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Bizen Sake Bottle & sake Cup

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Tosyu Yamamoto - Bizen Guinomi

60,000 YEN
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size : W6.6cm×6.5cm×H5.4cm

Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This Guinomi was fired in a gas kiln co-developed with his eldest son Yuuichi Yamamoto.
This gas kiln has an effect to make the white color stronger than general Hidaski works.


Yoshiteru Takariki - Bizen Hidasuki Tokkuri Mini

19,800 YEN
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size : W9.0cm×9.0cm×H10.5cm 240cc

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Hidasuki Tokkuri was fired in an electric kiln.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.


Yu Fujiwara - Bizen Shuhai

70,000 YEN
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size : W7.0cm×7.0cm×H5.1cm

Yu Fujiwara's designs are characterized by their thickness and heaviness.
However, this work is from his early to mid period, and those characteristics are almost meaningless.
This Guinomi is a work of his later years.
He is very good at making fire patterns with refractory soil called Botamochi.
He placed a semi-circular Botamochi on the edge of Guinomi to change the pattern and improve usability.
And it turns out that he was thinking of putting Botamochi on the back and inside of Guinomi to entertain those who used.


Junpei Kaneshige - Bizen Guinomi

25,000 YEN
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size : W6.4cm×6.3cm×H5.1cm

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired in 2021 September.
A strong "Yohen" style Guinomi that has been fired in a large amount of burning charcoal.
However, the quality of the clay is so good that a beautiful red clay color remains in the work.
The finish after baking is also very polite, so I feel it is very fun to touch.


Kosuke Kaneshige - Bizen Guinomi

50,000 YEN
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size : W6.7cm×6.6cm×H6.8cm

Kousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This Guinomi was fired in 2021 September.
He keeps the style of Bizen ware of Kaneshige Clan and feels that he uses very good clay.
Beautiful red and orange clay colors appear on the front and inside of this Guinomi.


Junpei Kaneshige - Bizen Tokkuri

55,000 YEN
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size : W8.2cm×8.1cm×H12.9cm 300cc

He cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Tokkuri was fired in 2021 September.
Therefore, the red part is very elegant and beautiful.
The fire pattern called “kase goma” is like the skin of a tree.
And half of the work has been buried in charcoal, resulting in a fire pattern called Yohen.


Mitsuru Isezaki - Bizen Guinomi

35,000 YEN
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size : W6.5cm×6.4cm×H6.0cm

Mitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Guinomi has a beautiful texture due to the good quality of the clay.
The inside of this Guinomi has a fire pattern of Hikaburi-Youhen.
I think that the inside of this Guinomi was filled with burning charcoal when firing.


Yoshiteru Takariki - Bizen Guinomi

13,200 YEN
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size : W7.5cm×7.5cm×H5.1cm

He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that the work will be completed in the hands of the user.
This Guinomi is fired in a very strong Yohen place.
The entire Guinomi is covered with black charcoal Yohen.
However, half of the body has a beautiful red clay color with Kasegoma like the surface of wood.
The design using Warikoudai and Higakimon looks like a small Chawan.


Yuho Kaneshige - Imbe Hidasuki Sakazuki

20,000 YEN
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size : W7.5cm×7.3cm×H4.4cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Imbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
This works was made by him a few years ago.
This Guinomi was made in 2003.
Hidasuki, which he fired in an electric kiln given to him by Sozan Kaneshige, is very beautiful.
Guinomi is originally a simple work, but it is designed like a tea ceremony pottery by Yuho's technique.


Tomoyuki Oiwa - Hikidashiguro Guinomi

22,000 YEN
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size : W9.4cm×8.3cm×H4.9cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
This work is taken out of kiln during firing, so the color is vivid.


Tomoyuki Oiwa - Shiro Guinomi

14,300 YEN
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size : W7.6cm×6.9cm×H6.7cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints white clay after drying.
His white clay is based on mountain soil with kaolinite added to it.
Kaolinite is a mineral that is also used in Hagi ware, and this Guinomi has a fire pattern similar to that of Hagi ware.


Tomoyuki Oiwa - Kuro Guinomi

19,800 YEN
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size : W7.5cm×6.7cm×H6.2cm

He is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this Guinomi has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.
I wondered if this Guinomi was due to the Hikidashi technique, but it's not.


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