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Bizen Sake Bottle & sake Cup

803 Items

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Yoshinobu Morimoto - Bizen Guinomi

15,000 YEN
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size : W8.4cm×7.9cm×H4.6cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This Guinomi is also a wonderful piece created from his knowledge and skills.
This Guinomi is fired with rice straw.
Natural glaze and rice straw combine to affect the shape and color of the fire pattern.



Makoto Kaneshige - Bizen Guinomi

88,000 YEN
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size : W6.0cm×5.7cm×H6.8cm

He inherits the skills of his father, Sozan Kanesige.
I feel Sozan Kanesige's powerful and intense design from his work.
And since they have valued clay for generations, they have great clay.
When I first saw this Guinomi, I thought it was "broken."
The clarified Goma and the light brown inside color are features of overheating at high temperatures.
When Bizen potter opens kiln, you can see such broken works.
But this work was not broken, The wonderful harmony of fire and clay has caused miracles.



Yoshinobu Morimoto - Hidasuki Syuhai

15,000 YEN
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size : W8.1cm×7.6cm×H4.0cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This guinomi is also a wonderful piece created from his knowledge and skills.
There is a chocolate color on the surface of the work.
Hidaski feels the wabi-sabi seen in old Bizen ware.



Jun Isezaki - Bizen Tokkuri

70,000 YEN
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size : W8.5cm×8.5cm×H12.3cm 320cc

Jun Isazaki is a human living national treasure in Bizen were. (Fifth person in Bizen ware)
This Tokkuri is a work of his career midterm.
The sign drawn on the bottom of the work is "AI".
This Tokkuri was fired in Noborigama kiln.
The first thing I saw and felt was very similar to the fire pattern of his brother Mitsuru Isezaki.
You can see the characteristic fire patterns of Noborigama kiln such as "Goma", "Sangiri" and "Kinsai".



Yoshinobu Morimoto - Hidasuki Shuhai

15,000 YEN
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size : W7.1cm×6.9cm×H5.8cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This guinomi is also a wonderful piece created from his knowledge and skills.
There is a slight blue color on the surface of the work.
Hidaski feels the wabi-sabi seen in old Bizen ware.



Yoshinobu Morimoto - Bizen Hisago Tokkuri

40,000 YEN
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size : W8.8cm×8.8cm×H14.8cm 250cc

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This Tokkuri is also a wonderful piece created from his knowledge and skills.
This Tokkuri is fired with rice straw.
Natural glaze and rice straw combine to affect the shape and color of the fire pattern.



Kei Fujiwara - Bizen Tokkuri

150,000 YEN
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size : W9.3cm×9.3cm×H12.8cm 350cc

This is a later work of Kei Fujiwara's career.
I guessed with Tokkuri's sphere-like design and his signature.
This Tokkuri has a green natural glaze called "Kase goma" attached to the entire work.
Keiji Fujiwara said in his lifetime, "I like kase goma best among the Bizen ware fire patterns."
Growing up in the majestic nature of Bizen City, he felt the beauty of nature in Kase goma.



Yoshinobu Morimoto - Ido Sakazuki

15,000 YEN
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size : W8.7cm×8.6cm×H5.2cm

Yoshinobu Morimoto loves old ceramics.
He constantly considers the methods of firing and making old ceramics.
He converts them into modern methods and incorporates them into his pottery life.
This guinomi is also a wonderful piece created from his knowledge and skills.
This sakazuki is a miniature version of the ido tea bowl.
Kairagi, a red mark and kanyu, which are the features of ido tea bowl, are reproduced.



Shosuke Baba - Bizen Guinomi

8,000 YEN
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size : W6.1cm×5.8cm×H5.3cm

Shosuke Baba became a Bizen potter after studying painting.
His style is the same simple and traditional style as his teacher, Zenji Urakami.
This Guinomi also has a concave central part like a teacher.
Goma has a beautiful yellow color and purple surface with a golden effect.



Kei Fujiwara - Bizen Tokkuri

120,000 YEN
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size : W9.0cm×9.0cm×H15.4cm 400cc

This is an early work in Kei Fujiwara's career.
His signature is an early form.
A fire pattern called "Sangiri" occurs in the entire work.
This is a fire pattern often found in Bizen ware in the early Showa era.
The design of the work is the same as that of the old Bizen ware "Kabura type".
This is the origin of Kei Fujiwara's sake bottle.



Anjin Abe - Inbe Guinomi

100,000 YEN
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size : W6.9cm×6.2cm×H6.6cm

Anjin Abe is a professional in old ceramic research.
He studied various types of old ceramics while working as an oil painting painter.
His work, based on his deep insight and research, is comparable to old ceramics.
This work reproduces Bizen ware called "Inbete", which was invented in the early Edo period.
The clay that is different from the base clay is painted on the surface.
As a result, the surface of the work has changed to an old leather product.



Tosyu Yamamoto - Bizen Tokkuri

130,000 YEN
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size : W9.1cm×9.1cm×H12.0cm 380cc

Toshu Yamamoto was called the master of the Rokuro.
He likes symmetrical neat modeling.
This Tokkuri is a mid-term work in his career.
His emblem is designed to be close to an equilateral triangle.
This Tokkuri is made using low iron content clay.
This Tokkuri is fired with rice straw rolled in the same way as the old Bizen ware.



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