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Bizen Sake Bottle & sake Cup

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Rokuro Nakamura - Bizen Guinomi

95,000 YEN
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size : W7.4cm×7.4cm×H5.3cm

This is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The Nakamura clan's unique body design makes it very easy to hold.
I presume that this Guinomi was fired when he was around 60 years old.
Unlike his later works, which often use bright clay colors, this red clay color is a natural color.


Tomio Ochi - Bizen Hidasuki Hisago Tokkuri

33,000 YEN

size : W9.1cm×8.9cm×H14.9cm 360cc

Tomio ochi is a relative of Anjin Abe.
He was an office worker but loved art.
After retiring from the company, he studied pottery as a student at Anjin Abe.
He studied the control of the fire method of the old Bizen from Anjin Abe.
This Tokkuri was fired at high temperature.
He completed Hidasuki, which was as strong and hard as old Bizen.


Sohei Takashima - Bizen Guinomi

9,900 YEN
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size : W6.4cm×6.4cm×H4.6cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This Guinomi has a typical anagama kiln fire pattern.
The body has a white clay color with a gradient color from dark brown to scarlet at the mouth rim.
The inside has a very fine-grained natural glaze that falls like a light rain.


Sohei Takashima - Bizen Hidasuki Tokkuri

17,600 YEN
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size : W9.4cm×9.4cm×H15.7cm 390cc

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
In Anagama, Goma and Hidasuki are the main fire patterns.
He burned this Tokkuri without exposing it directly to flame, generating only Hidasuki.
The soil is coarse clay, and pebbles and clay components are blown out of the skin.
The light, slim design is also excellent.
It is a delicate design, like that of a seasoned artist.


Sohei Takashima - Bizen Sakazuki

9,900 YEN
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size : W8.4cm×8.2cm×H4.3cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This Guinomi has a typical anagama kiln fire pattern.
The body has a white clay color with a gradient color from dark brown to scarlet at the mouth rim.
The exposed areas are covered with large amounts of natural glaze and have a strong fire pattern.


Shinjiro Aika - Imbe Guinomi

16,500 YEN
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size : W9.8cm×9.5cm×H4.1cm

He learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
The surface is then coated with iron-rich clay, completing the rich brown skin.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.


Shinjiro Aika - Bizen Guinomi

16,500 YEN
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size : W8.0cm×7.3cm×H6.3cm

He learned the technique of ceramic art from Anjin Abe.
And he is making works by applying the multiple firing method devised by Anjin Abe.
This Guinomi has a thick Kigoma that looks like a liquid natural glaze.
And the texture of the surface has many small holes like citrus peels.
You can see that he is trying to get closer to his ideal appearance of Old Bizen.


Toyo Kaneshige - Bizen Hidasuki Tokkuri

1,200,000 YEN
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size : W8.6cm×W8.5cm×H12.7cm 350cc

This is one of the masterpieces of Tokkuri by Toyo Kaneshige.
This Tokkuri was made using the best clay he had available.
Its clay has great color, but it also has very high deformability.
The graceful design is like a fairy in a hidasuki dress.
Rather than persistently wrapping straw around the body, he is only concerned with enhancing the overall integrity of the piece.
Hidasuki is quietly installed inside the spout, which looks like an elegant lipstick.


Hiroshi Goseki - Sohen Kuro Guinomi

13,200 YEN
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size : W6.8cm×6.8cm×H7.2cm

He is a disciple of Jun Isezaki.
He learned about Jun Isezaki's innovative design and firing methods of Anagama.
This Guinomi was fired in December 2022.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.


Sohei Takashima - Bizen Guinomi

9,900 YEN
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size : W7.0cm×6.8cm×H4.4cm

He is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
This Guinomi has a typical anagama kiln fire pattern.
The body has a white clay color with a gradient color from dark brown to scarlet at the mouth rim.
This was due to the fact that most of the pieces were covered and not directly exposed to fire.


Sohei Takashima - Ouhai

11,000 YEN
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size : W8.8cm×8.5cm×H4.8cm

He is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
This Sakazuki has endured three firings.
Natural glaze covers 95% of the piece, and the natural glaze varies in color from piece to piece.
In some parts, the ashes of the straw are mixed with the ashes of the straw and resemble white ink.


Kazuki Nakamura - Bizen Tokkuri

22,000 YEN
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size : W9.9cm×9.6cm×H11.1cm 350cc

Kazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in October 2022.
This Tokkuri expresses the red color beautifully by the Nakamura family's original fire method.
The strong fire pattern and the bright scarlet color are beautiful.
When drinking Sake, the bright scarlet color changes more beautifully with water.


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