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Bizen Sake Bottle & sake Cup
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Jun Isezaki - Bizen Kuro Guinomi
120,000 YENSold out
size : W6.7cm×6.6cm×H7.1cmHe makes works with normal Bizen clay, and paints black clay after drying.
"Kuro" is made of clay with a high iron content in the Osafune district of Okayama prefecture.
Add a small amount of cobalt after dissolving them in water to make it liquid.
The black clay applied to the work changes to beautiful black when fired.
This Guinomi is interesting because it is transformed by a fiery flame.
Masahiro Miyao - Kuro Guinomi
15,400 YENSold out
size : W6.2cm×6.0cm×H6.3cmHe presents his work in two ways: traditional Bizen ware style and black style.
This Guinomi is made in black style.
It is a technique to apply mud containing a small amount of cobalt, which has been popular since 2000.
Black-style pieces have a beautiful black clay color that is roughly glossy and a bright cobalt blue fire pattern.
However, in this Guinomi, the black is almost completely transformed into indigo, which is very strange.
The black color is still present in the base, and in the areas where the clay is thin, a beautiful black color can be seen.
Shuroku Harada - Bizen Guinomi
80,000 YENSold out
size : W7.5cm×6.6cm×H7.1cmShuroku Harada was studying old Bizen ware.
He was a student of ceramics researcher Katsura Matasaburo.
The knowledge gained is the basis of his pottery style.
He hasn't fired kiln in recent years.
This Guinomi was fired by him around the year 2000.
This Guinomi has a lot of natural glaze so that it seems as if it was glazed.
The beautiful pale green natural glaze has a different texture from place to place.
There is his own way to make the body.
He builds the body by stacking clay into tubes.
Mitsuru Isezaki - Imbe Guinomi
20,000 YENSold out
size : W7.1cm×6.4cm×H5.6cmMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This work was fired by him around 2003.
The surface of this Guinomi has a rainbow-colored fire pattern called "Kinsai".
Due to the influence of Kinsai, Hangzhou has also changed to a metallic color.
Toru Ichikawa - Guinomi VANISHING POINT
38,170 YENSold out
size : W8.1cm×8.0cm×H6.0cmToru Ichikawa is a disciple of Ryuichi Kakurezaki.
He is keen to research glaze for ceramics.
He is constantly challenging new expressions with original and philosophical themes.
The theme of this time is "Cosmological" and "Why people live".
He named this Guinomi "VANISHING POINT".
The glaze on the periphery is very fine grained and looks like reptilian scales.
The inside is colored like the nacreous layer of a seashell.
Seiho Kakumi - Bizen Jomon Guinomi
45,000 YENSold out
size : W7.0cm×6.5cm×H6.6cmThis Guinomi was fired by him in 2001.
The word "Jomon" refers to the Jomon period and is derived from the rope-like decoration.
The senior potters he respected and asked to teach him loved Bizen ware of the Momoyama Muromachi and Kamakura periods.
He aimed for the Jomon period, which was even older than those times.
He cooks this Guinomi in a lower temperature range.
Yuho Kaneshige - Imbe Hidasuki Hai
20,000 YENSold out
size : W7.8cm×7.6cm×H4.6cmYuho Kaneshige is the third son of Sozan Kaneshige.
He inherited Imbe's house and kiln from his father.
He was presenting traditional Kaneshige style works.
This works was made by him a few years ago.
This Guinomi was made in 1998.
Hidasuki, which he fired in an electric kiln given to him by Sozan Kaneshige, is very beautiful.
Guinomi is originally a simple work, but it is designed like a tea ceremony pottery by Yuho's technique.
Mamoru Taku - Bizen Tokkuri
10,000 YENSold out
size : W8.9cm×8.9cm×H11.7cm 310ccMamoru Taku is a potter and researcher.
Various clays in Okayama prefecture are collected and test fired.
He researches various soil chemical reactions of fire and clay that occur when Bizen ware burns.
This Tokkuri was made around 2004.
Goma is layered with a natural glaze that looks like mist.
The way the Goma gathers and flows down is like a waterfall.
Zenji Urakami - Bizen Shuhai
45,000 YENSold out
size : W7.3cm×7.1cm×H5.8cmThis work was created by him in 1997.
This is Guinomi, presented at an exhibition by Zenji Urakami and his son-in-law Mitsuhiro Urakami.
He made a blue works (Ao-Bizen) with a strong reduction by special firing with an electric kiln.
And the blue works Hidasuki will change to blackish.
The design of this tea bowl is simple and you can enjoy the beauty of the blue color.
Tomoyuki Matsui - Bizen Guinomi
10,000 YENSold out
size : W6.3cm×6.3cm×H5.7cmI would guess that he created this piece around 1992.
Goma and Youhen are attached to the surface as one.
The clay color is a deep reddish purple, like red wine.
And throughout the skin, a fire pattern like the glow of metal called Kinsai occurs.
Guinomi's exemplary design is typical of his work as a pottery instructor.
Izuru Yamamoto - Bizen Burgundy Hidasuki Guinomi
10,000 YENSold out
size : W6.6cm×6.6cm×H5.7cmHis ceramic style is a combination of the traditional Bizen ware technique inherited from Toushu Yamamoto and the sculpting technique learned in France.
He is famous for his own unique molding method and coloring of clay.
This Guinomi was created by him around 1999.
He used the clay from Burgundy, France.
The color is more yellow than his usual Hidasuki, and the overall tone is warmer.
The surface texture is also very smooth and comfortable.
Mitsuru Isezaki - Bizen Guinomi
35,000 YENSold out
size : W6.7cm×6.7cm×H5.1cmMitsuru Isezaki is one of the potters who inherited Bizen ware redeveloped by Toyo Kanesige.
His pottery style is simple and undecorated to show off the goodness of the clay.
This Guinomi has a beautiful texture due to the good quality of the clay.
I think it is Guinomi, which is rare among Mitsuru's works.
Koudai is a type called "Goke zoko" which is a design that sinks into the body.
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