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Bizen Sake Bottle & sake Cup
913 Items
FIRST PREV 6 / 77 page NEXT LAST
Yuho Kaneshige - Imbe Hidasuki Guinomi
22,000 YENSold out
size : W7.0cm×6.4cm×H5.9cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Imbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
This works was made by him a few years ago.
This Guinomi was made in 2004.
Hidasuki, which he fired in an electric kiln given to him by Sozan Kaneshige, is very beautiful.
Guinomi is originally a simple work, but it is designed like a tea ceremony pottery by Yuho's technique.
Rokuro Nakamura - Bizen Guinomi
385,000 YENSold out
size : W7.2cm×7.1cm×H5.5cmThis is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
I presume that this Guinomi was fired when he was about 80 years old.
The orange clay color produces a golden effect and is very beautiful.
The beautiful Yohen created in the fierce fire created during the firing of the kiln is wonderful.
Tomoyuki Oiwa - Kuro Guinomi
22,000 YENSold out
size : W7.4cm×7.1cm×H6.7cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in April 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this Guinomi has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.
As moisture seeps into the blue fire pattern, it changes to a more beautiful hue.
Jun Isezaki - Bizen Kuro Guinomi
132,000 YENSold out
size : W7.1cm×6.7cm×H6.8cmThis new work was fired in October 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
In the part where Goma overlaps and burns, it changes to a beautiful blue color due to the effect of cobalt.
Makoto Kaneshige - Bizen Guinomi
38,500 YENSold out
size : W6.7cm×6.6cm×H6.1cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was fired in 2011.
His "Maruyagama" features a beautiful blue Kase Goma.
When you are done using it, he said, paint the red clay-colored area with Sake and let Guinomi himself have a drink.
Michiaki Kaneshige - Imbe Guinomi
385,000 YEN
size : W7.0cm×6.8cm×H5.4cmMichiaki Kaneshige is the eldest son of Toyo Kanesige.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
I assume from the box and style that this Guinomi was produced towards the end of his career.
Yohen has a black fire pattern and the red color of the clay are basically inversely related.
However, in this Guinomi, the coloring has been fixed at the perfect time.
It is a gem that could be called the ultimate Yohen.
When you pour liquor, the clay color gets wet and becomes a more wonderful color that intoxicates you.
Sohei Takashima - Hikidashi Guinomi
14,300 YENSold out
size : W5.2cm×5.2cm×H5.2cmHe is a disciple of Jun Isezaki.
He completed this work using the hikidashi technique he learned from Jun Isezaki.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
The surface texture of this Guinomi also became highly glossy as if it were wet due to rapid cooling.
Yuho Kaneshige - Ekaratsu Guinomi
33,000 YENSold out
size : W6.5cm×6.4cm×H4.9cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This Guinomi was burned around 2001.
This piece is made using clay that Kaneshige Yuhō personally excavated in the Karatsu region.
It beautifully combines his meticulous craftsmanship with the rustic charm of Karatsu ware.
The coarse clay—an essential characteristic of true Karatsu—gives the piece a bold presence, with the foot showing elegant chirimen-jimo (crepe-like wrinkles) for a refined, subdued finish.
The glaze is a simple combination of ash glaze and iron decoration, but he uses carefully selected natural materials.
Compact and elegant in form, this is a fine piece best enjoyed alongside a Bizen tokkuri.
Makoto Kaneshige - Hidasuki Guinomi
22,000 YENSold out
size : W6.7cm×6.7cm×H6.3cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was burned circa 1990.
It is in good condition with no stains.
The coarse clay is well suited to the simple straw decoration.
Sohei Takashima - Bizen Hidasuki Guinomi
13,200 YEN
size : W6.7cm×6.5cm×H5.0cmHe is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This piece was fired in the anagama (cave kiln) in Ushimado, which Prof. Takashima currently uses.
It features a refined gray matte surface achieved through deep reduction firing, overlaid with subdued reddish Hidasuki patterns.
In recent years, Sohei Takashima has also used a kerosene kiln for final firing, giving the surface a unique texture with a soft, unglossed finish reminiscent of Sue ware.
The piece is hand-built to enhance the soft atmosphere of the Hidasuki, and its quiet yet powerful presence is inspired by the aesthetics of Raku tea bowls.
Makoto Kaneshige - Bizen Guinomi
44,000 YENSold out
size : W6.6cm×6.3cm×H6.2cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
He burned in a place where Yohen could collect in the back of the Noborigama kiln.
A large amount of heated charcoal poured into the work, forming a lava-like fire pattern.
You can see the color of the clay through the gap between the round ash.
It is a blue-gray like Aobizen due to the influence of strong flames.
This Guinomi was fired about 5 years ago.
It is an unused piece that has been carefully stored by a collector.
Yuho Kaneshige - Imbe Kuro Guinomi
28,600 YENSold out
size : W7.5cm×7.1cm×H5.0cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
This is a work like a prelude to those transformations.
It was made around 2010 and he took it out of the kiln and quickly cooled it during firing.
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