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Bizen Sake Bottle & sake Cup

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FIRST PREV 26 / 78 page NEXT LAST

Kazuki Nakamura - Bizen Katakuchi Guinomi

11,000 YEN
Sold out

size : W7.8cm×7.5cm×H4.5cm

Kazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This Guinomi was fired in February 2024.
The flat shape of this Guinomi is very well thought out.
Your index finger and thumb fit snugly on this Guinomi's body.
And the middle finger fits in Koudai.
The strong fire pattern and the bright scarlet color are beautiful.



Makoto Nakamura - Bizen Guinomi

20,000 YEN
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size : W8.1cm×8.1cm×H3.5cm

Makoto Nakamura is the eldest son of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
The characteristic of Nakamura Clan is the red clay color.
However, this work is burned in a fiery flame until it loses its red clay color.
The melted ash has solidified and changed like a black stone.
A little red clay color is left inside, despite the fierce flames.
I am impressed by the power of his clay.



Kazuki Nakamura - Bizen Guinomi

13,200 YEN
Sold out

size : W8.6cm×8.5cm×H4.3cm

Kazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This Guinomi was fired in February 2024.
The flat shape of this Guinomi is very well thought out.
Your index finger and thumb fit snugly on this Guinomi's body.
And the middle finger fits in Koudai.
The strong fire pattern and the bright scarlet color are beautiful.



Yoshiteru Takariki - Bizen Hikidashi Kurotasuki Guimomi

15,400 YEN
Sold out

size : W6.9cm×6.8cm×H5.2cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
He had been following his teacher's method of firing hidasuki until now.
He then developed a polka-dot patterned scarlet tasuki using blocks with holes in them.
He continued his research and completed this black Hidasuki.
This piece was changed to black by removing the work from the burning kiln and quenching it.



Koichiro Isezaki - Kuro Guinomi

28,600 YEN
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size : W7.7cm×7.6cm×6.2cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This new work was fired in February 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.



Yoshiteru Takariki - Bizen Kurotasuki Aka Guinomi

13,200 YEN
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size : W7.0cm×6.9cm×H5.1cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
He had been following his teacher's method of firing hidasuki until now.
He then developed a polka-dot patterned scarlet tasuki using blocks with holes in them.
He continued his research and completed this black Hidasuki.
Other areas show a red clay color similar to the Yohen style.
The Tasuki area has a very strange fire pattern that, if you look closely, shows Kase Goma or glassy crystals.



Koichiro Isezaki - Hikidashiguro Guinomi

39,600 YEN
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size : W8.3cm×8.2cm×H6.6cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This Guinomi was fired in February 2024.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
The black part is coated with special clay and is indigo by Hikidashi effect.
The simple design does not prevent you from observing the indigo beauty of this Guinomi.
In the past, Bizen ware had never been used to express the universe or the sky.



Koichiro Isezaki - Kuro Guinomi

28,600 YEN
Sold out

size : W8.3cm×8.1cm×H6.0cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This new work was fired in February 2024.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.



Koichiro Isezaki - Bizen Yohen Guinomi

28,600 YEN
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size : W7.8cm×7.4cm×H6.0cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This Guinomi was fired by him in February 2024.
There is a hole in the middle of anagama for small firewood.
The firewood that was put in during firing turned into a black fire pattern for this works.
It is a lively Youhen with a different color from the nobori gama kiln.
The design is like a smaller Chawan.
Very quiet and calm, but very beautiful as a sphere.



Koichiro Isezaki - Kuro Guinomi

28,600 YEN
Sold out

size : W8.0cm×7.8cm×H5.5cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This new work was fired in February 2024.
He makes works with white Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.



Yuho Kaneshige - Imbe Shiro Guinomi

49,500 YEN
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size : W6.2cm×6.0cm×H5.6cm

He has been creating unique pieces in primitive kilns in recent years.
He has also produced a work titled "Shiro.
However, this "Shiro" was not fired in a primitive kiln, but in an electric kiln.
It was fired at a high temperature and has slight Hidasuki adhering to it.
It is very hard, but the surface is smooth and almost worn.
The design is also interesting as it has repeatedly shrunk and expanded on the potter's wheel.
One feels that the work is not made of a single piece of board, but is put together like a three-dimensional puzzle.



Seishi Mori - Guinomi

8,800 YEN
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size : W5.9cm×5.6cm×H6.6cm

He was born into a family with a long tradition of Bizen ware.
Under normal circumstances, he would have played a central role in the Bizen Pottery industry.
However, at the root of his work was his anger toward society at large.
He was good at putting destructive emotions into his works and creating works that were even grotesque.
He named his kiln "Shakuyo" and was particularly particular about the occurrence of red clay color.
The kanji for "Shakuyou" means "the sun that burns everything.



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