Works on sale products Japanese Pottery,Earthenware-Bizen ware|KAWAGUCHI TORAKUEN

Products

|   Bizen Sake Bottle & sake Cup   |   Tea Ceremony Things   |   Bizen Flower Vase   |   Bizen Dish & Bowl   |   Others   |  

Bizen Sake Bottle & sake Cup

866 Items

FIRST PREV 56 / 73 page NEXT LAST

Iwao Kaneshige - Imbe Beer glass

7,000 YEN
Sold out

size : W9.2cm×8.9cm×H8.8cm

He learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
This Beer glass was fired in 2021 June with the kiln he inherited from his father and grandfather.
His works in recent years is a fire pattern with only natural glaze attached during firing like this Beer glass.
Unusually for a beer glass, it has a Ruiza-Mimi on it, making it look like a small jar.


Toyo Kaneshige - Bizen Guinomi

600,000 YEN
Sold out

size : W6.5cm×6.3cm×H5.3cm

I think this Yunomi was made around 1960, guessing from the shape of the Toyo mark.
This Guinomi is made from fine clay with low iron content.
The clay color is complex and varies from reddish purple to brown and light orange.
It has a fire pattern called Kasegoma, which has a texture and color like the epidermis of a plant.
The shape of the body is asymmetrical, giving it a rhythmic impression as if it were dancing.
Koudai's design is very sharp and fast, which gives me an impression contrary to the body.
I believe that this transition between relaxation and tension is what Toyo Kaneshige is known for.
The appraisal of his third son, the potter Kousuke Kanesige, is included.


Anjin Abe - Saishiki Bizen Guinomi

200,000 YEN
Sold out

size : W7.0cm×6.0cm×H6.1cm

Anjin Abe is a professional in old ceramic research.
He studied various types of old ceramics while working as an oil painting painter.
His work, based on his deep insight and research, is comparable to old ceramics.
This work is a series called "Saishiki Bizen".
His original technique of bonding glass and gold to the surface while burning.
This is a wonderful series that fuses old bizen's firing method with oil painting technology.


Toru Ichikawa - Guinomi VANISHING POINT

38,170 YEN
Sold out

size : W7.8cm×7.6cm×H6.8cm

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
He named this Guinomi "VANISHING POINT".
He added more iridescence on top of the reddish purple and brown glaze.


Masao Akiya - Hikidashi Guinomi

15,000 YEN
Sold out

size : W7.5cm×6.8cm×H5.5cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
This work is taken out of kiln during firing, so the color is vivid.


Iwao Kaneshige - Imbe Sakazuki

24,000 YEN
Sold out

size : W7.2cm×7.1cm×H4.6cm

He learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
This Sakazuki was fired in 2021 June with the kiln he inherited from his father and grandfather.
He does not like excessive fire patterns with natural glaze.
He prefers fire patterns that occur in amounts that naturally adhere during the firing process of the piece.
This Sakazuki has a slight Yohen and Kasegoma, and a beautiful scarlet clay color.
These are Kanesige fire patterns that are now rarely seen in his works.


Kei Fujiwara - Bizen Tokkuri

200,000 YEN
Sold out

size : W9.7cm×9.7cm×15.0cm 460cc

This is an middle work in Kei Fujiwara's career.
His signature is an early form.
My guess is that it was created when he was around 60 years old.
It contains a pamphlet for his solo exhibition held at Mitsukoshi Department Store in Nihonbashi, Tokyo.
This is probably the work that was exhibited in his solo exhibition at that time.
The Yohen that occurs throughout the piece has a wonderful texture, almost wet, and a beautiful gray color.


Rokuro Nakamura - Bizen Tokkuri

360,000 YEN
Sold out

size : W11.4cm×10.5cm×11.3cm 400cc

This is Tokkuri made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
I presume that this Tokkuri was fired when he was about 70 years old.
It is formed into a turnip-like shape and then transformed by hand into a gentle diamond shape.
This shape is his most distinctive design.
The beautiful Yohen created in the fierce fire created during the firing of the kiln is wonderful.


Gosuke Yashiro - Imbe Guinomi

6,500 YEN

size : W7.5cm×7.4cm×H5.7cm

He was attracted by Bizen ware and moved from Hokkaido to Okayama.
He loves the simple beauty of Bizen ware.
This work is also very simple and powerful.
Goma, a mixture of blue yellow and gray, is plain but has Bizen ware-like goodness.
You can feel the influence of Yuho Kaneshige on the clay color and fire pattern of this guinomi.


Toru Ichikawa - Tokkuri Hime Shino premium

50,490 YEN
Sold out

size : W7.9cm×7.5cm×H17.0cm 130cc

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
This is the new Rock glass from the Shino Premium series.
He opened the gas kiln and ash glaze when firing this work.
The pop-colored Shino glaze and the green ash glaze collide on the surface of the work.


Masao Akiya - Hikidashi Guinomi

15,000 YEN
Sold out

size : W7.5cm×7.0cm×H5.4cm

Masao Akiya is a disciple of Jun Isezaki.
He uses the same black clay as Jun Isezaki.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
This work is taken out of kiln during firing, so the color is vivid.


Iwao Kaneshige - Imbe Sakazuki

24,000 YEN
Sold out

size : W7.5cm×7.0cm×H5.4cm

He learned the spirit of the Kanesige family and how to make clay from an early age.
His recent works are mostly glaze works and works with extremely few fire patterns.
This Sakazuki was fired in 2021 June with the kiln he inherited from his father and grandfather.
This Sakazuki has a green "Kasegoma" like melon skin and beautiful red clay color.
These are Kanesige fire patterns that are now rarely seen in his works.


FIRST PREV 56 / 73 page NEXT LAST




PAGE TOP