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Bizen Sake Bottle & sake Cup

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Shuroku Harada - Bizen Wara Guinomi

65,000 YEN
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size : W6.9cm×6.4cm×H7.7cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi is his last work.
Wara is rice straw.
In Japan, straw is sometimes tied and stood up in the rice paddies after the rice harvest is over.
This Guinomi is designed as a bundle of tied straw, reminiscent of that scene.


Takashi Soga - Bizen Hachi

8,800 YEN
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size : W19.5cm×19.2cm×H4.1cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Bizen Hachi, which was just fired in December 2021.
A mysterious Yohen like black soot is added to his characteristic silver metallic clay color.


Makoto Kaneshige - Haiyu Guinomi

66,000 YEN
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size : W6.6cm×6.5cm×H5.3cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was fired in October 2021.
He, like his father, will try his hand at more than just Bizen ware.
This Guinomi is made of Bizen clay covered with straw ashes similar to Karatsu ware.
He fired this piece in the Noborigama kiln.
The glaze developed a light blue color due to the influence of the clay and the kiln.


Makoto Kaneshige - Bizen Guinomi

77,000 YEN
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size : W6.7cm×6.0cm×H6.8cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was fired in October 2021.
His "Maruyagama" features a beautiful blue Kase Goma.
When you are done using it, he said, paint the red clay-colored area with Sake and let Guinomi himself have a drink.


Makoto Kaneshige - Bizen Guinomi

88,000 YEN
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size : W6.7cm×6.2cm×H6.3cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was fired in October 2021.
When I first saw this Guinomi, I thought it was "broken."
The clarified Goma and the light brown inside color are features of overheating at high temperatures.
When Bizen potter opens kiln, you can see such broken works.
But this work was not broken, The wonderful harmony of fire and clay has caused miracles.


Takashi Soga - Bizen Guinomi

16,500 YEN
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size : W6.3cm×6.2cm×H5.5cm

Takashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.


Anjin Abe - Saishiki Bizen Hisago Tokkuri

935,000 YEN
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size : W9.2cm×8.7cm×H15.0cm 300cc

Anjin Abe is a professional in old ceramic research.
He studied various types of old ceramics while working as an oil painting painter.
His work, based on his deep insight and research, is comparable to old ceramics.
This work is a series called "Saishiki Bizen".
His original technique of bonding glass and gold to the surface while burning.
This is a wonderful series that fuses old Bizen's firing method with oil painting technology.


Toru Ichikawa - Guinomi ??Ray?≒??

46,200 YEN
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size : W7.9cm×7.7cm×H6.0cm

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
This is the new Guinomi from the Ray series.
This Guinomi was fired in April 2022.
A large amount of pure white glaze is applied on the base of vanilla white clay.
And red and orange is an effective accent.


Koichiro Isezaki - Bizen Guinomi

20,000 YEN
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size : W7.4cm×7.2cm×H6.2cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses the same hole type kiln (called anagama in Japan) as his father and father's disciple.
This Guinomi was fired in March 2022.
This work was sealed in Sayabachi and fired in Anagama.
Sayabachi is a box made of refractory soil.
He beat the rice straw to soften it, roll it up and place it on the bottom and inside of this Guinomi.
A quiet world of clay white and straw red was born.


Mitsuru Isezaki - Imbe Tokkuri

45,000 YEN
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size : 10.1cm×10.0cm×11.6cm 370cc

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Tokkuri also has a traditional shape with a round turnip called "Kabura".
The surface of this Tokkuri has a rainbow-colored fire pattern called "Kinsai".
It's a very classy Tokkuri, so when I saw this Tokkuri, I felt like using it as a vase.


Kazuki Nakamura - Bizen Tokkuri

22,000 YEN
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size : W11.2cm×11.1cm×H9.8cm 370cc

Kazuki Nakamura is the grandson of Rokuro Nakamura.
He faithfully reproduces the style of Rokuro Nakamura.
He is also good at making sake wares, just like Rokuro Nakamura.
This work was fired in April 2022.
This Tokkuri expresses the red color beautifully by the Nakamura family's original fire method.
The strong fire pattern and the bright scarlet color are beautiful.
When drinking Sake, the bright scarlet color changes more beautifully with water.


Takashi Soga - Bizen Tokkuri

38,500 YEN
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size : W9.2cm×9.1cm×H14.2cm 470cc

He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This Tokkuri fire pattern is similar to Yohen from Noborigama kiln.
However, it also has the characteristics of his original kiln.
The bare clay part that was not ashed is dull and has a complex color, just like an old Bizen.


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