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344 Items

FIRST PREV 24 / 29 page NEXT LAST

Seiho Kakumi - Bizen Sue style Yunomi

16,000 YEN
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size : W7.8cm×7.7cm×H8.2cm

This is his work in the 1980s.
Sue is Sue pottery, which is the name of ancient Japanese pottery.
He named the blue Bizen ware burned by the reducing flame Sue Bizen.
The body of this Yunomi is engraved with a wavy mark reminiscent of Jomon pottery.


Koji Nakahara - Hohin Susogo Kinsai Ogre Handle

33,000 YEN
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size : W11.8cm×9.5cm×H8.4cm

Koji Nakahara is a potter who works in two places, Osaka and Bizen.
He is commissioned to make bespoke tableware by a famous restaurant in Osaka.
And in Bizen, he is learning about Bizen ware from his teacher, Fumio Kawabata.
He uses an electric kiln to turn Hidasuki into a metallic color.
Susogo is a word used to dye clothes.
He named it because the gradation from gold to dark gray is similar.


Ken Fujiwara - Bizen Yunomi

50,000 YEN
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size : W7.0cm×6.9cm×H9.2cm

This Yunomi was fired by a large Anagama near the end of his career.
It has a color similar to the high-quality white clay used by Toyo Kanesige.
He put it in a cylinder and fired it, so the rim was lit and turned caramel brown.
I feel the influence of Toyo and Kaneshige on this Yunomi design.
The color and pattern of the hidasuki suits the design well, and it is a very complete Yunomi.


Megumi Sueda - Inbe Chu-hai

6,000 YEN
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size : W8.3cm×8.2cm×H8.2cm

She learned the technique of firing and modeling from Anjin Abe.
She makes use of these techniques to create works that feel powerful and gorgeous.
This work is colored like an iron works by the "Inbe-te" technique.
The surface of the dried work is coated with iron-rich mud.
"Chu-hai" is her original title, which has the characteristics of both rock glass and Yunomi.


Yoshiteru Takariki - Bizen Katakuchi

4,400 YEN
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size : W14.3cm×14.0cm×H7.4cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Katakuchi is sprinkled with ash before firing.
He planned and fired it to be an artificial Yohen.
The ash melts with heat and adheres to katakuchi as a glaze.


Sozan Kaneshige - Bizen Hachi

88,000 YEN
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size : W16.7cm×15.6cm×H8.1cm

This work was fired by Sozan at about 60 years old at Maruyama kiln.
There are many fire patterns in this work.
I feel Kasegoma, Yohen, Sangiri and Goma.
The exposed clay part, which was not covered with natural glaze, has also changed to various colors.
It is a work where you can enjoy the various colors that are characteristic of the Noborigama kiln.


Tomoyuki Oiwa - Bizen Beerglass

5,500 YEN
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size : W7.3cm×7.2cm×H12.3cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
The flame of Anagama kiln blows into the back of kiln at a stretch.
The fired works will have a brown or white gradation based on the bright red.
This beerglass has a very stylish design that inherits the design techniques of Ryuichi Kakurezaki.


Tadashi Yoshimoto - Bizen Hidasuki Yunomi Set

18,000 YEN
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size : L W7.9cm×7.8cm×H10.0cm
R W8.2cm×8.1cm×H10.1cm

Tadashi Yoshimoto is a disciple of Kei Fujiwara.
He respected Kei Fujiwara and inherited the technique of Bizen ware.
He makes simple and easy-to-understand Bizen ware without excessive decoration.
This Yunomi is also made according to the theme.
The electric kiln Hidasuki by Kei Fujiwara and his disciples is characterized by a red clay color.
Red clay color is added with red Hidasuki to form a warm fire pattern.


Tomoyuki Oiwa - Bizen Katakuchi

27,500 YEN
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size : W16.7cm×9.7cm×H8.3cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
The flame of Anagama kiln blows into the back of kiln at a stretch.
This is Katakuchi of "Youhen" that can be fired only in a specific place in Anagama kiln.
This katakuchi has an excellent fire pattern due to its very high heat value.
Katakuchi is a bowl-shaped design with a spout attached.


Ken Fujiwara - Bizen Yunomi

25,000 YEN
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size : W8.7cm×8.6cm×H9.9cm

This Yunomi is bigger than his usual style.
I think it is rarer than the flat design Yunomi called Kumidashi.
This Yunomi uses a rough clay with small stones.
He fired this Yunomi inside another large piece or in a refractory box.
The simple and simple design and the wonderful colors make you feel the Wabi-sabi.
His wife signs a wooden box after Ken's death.


Toyo Kaneshige - Bizen Yunomi

200,000 YEN
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size : W8.4cm×8.3cm×H10.1cm

I think this Yunomi was made around 1955, guessing from the shape of the Toyo mark.
This Yunomi is made from fine clay with low iron content.
This Yunomi is based on a white clay color and has changed to amber or scarlet due to the effect of fire.
The large and powerful design is full of confidence.
When I got it, this Yunomi didn't have a set wooden box.
The price of Yunomi includes the appraisal fee of Kosuke, the third son of Toyo, and the cost of making a wooden box.


Masao Akiya - Bizen Mugcup

3,000 YEN
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size : W11.3cm×9.0cm×H6.0cm

Masao Akiya is a disciple of Jun Isezaki.
He also uses hole type klin called "Anagama".
In front of this cup, a golden fire pattern called "Kigoma" is generated by direct exposure to flame.
And dark brown on the back of the cup and red on the bottom of the cup.


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