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Bizen Sake Bottle & sake Cup
955 Items
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Makoto Kaneshige - Bizen Guinomi Highest quality clay
77,000 YENSold out
size : W7.8cm×7.4cm×H6.0cmHe inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
This Guinomi was burned in November 2021.
The clay used for this Guinomi is a clay that was prepared about 40 years ago.
The clay is of the highest quality that his father, Sozan Kaneshige, and he discovered together.
The simple fire pattern takes advantage of the high level of texture of the clay.
Takashi Soga - Bizen Guinomi
16,500 YENSold out
size : W7.0cm×6.8cm×H5.1cmTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Bizen Guinomi, which was just fired in December 2021.
A mysterious Yohen like black soot is added to his characteristic silver metallic clay color.
Toru Ichikawa - Guinomi VANISHING POINT
41,030 YENSold out
size : W7.7cm×7.3cm×H6.4cmToru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
He named this Guinomi "VANISHING POINT".
The three surfaces are covered with glazes of completely different colors and textures.
The areas where the glaze switches are rimmed with gold glaze.
It is reminiscent of the Yobi-Tsugi technique of combining pieces of different vessels.
Takashi Soga - Bizen Tokkuri
38,500 YENSold out
size : W8.5cm×8.3cm×H13.3cm 370ccTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Tokkuri, which was just fired in December 2021.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.
Mitsuru Isezaki - Bizen Tokkuri
45,000 YENSold out
size : 9.1cm×8.9cm×14.8cm 450ccMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Tokkuri has a beautiful texture due to the good quality of the clay.
The surface of this Tokkuri has a rainbow-colored fire pattern called "Kinsai".
He designed this Tokkuri by referring to the large Tokkuri of old Bizen ware.
Toru Ichikawa - Guinomi Hallelujah
51,700 YENSold out
size : 7.8cm×10.5cm×6.7cmToru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
It is a skull-shaped Guinomi, a design from his newly invented memento mori series.
This Guinomi is titled "Hallelujah" and he makes it only at Christmas time.
Red, green, and white glazes are used in connection with Christmas, and rainbow-colored glazes are used for finishing.
Toru Ichikawa - Guinomi Hallelujah
42,680 YENSold out
size : 9.5cm×7.6cm×7.0cmToru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
This Guinomi is titled "Hallelujah" and he makes it only at Christmas time.
Red, green, and white glazes are used in connection with Christmas, and rainbow-colored glazes are used for finishing.
The inside is covered entirely with a cold white glaze, reminiscent of snow and ice.
Takashi Soga - Bizen Tokkuri
38,500 YENSold out
size : W8.3cm×8.3cm×H13.1cm 380ccTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Tokkuri, which was just fired in December 2021.
Due to his special Kiln influences, many of the works have a bright red clay color.
This work has a very beautiful red clay color and he has certified it as a special Tokkuri.
Tosyu Yamamoto - Bizen Guinomi
90,000 YENSold out
size : W6.9cm×6.9cm×H5.6cmTosyu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This is a late work in his career.
This Guinomi is made from a clay with relatively low iron content, which gives it a lighter overall color.
The skin looks like it has a slight golden effect on it.
Goma looks like it sticks to the skin, is pitch black and has little luster.
Takashi Soga - Bizen Shuko (Sake pourer)
33,000 YENSold out
size : W8.6cm×8.4cm×H12.2cm 270ccTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Sake pourer, which was just fired in December 2021.
Takashi Soga - Bizen Guinomi
16,500 YENSold out
size : W6.7cm×6.7cm×H5.3cmTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Guinomi, which was just fired in December 2021.
The texture of the Kase goma, which is usually crumbly in normal Bizen ware, is very soft.
It feels as if it has been worn over the years.
Junpei Kaneshige - Bizen Guinomi
27,500 YEN
size : W6.8cm×6.7cm×H5.2cmHe cherishes clay very much as Kaneshige clan.
Kanesige clan does not use machine to make clay.
The clay material is adjusted manually.
So the quality of the clay they use is amazing.
This Guinomi was fired in 2021 September.
A strong "Yohen" style Guinomi that has been fired in a large amount of burning charcoal.
However, the quality of the clay is so good that a beautiful red clay color remains in the work.
The finish after baking is also very polite, so I feel it is very fun to touch.
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