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Bizen Sake Bottle & sake Cup
864 Items
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Tosyu Yamamoto - Bizen Guinomi
50,000 YENSold out
size : W6.6cm×6.6cm×H5.4cmToshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This Guinomi is a mid-term work in his career.
His emblem is designed to be close to an equilateral triangle.
This Guinomi is made using low iron content clay.
He wrapped the straw in the Noborigama kiln and fired this Guinomi.
At that time, it was not completely sealed, so a little smoke invaded changed Hidasuki and clay color.
Takashi Soga - Bizen Guinomi
16,500 YENSold out
size : W6.5cm×6.0cm×H5.6cmTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This Guinomi is his early work.
This Guinomi has a clear and brightly colored Hidasuki.
And it has a strong luster as if it were wet.
Yuu Fujiwara - Bizen Shuhai
60,000 YENSold out
size : W6.9cm×6.9cm×H5.3cmYuu Fujiwara's designs are characterized by their thickness and heaviness.
However, this work is from his early to mid period, and those characteristics are almost meaningless.
I feel the influence of his father, Kei Fujiwara.
I can feel the soft color of good clay fired in a kiln with Noborigama kiln.
This is a work that can be accepted by those who do not like Yu Fujiwara's unique designs.
Rokuro Nakamura - Bizen Hisago Tokkuri
380,000 YENSold out
size : W10.3cm×9.9cm×H12.2cm 250ccThis is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The green Goma on the side also goes well with the red clay color.
His Tokkuri is most famous for the Henko type (bag-like shape), but this Hisago type is also rare and very popular.
It is estimated that this Hisago Tokkuri was made when he was about 80 years old.
The design of the whole work is not wasteful, but it is very spacious and comfortable.
Rokuro Nakamura - Bizen Guinomi
150,000 YENSold out
size : W7.5cm×7.4cm×H5.4cmThis is Guinomi made by Rokuro Nakamura who is called a master of sake ware.
The red clay color on the front part makes it even more beautiful when you use it by getting wet with sake.
The Nakamura clan's unique body design makes it very easy to hold.
I presume that this Guinomi was fired when he was about 70 years old.
It has been used and the whole has changed to a soft texture, and I feel the love of the previous owner.
Kazu Fujiwara - Bizen Tokkuri
28,000 YEN
size : W9.6cm×9.4cm×H13.5cm 450ccHe inherited the style of his grandfather Kei Fujiwara and his father Yuu Fujiwara.
It is a style that pursues simple beauty without relying on technique.
This Tokkuri is also made according to that style.
The beautiful spherical body has a strong presence.
The fire pattern is also a traditional method of firing by Fujiwara Clan.
He wrapped straw around the neck of this Tokkuri, covered it with another object, and fired it.
Takashi Soga - Bizen Hisago Tokkuri
50,000 YENSold out
size : 9.1cm×9.1cm×16.5cm 360ccTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This Tokkuri is based on the old Bizen Hisago Tokkuri from the Momoyama period.
Pushing in the lower part and the resulting unique neck tilt, And a diamond-shaped stamp pattern.
Anjin Abe - Saishiki Bizen Guinomi
200,000 YENSold out
size : W7.0cm×6.1cm×H6.7cmAnjin Abe is a professional in old ceramic research.
He studied various types of old ceramics while working as an oil painting painter.
His work, based on his deep insight and research, is comparable to old ceramics.
This work is a series called "Saishiki Bizen".
His original technique of bonding glass and gold to the surface while burning.
This is a wonderful series that fuses old Bizen's firing method with oil painting technology.
Takashi Soga - Bizen Guinomi
16,500 YENSold out
size : W6.0cm×5.9cm×H5.5cmTakashi Soga researches old Bizen were and uses it as a hint for his work creation.
He does not use any kiln tools made with modern chemistry.
He wants to recreate the environment where the old Bizen ware was made in his atelier.
His work, made in a unique environment, is very similar to old Bizen ware.
This work is his new Guinomi, which was just baked in July 2020.
A mysterious Yohen like black soot is added to his characteristic blue silver Hidasuki.
Shuroku Harada - Bizen Guinomi
50,000 YENSold out
size : W7.8cm×7.3cm×H5.6cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
Looking at the enclosed resume, I presume that it was made around 1990.
He completed the shape by shaving this Guinomi with a wooden spatula.
It has a visual effect, leaving a shaving mark, and it is speculated that it was the basis of his "Shinogi technique" later.
Kosuke Kaneshige - Bizen Hidasuki Guinomi
45,000 YENSold out
size : W5.9cm×5.9cm×H6.3cmKousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This work was fired in an electric kiln at the end of 2020.
His electric kiln has ducts and can burn firewood.
And the firing time is about one week, which is a long time.
The flame of a firewood creates a beautiful surface that cannot be achieved by electricity alone.
Kosuke Kaneshige - Bizen Guinomi
30,000 YENSold out
size : W6.5cm×6.5cm×H6.1cmKousuke Kaneshige is the third son of Toyo Kaneshige.
He lives in Kagato, Bizen City, where potters have lived since the old days.
He creates traditional Bizen ware and innovative sculptures while following the teachings of his father, Toyo Kaneshige.
This is the latest work he fired at the end of 2020.
It is Guinomi of Goma fired in the back of the firing mouth in front of Noborigama kiln.
On the surface of the work Beautiful yellow Goma is attached to give a smooth texture.
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