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271 Items

FIRST PREV 11 / 23 page NEXT LAST

Masao Akiya - Kuro cup

5,000 YEN
Sold out

size : W10.8cm×8.0cm×H8.8cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.


Masao Akiya - Kuro Yunomi

5,000 YEN
Sold out

size : W7.7cm×7.7cm×H8.5cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.


Kazuki Nakamura - Bizen Katakuchi Sake pourer

15,000 YEN
Sold out

size : W14.4cm×11.3cm×H7.6cm 250cc-180cc

This work was fired in October 2022.
Kazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work expresses the red color beautifully by the Nakamura family's original fire method.
This piece is simply for enjoying cold sake.
Beautiful red skin is more popular with sake enthusiasts because it changes more beautifully when wet with sake.
The maximum capacity is approximately 250 cc, but the contents will overflow a little when tilted at a steep angle.
When the capacity is about 180cc, you can pour the contents into the container without worrying about the angle.


Kazuki Nakamura - Bizen Katakuchi Sake pourer

15,000 YEN
Sold out

size : W13.5cm×11.9cm×H7.9cm 250cc

This work was fired in April 2022.
Kazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work expresses the red color beautifully by the Nakamura family's original fire method.
This piece is simply for enjoying cold sake.
Beautiful red skin is more popular with sake enthusiasts because it changes more beautifully when wet with sake.


Yoshiteru Takariki - Hidasuki Yunomi

3,850 YEN
Sold out

size : W8.2cm×8.2cm×H9.3cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Hidasuki Yunomi was fired in May 2022.
This Hidasuki Yunomi was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.


Yoshiteru Takariki - Hidasuki Yunomi

3,850 YEN
Sold out

size : W9.1cm×9.0cm×H7.9cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Hidasuki Yunomi was fired in May 2022.
This Hidasuki Yunomi was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.


Takashi Soga - Bizen Yunomi

8,800 YEN
Sold out

size : W7.2cm×7.1cm×H9.4cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This Yunomi is very lightly made with his commitment.


Takashi Soga - Bizen Yunomi

8,800 YEN
Sold out

size : W7.1cm×7.0cm×H9.0cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This Yunomi is very lightly made with his commitment.


Toru Ichikawa - Glass VANISHING POINT

33,550 YEN
Sold out

size : W10.3cm×9.0cm×H9.8cm

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
He named this glass "VANISHING POINT".
The combination of pearly white and blue flame-like blue glaze on a silver glaze base is wonderful.


Takashi Baba - Bizen Kuro Yunomi

5,940 YEN
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size : W9.0cm×9.0cm×H7.5cm

Takashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Yunomi was fired by him in July 2022.
This work is painted black clay and cobalt on the surface.
And the clay color changed to gun metallic black by being fired in Kiln.
It is shaped like a small Chawan and can be used for a variety of purposes.


Kazuki Nakamura - Bizen beerglass

3,000 YEN
Sold out

size : W8.1cm×7.9cm×H10.0cm

Kazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2022.
This Beerglass expresses the red color beautifully by the Nakamura family's original fire method.
This is the same as Guinomi, and as it is used, it absorbs moisture and changes into a more beautiful color.


Tsuneo Osawa - Bizen glass

3,000 YEN
Sold out

size : W8.9cm×8.7cm×H8.9cm

He has been researching old Bizen ware and other ancient ceramics.
While using the knowledge he has gained through his research to create his works, his theme is to create works that match the modern life.
The lower part of the piece is a matte black clay color that looks like charcoal.
The upper part of the piece has a metallic shine due to the Kinsai effect.


FIRST PREV 11 / 23 page NEXT LAST




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