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Bizen Sake Bottle & sake Cup

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Toyo Kaneshige - Bizen Tokkuri

600,000 YEN
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size : W9.2cm×9.1cm×H12.7cm 400cc

This work is Tokkuri, made just before the death of Toyo Kaneshige.
I guessed from the purple color of the wooden box, the author's mark, the design, and the quality of the clay.
This Tokkuri is made from fine clay with low iron content.
This Tokkuri has a strong and powerful body, but its neck is small and elegant.
Almost every surface of the work is covered with Kasegoma, which gives it a plant-like texture despite being ceramic.
The red clay color appears on the inside of the waist and neck, making it a fun accent when used.



Makoto Kaneshige - Bizen Guinomi Highest quality clay

77,000 YEN
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size : W7.8cm×7.4cm×H6.0cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was burned in November 2021.
The clay used for this Guinomi is a clay that was prepared about 40 years ago.
The clay is of the highest quality that his father, Sozan Kaneshige, and he discovered together.
The simple fire pattern takes advantage of the high level of texture of the clay.



Takashi Soga - Bizen Guinomi

16,500 YEN
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size : W7.0cm×6.8cm×H5.1cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Bizen Guinomi, which was just fired in December 2021.
A mysterious Yohen like black soot is added to his characteristic silver metallic clay color.



Toru Ichikawa - Guinomi VANISHING POINT

41,030 YEN
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size : W7.7cm×7.3cm×H6.4cm

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
He named this Guinomi "VANISHING POINT".
The three surfaces are covered with glazes of completely different colors and textures.
The areas where the glaze switches are rimmed with gold glaze.
It is reminiscent of the Yobi-Tsugi technique of combining pieces of different vessels.



Takashi Soga - Bizen Tokkuri

38,500 YEN
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size : W8.5cm×8.3cm×H13.3cm 370cc

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Tokkuri, which was just fired in December 2021.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.



Mitsuru Isezaki - Bizen Tokkuri

45,000 YEN
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size : 9.1cm×8.9cm×14.8cm 450cc

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Tokkuri has a beautiful texture due to the good quality of the clay.
The surface of this Tokkuri has a rainbow-colored fire pattern called "Kinsai".
He designed this Tokkuri by referring to the large Tokkuri of old Bizen ware.



Toru Ichikawa - Guinomi Hallelujah

51,700 YEN
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size : 7.8cm×10.5cm×6.7cm

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
It is a skull-shaped Guinomi, a design from his newly invented memento mori series.
This Guinomi is titled "Hallelujah" and he makes it only at Christmas time.
Red, green, and white glazes are used in connection with Christmas, and rainbow-colored glazes are used for finishing.



Toru Ichikawa - Guinomi Hallelujah

42,680 YEN
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size : 9.5cm×7.6cm×7.0cm

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
This Guinomi is titled "Hallelujah" and he makes it only at Christmas time.
Red, green, and white glazes are used in connection with Christmas, and rainbow-colored glazes are used for finishing.
The inside is covered entirely with a cold white glaze, reminiscent of snow and ice.



Takashi Soga - Bizen Tokkuri

38,500 YEN
Sold out

size : W8.3cm×8.3cm×H13.1cm 380cc

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Tokkuri, which was just fired in December 2021.
Due to his special Kiln influences, many of the works have a bright red clay color.
This work has a very beautiful red clay color and he has certified it as a special Tokkuri.



Tosyu Yamamoto - Bizen Guinomi

90,000 YEN
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size : W6.9cm×6.9cm×H5.6cm

Tosyu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This Guinomi is made from a clay with relatively low iron content, which gives it a lighter overall color.
The skin looks like it has a slight golden effect on it.
Goma looks like it sticks to the skin, is pitch black and has little luster.



Takashi Soga - Bizen Shuko (Sake pourer)

33,000 YEN
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size : W8.6cm×8.4cm×H12.2cm 270cc

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in December 2021.



Takashi Soga - Bizen Guinomi

16,500 YEN
Sold out

size : W6.7cm×6.7cm×H5.3cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Guinomi, which was just fired in December 2021.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.



FIRST PREV 51 / 73 page NEXT LAST




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