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Bizen Sake Bottle & sake Cup
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Sohei Takashima - Bizen Yohen Hisago Tokkuri
19,800 YENSold out
size : W9.0cm×8.9cm×H13.7cm 280ccHe is a disciple of Jun Isezaki.
He uses a small anagama at Ushimado to fire his pieces.
His small anagama will cause a Noborigama-like fire pattern in certain positions in the kiln.
This Tokkuri also has very dark gray ash crystals adhering to it.
The light, slim design is also excellent.
It is a delicate design, like that of a seasoned artist.
Koichiro Isezaki - Kuro Kakewake Guinomi
26,000 YENSold out
size : W8.1cm×7.9cm×H5.8cmKoichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This Guinomi was fired in March 2023.
White clay from Imbe was used as the base clay for this piece.
In addition, black clay is partially applied to make it "Kakewake.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Sohei Takashima - Kuro Guinomi
11,000 YENSold out
size : W7.2cm×7.0cm×H6.0cmHe is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
Sohei Takashima - Hikidashiguro Guinomi
14,300 YENSold out
size : W6.1cm×6.1cm×H5.4cmHe is a disciple of Jun Isezaki.
He completed this work using the hikidashi technique he learned from Jun Isezaki.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
The black part is coated with special clay and is indigo by Hikidashi effect.
The simple design does not prevent you from observing the indigo beauty of this Guinomi.
Sohei Takashima - Hikidashiguro Guinomi
14,300 YENSold out
size : W5.7cm×5.7cm×H5.2cmHe is a disciple of Jun Isezaki.
He completed this work using the hikidashi technique he learned from Jun Isezaki.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
The black part is coated with special clay and is indigo by Hikidashi effect.
The simple design does not prevent you from observing the indigo beauty of this Guinomi.
Sohei Takashima - Hikidashiguro Guinomi
14,300 YENSold out
size : W6.5cm×6.3cm×H4.4cmHe is a disciple of Jun Isezaki.
He completed this work using the hikidashi technique he learned from Jun Isezaki.
Hikidashi means taking out the work from Kiln during firing.
The works that touched the outside air will be cooled rapidly and will change to a different color from normal Bizen ware.
In this work, the attached ash (pine) becomes transparent and looks like a amber.
The black part is coated with special clay and is indigo by Hikidashi effect.
The simple design does not prevent you from observing the indigo beauty of this Guinomi.
Tosyu Yamamoto - Bizen Guinomi
70,000 YENSold out
size : W6.8cm×6.7cm×H5.3cmTosyu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
It is a work from around the middle of his career.
His clay at this time was reddish-purple in color and contained a relatively large number of small stone grains.
Small stone grains add chaos to the symmetrical shape of Kodai.
Kosuke Kaneshige - Bizen Tokkuri
100,000 YEN
size : W9.0cm×9.0cm×H12.8cm 400ccKousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This Tokkuri was fired around 2000.
Tokkuri is a gorgeous fire pattern that combines Kase-Goma and Yohen.
Yuichi Yamamoto - Bizen Guinomi
30,000 YENSold out
size : W6.8cm×6.6cm×H5.7cmThe Yamamoto clan is good at modeling without distortion by rokuro.
This Guinomi was fired by Yuichi Yamamoto in 1980.
It is fired by a very strong flame and its effect can be seen in various parts.
A large amount of natural glaze is layered in three layers.
The clay color is a natural black color that is not painted clay.
His design does not incorporate deformation or distortion, but is slightly distorted due to the effects of flames.
Tosyu Yamamoto - Bizen Guinomi
70,000 YENSold out
size : W6.5cm×6.5cm×H5.6cmTosyu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
It is a work from around the middle of his career.
His clay at this time was reddish-purple in color and contained a relatively large number of small stone grains.
Small stone grains add chaos to the symmetrical shape of Kodai.
Yuichi Yamamoto - Bizen Tokkuri
55,000 YENSold out
size : W8.8cm×8.5cm×H13.1cm 390ccYuichi Yamamoto is the eldest son of Toshu Yamamoto and a leader of the Yamamoto clan.
The Yamamoto clan is good at modeling without distortion by rokuro.
This Tokkuri was fired by him around 1982.
This Tokkuri was fired at very high temperature place in his kiln.
The melted ash hardens into a black glassy substance, over which a liquid natural glaze flows.
Tosyu Yamamoto - Bizen Tokkuri
150,000 YENSold out
size : W9.8cm×H9.5cm×H14.2cm 530ccThis Tokkuri is the final piece of his career.
Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
Always his Tokkuri body is almost circular.
However, this Tokkuri is distorted by a few millimeters because it was installed in a place with a lot of heat.
I feel that the distortion of a few millimeters is a trace of the battle between the master of rokuro and the flame.
And this Tokkuri was loved by a strong flame and acquired a Goma that looks like a mixture of green and gold, dark black and a beautiful reddish purple color.
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