEN
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size : W7.7cm×6.8cm×H5.4cm

He has been researching old Bizen ware and other ancient ceramics.
While using the knowledge he has gained through his research to create his works, his theme is to create works that match the modern life.
The firing in an anagama kiln, rather than in an electric kiln, gives Hidasuki a very subdued color.
The azuki color of Hidasuki is reminiscent of Kobizen.
The shape of the bowl has the essence of Kiseto ware rather than Bizen ware.
The piece was created around 2006 and was stored by a collector without being used.



Megumi Sueda - Imbe Shuki

19,800 YEN
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size : W7.0cm×6.5cm×H5.8cm

She learned the technique of firing and modeling from Anjin Abe.
She makes use of these techniques to create works that feel powerful and gorgeous.
This work is colored like an iron works by the "Inbe-te" technique.
The surface of the dried work is coated with iron-rich mud.
The fire is repeatedly turned off and fired, resulting in a thick, vibrant Kigoma.
This piece was made around 2015 and was carefully preserved by a collector.



Makoto Kaneshige - Bizen Guinomi

88,000 YEN
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size : W6.5cm×6.0cm×H6.3cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was fired in April 2024.
He fired in a place where Yohen could collect in the back of the Noborigama kiln.
A large amount of heated charcoal poured into the work, forming a lava-like fire pattern.
However, Bizen clay did not lose its heat and left a beautiful red clay color.



Masao Akiya - Kuro Guinomi

9,900 YEN
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size : W7.9cm×7.6cm×H5.5cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This Guinomi was fired in June 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.



Yoshiteru Takariki - Bizen Kurotasuki Aka Guinomi

13,200 YEN
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size : W7.1cm×7.0cm×H5.6cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Guinomi was fired in June 2024.
He had been following his teacher's method of firing hidasuki until now.
He then developed a polka-dot patterned scarlet tasuki using blocks with holes in them.
He continued his research and completed this black Hidasuki.
Other areas show a red clay color similar to the Yohen style.
The Tasuki area has a very strange fire pattern that, if you look closely, shows Kase Goma or glassy crystals.



Masao Akiya - Hikidashi Guinomi

16,500 YEN
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size : W5.8cm×5.7cm×H6.5cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This Guinomi was fired in June 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
This work is taken out of kiln during firing, so the color is vivid.



Yoshiteru Takariki - Bizen Guinomi

13,200 YEN
Sold out

size : W6.8cm×6.7cm×H5.9cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Guinomi was fired in June 2024.
The entire Guinomi is covered with green Kase-goma.
And a beautiful red clay color like persimmon fruit is generated.
When used, this red color becomes more vivid with water.



Yoshiteru Takariki - Bizen Big Guinomi

15,400 YEN
Sold out

size : W8.8cm×8.1cm×H6.3cm

This Guinomi was Fired in June 2024.
He usually works in a very classical style.
But he never forgets to take on new challenges.
But this is no longer a new challenge, but a completely different level of work.
Using a special firing method with mountain clay, this Guinomi is huge but very lightweight.
The design, which looks like it is about to be crushed, is also very strange.



FIRST PREV 6 / 67 page NEXT LAST




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