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Bizen Sake Bottle & sake Cup

1067 Items

FIRST PREV 60 / 89 page NEXT LAST

Yuho Kaneshige - Imbe Guinomi

55,000 YEN
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size : W7.2cm×6.8cm×H5.0cm

Yuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
He built a small Noborigama kiln in 2005.
He burned this Guinomi in the small Noborigama kiln for the first time in a long time.
Koudai seems to be a master sword that has been forged due to its sharp design and the beauty of clay in cross section.


Yuho Kaneshige - Imbe Guinomi

55,000 YEN
Sold out

size : W6.7cm×6.6cm×H5.0cm

He inherited Inbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
But around 2018 he started a new challenge.
He demolished the kiln that he inherited from his father and made a more primitive kiln.
He built a small Noborigama kiln in 2005.
He burned this Guinomi in the small Noborigama kiln for the first time in a long time.
The most vivid scarlet clay color of this Guinomi is hidden in Koudai.
When wet with Sake, it will entertain the owner with a wonderful clay color.


Tadashi Yoshimoto - Bizen Bajouhai

11,000 YEN
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size : W6.7cm×6.6cm×H6.8cm

Tadashi Yoshimoto is a disciple of Kei Fujiwara.
He respected Kei Fujiwara and inherited the technique of Bizen ware.
He makes simple and easy-to-understand Bizen ware without excessive decoration.
This Bajouhai is also made according to the theme.
Bajouhai was inspired by the cup shape used by Mongolians on horseback.
Beautiful "Kasegoma" is a complex mixture of blue, green, gray and yellow.
The exposed part of the clay becomes a more wonderful color when wet with sake.


Tomoyuki Matsui - Bizen Neriage Guinomi

11,000 YEN
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size : W6.3cm×6.3cm×H6.3cm

I would guess that he created this piece around 1992.
He invented various new ways of firing Bizen ware in addition to standard Bizen ware.
This is one such piece, a "Neriage" piece made of multiple folded and stacked layers of different types of clay, which are then formed on the potter's wheel.
In addition to the marbled pattern of Neriage, the natural glaze adhering to the surface causes further changes in coloration.
Guinomi's exemplary design is typical of his work as a pottery instructor.


Seiho Kakumi - Bizen Yakusugi Itame Guinomi

22,000 YEN
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size : W6.1cm×6.0cm×H6.2cm

This Guinomi is part of the "Yakusugi Itame" series Guinomi began in 2005, in which he transfers patterns of Yakusugi cedar onto his works.
Seihou's brother-in-law, Kazan Mazda IV, passed away in 2003, and Seihou inherited his Yakusugi boards.
He used a Yakusugi cedar plank to stretch the clay into a board shape and transfer the grain of the wood onto the clay.
As it was, he rounded the clay board into a cylindrical shape to complete the work.
This technique is called "tatara" in Bizen.


Tsuneo Osawa - Bizen Guinomi

8,800 YEN
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size : W7.3cm×7.1cm×H5.7cm

He has been researching old Bizen ware and other ancient ceramics.
While using the knowledge he has gained through his research to create his works, his theme is to create works that match the modern life.
The firing in an anagama kiln, rather than in an electric kiln, gives Hidasuki a very subdued color.
The azuki color of Hidasuki is reminiscent of Kobizen.
The shape of the bowl has the essence of Karatsu ware rather than Bizen ware.


Tsuneo Osawa - Bizen Guinomi

8,800 YEN
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size : W7.7cm×7.7cm×H5.6cm

He has been researching old Bizen ware and other ancient ceramics.
While using the knowledge he has gained through his research to create his works, his theme is to create works that match the modern life.
The red clay color of this Guinomi is a "well-fired" red, reminiscent of old Bizen ware.
And he scrapes the surface of the Guinomi as if brushing it.
Rather than shaping, the scraping technique seems to evoke the power that lies dormant in the clay.


Rakuzan Fujiwara? - Ao-Bizen Guinomi

33,000 YEN
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size : W7.2cm×7.1cm×H6.0cm

This is a Guinomi made by Rakuzan Fujiwara Ⅱ in 1937.
I had his son, Rakuzan Fujiwara Ⅲ, authenticate it and sign the wooden box.
Their Ao-Bizen is fired in a small kiln with a special structure using salt water.
The entire piece is a gray with blue blends, and some of the vermilion color occurs and is beautiful.


Shuroku Harada - Bizen Guinomi

66,000 YEN
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size : W6.5cm×6.1cm×H6.4cm

Shuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi is his last work.
He fired this entire piece with rice straw wrapped around it.
The areas where the rice straw mixed with the natural glaze are "itogoma.
The areas that were nearly sealed and did not adhere to the natural glaze are "hidasuki.


Koichiro Isezaki - Yohen Guinomi

26,000 YEN
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size : W7.5cm×7.0cm×H6.1cm

Koichiro Isezaki is Jun Isezaki's eldest son.
He uses kiln in a tunnel-like shape called "anagama".
This Guinomi was fired in August 2022.
There is a hole in the middle of anagama for small firewood.
The firewood that was put in during firing turned into a black fire pattern for this works.
He shaped the body by shaving it with a wooden spatula, while Koudai made it by gluing together lumps of clay.


Takashi Baba - Shino Guinomi

17,600 YEN
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size : W7.2cm×6.8cm×H6.0cm

Takashi Baba is a ceramic style that combines sculpture and Bizen ware.
He uses a lot of shavings and patterns to create highly artistic works.
This Guinomi was fired by him in July 2022.
Based on Bizen clay, it was glazed with Shino and baked in Bizen Noborigam kiln.
Shino glaze changed to more complex shades with Noboligama kiln.
A green natural glaze is layered on top of Shino's white glaze.


Toru Ichikawa - Guinomi VANISHING POINT

46,200 YEN
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size : W8.0cm×7.8cm×H5.8cm

Toru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
He named this Guinomi "VANISHING POINT".
He added more iridescence on top of the ultramarine glaze.
It's a strange color, like burnt titanium.


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