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Bizen Sake Bottle & sake Cup
936 Items
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Tomoyuki Oiwa - Hikidashiguro Guinomi
22,000 YENSold out
size : W9.4cm×8.3cm×H4.9cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
This work is taken out of kiln during firing, so the color is vivid.
Tomoyuki Oiwa - Shiro Guinomi
14,300 YENSold out
size : W7.6cm×6.9cm×H6.7cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints white clay after drying.
His white clay is based on mountain soil with kaolinite added to it.
Kaolinite is a mineral that is also used in Hagi ware, and this Guinomi has a fire pattern similar to that of Hagi ware.
Tomoyuki Oiwa - Kuro Guinomi
19,800 YENSold out
size : W7.5cm×6.7cm×H6.2cmHe is a disciple of Ryuichi Kakurezaki.
He learned about Kakurezaki's innovative design and firing methods of Anagama.
He makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
And this Guinomi has a very special fire pattern.
The bright, transparent light blue fire pattern is a unique color.
I wondered if this Guinomi was due to the Hikidashi technique, but it's not.
Tomio Ochi - Imbe Hisago Tokkuri
20,000 YENSold out
size : W8.3cm×8.3cm×H13.0cm 210ccTomio ochi is a relative of Anjin Abe.
He was an office worker but loved art.
After retiring from the company, he studied pottery as a student at Anjin Abe.
He studied the control of the fire method of the old Bizen from Anjin Abe.
He uses the firing method and clay painting technique taught by Anjin Abe to reproduce the texture and color of old Bizen ware.
This tokkuri is imbe style, so it is painted with a different clay than the main body to generate the black color.
Koichiro Isezaki - Bizen Guinomi
20,000 YENSold out
size : W8.3cm×8.4cm×H5.8cmKoichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This new work was fired in 2021.
This work is made using special white clay collected in the Inve area.
He even wrapped the whole thing with rice straw and burned this Guinomi as an all-Hidasuki.
The clay and rice straw caused a soft orange color to develop throughout Guinomi.
Jun Isezaki - Bizen Kuro Guinomi
120,000 YENSold out
size : W6.7cm×6.6cm×H7.1cmHe makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
This Guinomi is interesting because it is transformed by a fiery flame.
Masahiro Miyao - Kuro Guinomi
15,400 YENSold out
size : W6.2cm×6.0cm×H6.3cmHe presents his work in two ways: traditional Bizen ware style and black style.
This Guinomi is made in black style.
It is a technique to apply mud containing a small amount of cobalt, which has been popular since 2000.
Black-style pieces have a beautiful black clay color that is roughly glossy and a bright cobalt blue fire pattern.
However, in this Guinomi, the black is almost completely transformed into indigo, which is very strange.
The black color is still present in the base, and in the areas where the clay is thin, a beautiful black color can be seen.
Shuroku Harada - Bizen Guinomi
80,000 YENSold out
size : W7.5cm×6.6cm×H7.1cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi was fired by him around the year 2000.
This Guinomi has a lot of natural glaze so that it seems as if it was glazed.
The beautiful pale green natural glaze has a different texture from place to place.
There is his own way to make the body.
He builds the body by stacking clay into tubes.
Mitsuru Isezaki - Imbe Guinomi
20,000 YENSold out
size : W7.1cm×6.4cm×H5.6cmMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This work was fired by him around 2003.
The surface of this Guinomi has a rainbow-colored fire pattern called "Kinsai".
Due to the influence of Kinsai, Hangzhou has also changed to a metallic color.
Toru Ichikawa - Guinomi VANISHING POINT
38,170 YENSold out
size : W8.1cm×8.0cm×H6.0cmToru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
He named this Guinomi "VANISHING POINT".
The glaze on the periphery is very fine grained and looks like reptilian scales.
The inside is colored like the nacreous layer of a seashell.
Seiho Kakumi - Bizen Jomon Guinomi
45,000 YENSold out
size : W7.0cm×6.5cm×H6.6cmThis Guinomi was fired by him in 2001.
The word "Jomon" refers to the Jomon period and is derived from the rope-like decoration.
The senior potters he respected and asked to teach him loved Bizen ware of the Momoyama Muromachi and Kamakura periods.
He aimed for the Jomon period, which was even older than those times.
He cooks this Guinomi in a lower temperature range.
Yuho Kaneshige - Imbe Hidasuki Hai
20,000 YENSold out
size : W7.8cm×7.6cm×H4.6cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Imbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
This works was made by him a few years ago.
This Guinomi was made in 1998.
Hidasuki, which he fired in an electric kiln given to him by Sozan Kaneshige, is very beautiful.
Guinomi is originally a simple work, but it is designed like a tea ceremony pottery by Yuho's technique.
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